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Benjamin Boretz

Albums

One: an Exercise 8 Piano Soundsessions by Benjamin Boretz

Piano Music 1976-2000

Songs in corporation with

"("Starting Now, From Here..."): Three Occasions of Sociomusical Reflection": "I Say,..." Endtext for Occasion No. 1 (Benjamin Boretz & Penelope Hyde)

"("Starting Now, From Here..."): Three Occasions of Sociomusical Reflection": "Such as,..." Cuts Nos. 3 and 4 for Occasion No. 2 (Benjamin Boretz & Penelope Hyde)

NAIL SOUP (Benjamin Boretz, Doug Henderson)

..Incorporate No Language (Benjamin Boretz, J.K. Randall)

In Which.. (Benjamin Boretz, J.K. Randall)

Seattle.. (Benjamin Boretz, J.K. Randall)

Rather Not Levitate Alone.. (Benjamin Boretz, J.K. Randall, Wally Shoup, LaDonna Smith, Davey Williams)

Conversation Pit.. (Benjamin Boretz, Janet Farr)

..Red Ink Blots (Benjamin Boretz, Jeff Presslaff)

..Wire (Benjamin Boretz, Jeff Presslaff, J.K. Randall)

Don't Be So Polite.. (Benjamin Boretz, Jill Borner)

SOUND, BODY (Benjamin Boretz, Jill Borner)

What If the Book You Want to Sit and Read Happens to Be a Radio Play? (Benjamin Boretz, Jill Borner, Chuck Stein)

Grunt.. (Benjamin Boretz, Jill Borner, Keith Eisenbrey, Dan Sedia)

..On Ice (Benjamin Boretz, Kathy Osgood)

..Converge (Benjamin Boretz, Lenore Epstein, John Leaman, Michael O'brien)

..Infra Structure (Benjamin Boretz, Leo Smith)

Sugar, Free.. (Benjamin Boretz, Leo Smith)

..Om Namah Shivaya (Benjamin Boretz, Marjorie Tichenor)

The Purposes and Politics of Engaging Strangers - A Socioexpressive Occasion (Benjamin Boretz, Mary Lee Roberts)

("Starting Now, from Here") : Three Occasions for Sociomusical Reflection (Benjamin Boretz, Penelope Hyde, Elaine Barkin, J.K. Randall)

I Say... : Endtext for Occasion N°1 (Benjamin Boretz, Penelope Hyde, Elaine Barkin, J.K. Randall)

Such As... : Cuts Nos. 3 and 4 for Occasion No. 2 (Benjamin Boretz, Penelope Hyde, Elaine Barkin, J.K. Randall)

The River Between.. (Benjamin Boretz, Richard Teitelbaum)

(Benjamin Boretz, Ross Rabin, J.K. Randall, Marjorie Tichenor)

Urtext.. (Benjamin Boretz, Sarah Johnson)

..Twine (Elaine Barkin, Benjamin Boretz)

CD 10/1 (J.K. Randall, Benjamin Boretz)

CD 10/2 (J.K. Randall, Benjamin Boretz)

CD 10/3 (J.K. Randall, Benjamin Boretz)

Language ,As a Music - I Thesis (J.K. Randall, Benjamin Boretz)

Language ,As a Music - II Argument (J.K. Randall, Benjamin Boretz)

Language ,As a Music - III Spec Sheet (J.K. Randall, Benjamin Boretz)

Language ,As a Music - IV Red Hook (J.K. Randall, Benjamin Boretz)

Language ,As a Music - V Ivy (J.K. Randall, Benjamin Boretz)

Language ,As a Music - VI Epilogue (J.K. Randall, Benjamin Boretz)

Shouldn't We Talk? III (J.K. Randall, Benjamin Boretz)

Shouldn't We Talk? II (J.K. Randall, Benjamin Boretz)

Shouldn't We Talk? IV (J.K. Randall, Benjamin Boretz)

Shouldn't We Talk? I (J.K. Randall, Benjamin Boretz)

UN(-) (J.K. Randall, Benjamin Boretz)

r.. (Jo Anna Allen, Benjamin Boretz)

...Part One (Tildy Bayar, Benjamin Boretz, Frank Carter, Bruce Huber, Penelope Hyde)

Part Two.. (Tildy Bayar, Benjamin Boretz, Frank Carter, Bruce Huber, Penelope Hyde)

..Lotus (Tildy Bayar, Benjamin Boretz, Penelope Hyde, Sol Pittenger, Dan Sedia)

Songs

(". . . My Chart Shines Where the Blue Milk's Upset . . .")

("A Score Is a Stimulus . . .") Wait/Explore Contradictories/Develop a Definite Attitude Toward Other Players/Think Back

("What I Could Hear . . . ")

('…My Chart Shines High Where the Blue Milk's Upset…')

Computer Music, Experiemental, Electronic Music, Modern Classical, American Music - Benjamin Boretz - Black / Noise I

Concerto Grosso

Echoic / Anechoic

Extract Meaning/Exchange/Inhabit

Fantasy on an Improvisation by Jim Randall

Four:Text::Commentary..

Group Variations II for Computer

Group Variations II.1

Group Variations

In Under, Not Toward..

Lament for Sarah

Onetext Commentary

Partita for Piano III

Partita for Piano II

Partita for Piano IV

Partita for Piano

Postlude for String Quartet, with Jim Randall in Mind

The River Between

The Sun Poured Molten Glass on the Fields

Threetext Commentary

Two Holy Sonnets II

Two Holy Sonnets I

Twotext Commentary

Un(-) (For Orchestra)

With Respect to George