Daniel Steffey
Albums
Chloros
Songs in corporation with
1.7 (Ernesto Cárcamo Cavazos, Daniel Steffey)
2.9 (Ernesto Cárcamo Cavazos, Daniel Steffey)
Conejo (Ernesto Cárcamo Cavazos, Daniel Steffey)
Control Voltage Feedback Study No. 1 (Ernesto Cárcamo Cavazos, Daniel Steffey)
Kotija (Ernesto Cárcamo Cavazos, Daniel Steffey)
Songs
(Micro)Cassette Music Volume One - Side A
(Micro)Cassette Music Volume One - Side B
(RSin)F=M
-+Sig(gliss)P
A C(h)ord to Warp Your Mind Inside
A Collection of Censored Experiments
A Cord to Wrap Your Mind Around
A Scratch and Sniff Sticker at the Bottom of a Waiting Pool
An Uncensored Experiment
Aria for Solo Voice and Am Transmitter
Automatic Circuitry
Automatic Shortwaves
Automatic Synthesis #1
Automatic Synthesis #2
Automatic Synthesis #3
Automatic Synthesis #4
Automatic Synthesis #5
Automatic Synthesis #6
Automatic Synthesis #7
Automatic Synthesis
Bide
CISS
Cadenza for (Amplified Solo Cello)
Chloros
Chromatic Battery
Claque
Collapse
Control Voltage Feedback Study No. 1
DTI
Diode Mix Hex Circuit 1.3
Diode Mix Hex Circuit 1.7
Discord #2
Discord #3
Discords 1-5
Discords and Dysrhythmia
Dr. Copenhagen
Dysrhythmia
Everyone Always Becomes Yesterday's News
FLAIR
Fluffy Armageddon
For Clarinet Solo and Percussion
For Computer Controlled Synthesizer #1
For Three Oscillators - III
For Three Oscillators - II
For Three Oscillators - I
For a Synthetic Voice #1
For a Synthetic Voice #2
For a Synthetic Voice #3
Gradient
Guitar Cords
Hopscotch on the Rocks
IX
In Memoriam Pauline Oliveros
Interactive Arduino Circuit No. 1
Interactive Arduino Circuit No. 2
Interlude
Interpolation in the AM Band
Interpolation in the FM Band
Interpolation in the Spectral Band
Introduction
Kenny the Kleptomaniac
Lower Springs
MP Rage
Metals
Motions for the Tranzac #2
Motions for the Tranzac
Movement 1
Movement 2
Movement 3
Movement 4
Movement 5
Movement 6
Movement 7
Multilevel Feedback Circuit No. 1
Multilevel Feedback Circuit No. 2
Outroduction
Overlapping Frequency Circuit
Overloaded Schmitt Trigger
Overture in AM/FM
Paddywagon Merry-Go-Round
Part Eleven
Part Fifteen
Part Fourteen
Part Thirteen
Part Twelve
Phase One - The Introduction of One's Self
Phase Recognition #1S
Phase Recognition #2S
Phase Three - The Disintegration of I
Phase Two - The Duality of [Super]Ego
Pi R Squared
Pianodreams
Pneuma XI for Percussion and Tape
Radio Feedback Circuit
Radio Piece #7
Radio Piece #8
Radio Pieces
Radio Synthesis #4
Rats in the Cellar
Schizophrenic Prom Date
Semi-Automatic Synthesis #2
Semi-Automatic Synthesis #4
Short Study for Synthesizer
Sidewalk Chalk
Slaydie's Knees - Part Eight
Slaydie's Knees - Part Five
Slaydie's Knees - Part Four
Slaydie's Knees - Part Nine
Slaydie's Knees - Part One
Slaydie's Knees - Part Seven
Slaydie's Knees - Part Six
Slaydie's Knees - Part Ten
Slaydie's Knees - Part Three
Slaydie's Knees - Part Two
Square Canons
String Quartet #1
Study for a Computer Guided Interactive Modular Synthesizer System #1
T1
T2
The Anatomy of Troubleshooting
Three Unfinished Movements for Fixed Media
Trade Your Mind for Popularity
VIII
VII
VI
Variations on a Theme by Nick Wang
Zen in the Spectral Key of a for Piano and Synthesizer