Delusion of the Fury - A Ritual of Dream and Delusion
Delusion of the Fury: a Ritual of Dream and Delusion
Revelation in the Courthouse Park
Ten Settings of Lyrics by Li Po
The Harry Partch Collection Volume 4 (The Bewitched)
The Wayward: First Complete Recording
A Son in Search of His Father's Face (Harry Partch, Danlee Mitchell)
A Strange Fear (Harry Partch, Danlee Mitchell)
Act I: Sanctus (Harry Partch, Danlee Mitchell)
Act I: Treats with Death and with Life Despite Death (Harry Partch, Danlee Mitchell)
Act II: Pray for Me Again (Harry Partch, Danlee Mitchell)
Act II: Treats with Life and with Life Despite Life (Harry Partch, Danlee Mitchell)
An Entr'acte (Harry Partch, Danlee Mitchell)
Arrest, Trial and Judgement (Harry Partch, Danlee Mitchell)
Chorus of Shadows (Harry Partch, Danlee Mitchell)
Cry from Another Darkness (Harry Partch, Danlee Mitchell)
Emergence of the Spirit (Harry Partch, Danlee Mitchell)
Exordium (Harry Partch, Danlee Mitchell)
Pray for Me (Harry Partch, Danlee Mitchell)
The Beginning of a Web (Harry Partch, Danlee Mitchell)
The Lost Kid (Harry Partch, Danlee Mitchell)
The Misunderstanding (Harry Partch, Danlee Mitchell)
The Pilgrimage (Harry Partch, Danlee Mitchell)
The Quiet Hobo Meal (Harry Partch, Danlee Mitchell)
Time of Fun Together (Harry Partch, Danlee Mitchell)
Abstraction & Delusion (Partch, Harry Partch)
Allegro Paranoia (Partch, Harry Partch)
Barstow (Partch, Harry Partch)
Bonus Tracks (Partch, Harry Partch)
Canción De Los Muchachos (Partch, Harry Partch)
Cloud Chamber Music (Partch, Harry Partch)
Introduction (Partch, Harry Partch)
Narration (Partch, Harry Partch)
Scherzo Schizophrenia (Partch, Harry Partch)
Soldiers--War--Another War (Partch, Harry Partch)
Sonata Dementia (Partch, Harry Partch)
Study #1 on Olympus' Pentatonic (Partch, Harry Partch)
Study #2 on Archytas' Enharmonic (Partch, Harry Partch)
The Crane (Partch, Harry Partch)
The Letter (Partch, Harry Partch)
The Rose (Partch, Harry Partch)
The Street (Partch, Harry Partch)
The Waterfall (Partch, Harry Partch)
The Wind (Partch, Harry Partch)
Twelve Intrusions (Partch, Harry Partch)
Ulysses at the Edge of the World (Partch, Harry Partch)
Windsong (Partch, Harry Partch)
1. First Movement (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
1. Preface (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
1. Today I Am a Man (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
2. Estampie (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
2. Gentleman (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
2. Lecture (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
3. Air (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
3. Considered Pretty (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
4. Jhala I (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
4. a Very Good Idea (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
5. Jhala II (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
5. Possible Rides (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
6. Jesus Was God in the Flesh (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
6. Jhala III (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
7. Chaconne (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
7. You Lucky Women (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
8. Why in Hell Did You Come? (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
Lecture on the Weather (Southwest Chamber Music / John Cage, Lou Harrison, Harry Partch)
1. Fireworks Ritual: Those Good Old Fashioned Thrills
12 Intrusions: No. 1, Study on Olympus' Pentatonic
12 Intrusions: No. 10, Soldiers - War - Another War
12 Intrusions: No. 12, Cloud Chamber Music
12 Intrusions: No. 2, Study on Archytas' Enharmonic
12 Intrusions: No. 3, the Rose
12 Intrusions: No. 4, the Crane
12 Intrusions: No. 5, the Waterfall
12 Intrusions: No. 6, the Wind
12 Intrusions: No. 7, the Street
12 Intrusions: No. 8, the Letter
17 Lyrics of Li Po: on the Ship of Spicewood / by the Great Wall
17 Lyrics of Li Po: with a Man of Leisure / a Midnight Farewell / Before the Cask of Wine
2. Not So Young: Ritual for Adolescent Girls and Brass
3. Ishbu Kubu: Revelation of the Mystic Power
4. Tumble On: Climax of Welcome
A Quarter-Saw Section of Motivations and Intonations
A Son in Search of His Father's Face
Act I, Scene 1 a Decent and Honorable Mistake
Act I, Scene 1: a Decent and Honorable Mistake
Act I, Scene 2 Rhythm of the Womb - Melody of the Grave
Act I, Scene 2: Rhythm of the Womb - Melody of the Grave
Act I, Scene 3 Happy Birthday to You!
Act I, Scene 3: Happy Birthday to You!
Act I: Treats with Death and with Life Despite Death, on a Japanese Theme. Scene—A Shrine
Act II, Scene 1 "Nor These Lips Upon Your Eyes"
Act II, Scene 1: 'Nor These Lips Upon Your Eyes'
Act II, Scene 2 "Hunger, Thirst, Shouts, Dance!"
Act II, Scene 2: 'Hunger, Thirst, Shouts, Dance!'
Act II, Scene 3 "Land of Darkness and of Whirlwinds"
Act II, Scene 3: 'Land of Darkness and of Whirlwinds'
Act II: Treats with Life and with Life Despite Life, Based on an African Folk Tale
Act III, Scene 1 "Had I Not Once a Lovely Youth!"
Act III, Scene 1: 'Had I Not Once a Lovely Youth?'
Act III, Scene 2 "Let Us Contemplate Undazzed the Endless Reaches of My Innocence"
Act III, Scene 2: 'Let Us Contemplate Undazed the Endless Reaches of My Innocence'
And on the Seventh Day Petals Fell in Petaluma
And on the Seventh Day, Petals Fell in Petaluma (excerpt)
And on the Seventh Day, Petals Fell in Petaluma
And on the Seventh Day, Petals Fell on Petaluma
August 7 — Between Grants Pass and Klamath Falls, Oregon
Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California
Barstow — Eight Hitch-hikers' Inscriptions from a Highway Railing at Barstow, California
Barstow: Eight Hitchhiker Inscriptions From a Highway Railing at Barstow, California
Bartsow: Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California
Bonus Tracks: the Instruments of Harry Partch
By the Rivers of Babylon (137th Psalm)
Castor & Pollux (Harmonic Canon II)
Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances
Castor & Pollux - A Dance for the Twin Rhythms of Gemini
Castor & Pollux - a Dance for the Twin Rhythms of Gemini
Castor & Pollux, A Dance for the Twin Rhythms of Gemini: I. Castor
Castor & Pollux, A Dance for the Twin Rhythms of Gemini: II. Pollux
Castor & Pollux: A Dance for the Twin Rhythms of Gemini: From Plectra & Percussion Dances
Castor and Pollux (From Plectra & Percussion Dances)
Chorus of Delivery from the Egg
Come Away, Death From December, 1942
December 1942 [1. Come Away Death 2. the Heron 3. the Rose]
December 7, 1935 - Night. Four Black Walls -
Delusion of the Fury: a Ritual of Dream and Delusion
Douglas Moore: Come Away, Death
Dreamer Outtake: Making Rose Petal Jam
Dreamer: Director Stephen Pouliot's Commentary
EVEN WILD HORSES I.1 a Decent & Honorable Mistake
Eight Epilogue, Final Epilogue
Eleven Intrusions – the Street
Eleven Intrusions: I. Study on Olympos' Pentatonic
Eleven Intrusions: II. Study on Archytas' Enharmonic
Eleven Intrusions: III. the Rose
Eleven Intrusions: IV. the Crane
Eleven Intrusions: IX. Soldiers - War - Another War
Eleven Intrusions: V. the Waterfall
Eleven Intrusions: VI. the Wind
Eleven Intrusions: VII. the Street
Eleven Intrusions: VIII. Lover
Eleven Intrusions: XI. Cloud-Chamber Music
End of Scene Three and All of Chorus Four
Even Wild Horses - Act 3, Scene 1 - Had I Not Once a Lovely Youth
Even Wild Horses - Dance Music for an Absent Drama
Excerpts From: Revelation in the Courthouse Park
Exordium: the Beginning of a Web
Extracts from Bitter Music, a Hobo Journal
February 1, 1936 - San Bernardino
February 1, 1936 — San Bernardino
First Phase - Ring Around the Moon
Flux from Antiphony of Oedipus, "O Crowding Woods…"
Fourth Phase - Mumbo Jumbo, Hocus Pocus...
From Scene One. Hymn to Dionysus: Glory to the Male Womb
From Scene One. Hymn to Dionysus: Holy Joy and Get Religion
From Scene One. Hymn to Dionysus: What the Majority Believes
From Scene One: Hymn to Dionysus: Holy Joy and Get Religion
From Scene Two: Hymn to Dionysus: Glory to the Male Womb
From Scene Two: Hymn to Dionysus: What the Majority Believes
Hand Instruments - Partch in Epilogue
Hand Instruments, Partch in Epilogue
Hand Instruments: Bolivian double flute, Ugumbo
Harmonic Cannon III (Blue Rainbow)
Harrington Ranch, June 24, 1935
Heavenly Daze and a Million Years: Climax of Welcome
Hymn to Dionysus: Continuation
Hymn to Dionysus: Glory to the Male Womb
Hymn to Dionysus: Hell-Hounds of Madness
Hymn to Dionysus: Holy Joy and Get Religion
Hymn to Dionysus: O to Be Free Where No Man Is
Hymn to Dionysus: What the Majority Believes
I Draw My Last Bow, and There Is Silence…
I'm Going to Start Right Off by Giving You Some Sounds…
I. Castor and Pollux - A Dance for the Twin Rhythms of Gemini
I. U.S. Highball - A Musical Account of a Transcontinental Hobo Trip
I.2 Rhythm of the Womb, Melody of the Grave
II. Ring Around the Moon - A Dance Fantasm for Here and Now
II. San Francisco - A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
II.1 "Nor these lips upon uour eyes"
II.2 "Hunger, Thirst, Shout, Dance!"
II.3 "Land of darkness and of whirlwinds"
III. Even Wild Horses - Dance Music for an Absent Drama
III.1"Had I not a lovely youth?"
III.2 "Let us contemplate undazed the endless reaches of my innocence"
IV. Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California
In the Springtime on the South Side of the Yangtze Kiang
In the Springtime on the Southside of the Yangtzee Kiang
Introduction to Examples of Intonation
Intrusions: 1. Greek Anharmonic Scale, 2. Phyrgian Suite
Intrusions: 10. Lover, 11. Soldiers
Intrusions: 12. Cloud Chamber Music
Intrusions: 3. the Rose, 4. the Crane, 5. the Wind
Intrusions: 6. the Waterfall, 7. the Letter
Intrusions: 8. the Street, 9. Vanity
Johann Krieger: Menuet From Partita in G
July 20 - Heading North, Between Sacramento and Redding
July 20 — Heading North, Between Sacramento and Redding
July 24 — Federal Shelter, Portland
July 25 - Blue Ox Lodge, Seattle, Washington
July 25 — Blue Ox Lodge, Seattle, Washington
June 11, 1935 - Santa Rosa, California
June 11, 1935 — Santa Rosa, California
June 12 — Federal Shelter, Stockton
June 15 - Harrington Ranch, San Joaquin Delta
June 16 — Harrington Ranch, San Joaquin Delta
June 24 - Today Is My Birthday…
King Oedipus: Exit Oedipus - Dance-Pantomime
King Oedipus: Incidental Music
King Oedipus: Instrumental Commentary
King Oedipus: Tiresias Scene (Beginning)
King Oedipus: Tiresias Scene (Continued)
Life Is too Precious to Spend It with Important People
Little America to North Platte
Melodic Subtleties from the Bewitched
Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
Near Lodi I Cut the Huge Tokays…
November 15 - Leaving Santa Barbara
November 15 — Leaving Santa Barbara
O What Could He Do but Pick Her Up?
October 25 — Near Slate's Hot Springs
On Ascending the Sin-Ping Tower
On Hearing the Flute at Lo-Cheng One Spring Night (2)
On Hearing the Flute at Lo-Cheng One Spring Night
On Hearing the Flute at Lo-cheng
On Hearing the Flute in the Yellow Crane House
Opening Epilogue (After Three Days of Rain. Ghosts, Undele, Oomph! /)
Partch in Prologue Adapted Viola
Partch in Prologue, Adapted Viola
Partch's 1953 Introduction to the Live Broadcast of the Premiere on KPFA-fm
Partch's 1953 introduction to the life broadcast of the premiere
Phase Four - Mumbo Jumbo, Hocus Pocus, Hoity Toity, Hotsy Totsy, Acey Deucy, Hoochy-Koochy
Phase Four - Mumbo Jumbo, Hocus Pocus, Hoity Toity, Hotsy Totsy, Acey Ducey, Hoochy Koochy
Phase One - Well, Bless My Soul!
Phase Three - Shake Hands Now, Boys, and at the Sound of the Bell Come Out Fighting!
Phase Two - One, Two, Three - X,Y,Z
Phase Two - One, Two, Three, Four - X, Y, Zee
Plectra and Percussion Dances (Satyr-Play Music for Dance Theater)
Plectra and Percussion Dances - Satyr-Play Music for Dance Theater
Postlude - Harry Partch on Bitter Music - Encinitas, 1969
Pray for Me Again - A STRANGE FEAR!
Pray for Me Again - A Strange Fear!
Pray for Me Again a STRANGE FEAR!
Prologue - The Lost Musicians Mix Magic
Prologue – the Lost Musicians Mix Magic
Prologue: the Lost Musicians Mix Magic
RING AROUND THE MOON: "Ring around the moon"
Revelation in the Courthouse Park - Chorus One
Revelation in the Courthouse Park After the Bacchae of Euripides
Ring Around the Moon - A Dance Fantasm for Here and Now
Ring Around the Moon - A Dance for Here and Now
Ring Around the Moon - a Dance for Here and Now
Ring Around the Moon — a Dance Fantasm for Here and Now
Ring Around the Moon, A Dance Fantasm for Here and Now: Phase Two. One, Two, Three - X, Y, Z
Ring Around the World: Phase Four
Ring Around the World: Phase One
Rock Springs to Little America
Rotate the Body in All Its Planes - Ballad for Gymnasts
Rotate the Body in All Its Planes
San Francisco — Newsboys Cries
Save My Soul and Bless My Heart
Scene 1 - A Decent and Honorable Mistake
Scene 1 - Had I Not Once a Lovely Youth?
Scene 1 - Nor These Lips Upon Your Eyes
Scene 1 - Three Undergrads Become Transfigured in a Hong Kong Music Hall
Scene 1. Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
Scene 10 - The Cognescenti Are Plunged into a Demonic Descent While at Cocktails
Scene 10 - The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails
Scene 10 – the Cognoscenti Are Plunged into a Demonic Descent While at Cocktails
Scene 10. Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
Scene 10: the Cognoscenti Are Plunged Into a Demonic Descent While at Cocktails
Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
Scene 1: Three Undergrads Become Transfigured in a Hong Kong Music Hall
Scene 2 - Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual
Scene 2 - Hunger, Thirst, Shout, Dance!
Scene 2 - Let Us Contemplate Undazed the Endless Reaches of My Innocence
Scene 2 - Rhythm of the Womb, Melody of the Grave
Scene 2. Background for the Permutation of Exercises in Harmony and Counterpoint
Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint
Scene 2: Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual
Scene 3 - Happy Birthday to You!
Scene 3 - Land of Darkness and of Whirlwinds
Scene 3 - The Romancing of a Pathological Liar Comes to an Inspired End
Scene 3 – the Romancing of a Pathological Liar Comes to an Inspired End
Scene 3. Background for the Inspired Romancing of a Pathological Liar
Scene 3: Background for the Inspired Romancing of a Pathological Liar
Scene 3: the Romancing of a Pathological Liar Comes to an Inspired End
Scene 4 - A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy
Scene 4 – a Soul Tormented by Contemporary Music Finds a Humanizing Alchemy
Scene 4. Background for the Alchemy of a Soul Tormented by Contemporary Music
Scene 4: A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy
Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
Scene 5 - Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room
Scene 5. Background for the Visions of a Defeated Basketball Team in the Shower Room
Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
Scene 5: Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room
Scene 6 - Euphoria Descends a Sausalito Stairway
Scene 6. Background for the Euphoria on a Sausalito Stairway
Scene 6: Background for the Euphoria on a Sausalito Stairway
Scene 6: Euphoria Descends a Sausalito Stairway
Scene 7 - Two Detectives on the Tail of a Tricky Culprit Turn in Their Badges
Scene 7. Background for the Transmutation of Detectives on the Trail of a Culprit
Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
Scene 7: Two Detectives on the Tail of a Tricky Culprit Turn in Their Badges
Scene 8 - A Court in Its Own Contempt Rises to a Motherly Apotheosis
Scene 8 – a Court in Its Own Contempt Rises to a Motherly Apotheosis
Scene 8. Background for the Apotheosis of a Court in Its Own Contempt
Scene 8: A Court in Its Own Contempt Rises to a Motherly Apotheosis
Scene 8: Background for the Apotheosis of a Court in Its Own Contempt
Scene 9 - A Lost Political Soul Finds Himself Among the Voteless Women of Paradise
Scene 9. Background for a Political Soul Lost Among the Voteless Women of Paradise
Scene 9: A Lost Political Soul Finds Himself Among the Voteless Women of Paradise
Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
Second Phase - One, Two, Three, Four...
Sonata Dementia: I. Abstraction & Delusion
Sonata Dementia: II. Scherzo Schizophrenia
Sonata Dementia: III. Allegro Paranoia
Texts and Music: a Wagnerian Wrestling Match
The Bewitched - A Dance Satire [1956]
The Bewitched - Scene 10 & Epilogue
The Bewitched: Prologue. the Lost Musicians Mix Magic
The Bewitched: Scene 1. Three Undergrads Become Transfigured in a Hong Kong Music Hall
The Bewitched: Scene 3. the Romancing of a Pathological Liar Comes to an Inspired End
The Bewitched: Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy
The Bewitched: Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room
The Bewitched: Scene 6. Euphoria Descends a Sausalito Stairway
The Bewitched: Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges
The Bewitched: Scene 8. A Court in Its Own Contempt Rises to a Motherly Apothesis
The Bewitched: Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise
The Dreamer That Remains - A Study in Loving
The Dreamer That Remains: a Portrait of Harry Partch
The Five-Tone Scale of Olympos
The Instruments of Harry Partch / the Dreamer That Remains - A Portrait of Harry Partch
The Instruments of Harry Partch
The Opening Prologue, and Second Prologue, in Which the Instruments Attack the Producer
The Opening Prologue, and the Second Prologue, in Which the Instruments Attack the Producer
The Opening Prologue, and the Second Prologue
The Seven-Tone Enharmonic Scale
The Use of English in Serious Music
The Wayward, Pt. 1 "8 Inscriptions from a Highway Railing at Barstow, California": Introduction
The Wayward, Pt. 1 "8 Inscriptions from a Highway Railing at Barstow, California": No. 1, Barstow
The Wayward: First Complete Recording
The Wayward: I. U.S. Highball-A Musical Account of a Transcontinental Hobo Trip
The Wayward: IV. Barstow-Eight Hitchhiker Incriptions From a Highway Railing at Barstow, California
Third Phase - Shake Hands Now Boys...
To Hell with the Game! Rain! Rain! the Highest Good Is Like Water
To Hell with the Game! Rain! Rain! the Highest Goodness Is Like Water.
To Hell with the Game! Rain! Rain! the Highest Goodness Is Like Water
Two Duets from and on the Seventh Day Petals Fell in Petaluma
Two Settings from Joyce's Finnegans Wake
Two Studies on Ancient Greek Scales
U.S. Highball - 1958, Completed 1968
U.S. Highball - A Musical Account of a Transcontinental Hobo Trip
U.S. Highball — a Musical Account of Slim's Transcontinental Hobo Trip
Ulysses Departs From the Edge of the World
Ulysses Departs from the Edge of the World
Ulysses at the Edge of the World (A Minor Adventure in Rhythm)
Verses 32-34 from and on the Seventh Day Petals Fell in Petaluma
Water Criers and Lead-In Lines, O What Could He Do but Pick Her Up?
Water Criers, and Lead-In Lines, Witch for Water. the Aldermen's Fugue on No. Wanda the Water Witch
Water Criers. Intervening Dialog. We'll Sue You for a Million!
Water Criers. Intervening Dialogue. We'll Sue You for a Million!
Water Criers. the Baseball Game Is Called on Account of Rain!
Water! Water! - An Intermission with Prologues and Epilogues (1961)
We Really Love Each Other, in 43 Whines to the Octave
We Really Love Each Other. in 43 Whines to the Octave.
We Really Love Each Other. in 43 Whines to the Octave
While My Heart Keeps Beating Time
Witch for Water, Fugue on No, Wanda the Water Witch
Wunnantu Anda: Primitive Percussion Ritual
Y.D. Fantasy — on the Words of an Early American Tune
You Are Charged with Being Guilty. Are You Drunk or Not?