John Aler

Songs in corporation with

Messiah, Part II - Hallelujah (Andrew Davis with Toronto Symphony Orchestra, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey and Toronto Mendelssohn Choir)

Agnus Dei (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Allegro Con Fuoco (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Confutatis Maledictis (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Dies Irae (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Graduale (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Hostias (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Lacrimosa (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Largo (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Offertorium (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Pie Jesu (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Quid Sum Miser (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Recordare, Jesu Pie (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Requiem / Symphony No. 9 "From the New World" (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Requiem Aeternam (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Requiem, Op. 89 - Part II (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Requiem, Op. 89 - Part I (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Sanctus (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Scherzo -- Molto Vivace (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Symphony No. 9 in E Minor, Op. 95, "From the New World" (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Tuba Mirum (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

o Molto (Antonín Dvořák, Zdeněk Mácal, New Jersey Symphony Orchestra, Westminster Symphonic Choir, Joseph Flummerfelt, Oksana Krovytska, Wendy Hoffman, John Aler, Gustáv Beláček)

Four Ariettas and a Duet (Benita Valente, John Aler, Lydia Artymiw)

Four Songs, Op. 12, from Goethe's "Willhelm Meister" (Benita Valente, John Aler, Lydia Artymiw)

Four Songs, from Goethe's "Wilhelm Meister" (Benita Valente, John Aler, Lydia Artymiw)

Six Duets (Benita Valente, John Aler, Lydia Artymiw)

Two Italian Duets (Benita Valente, John Aler, Lydia Artymiw)

Cantata Profana Sz 94 / the Wooden Prince Sz 60 (Op. 13) (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & 3016490Chicago Symphony Chorus)

Cantata Profana Sz 94 (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Fifth Dance: the Princess Pulls and Tugs at the Wooden Prince (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

First Dance: Dance of the Princess in the Forest (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Fourth Dance: Dance of the Princess with the Wooden Prince (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

I. There Was Once an Old Man (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

II. but Their Father Grew Impatient (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

III. There Was Once an Old Man (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Introduction (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Second Dance: Dance of the Trees (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Sixth Dance: She Tries to Attract the Real Prince with Her Seductive Dancing (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Third Dance: Dance of the Waves (Béla Bartók - Pierre Boulez, John Aler & John Tomlinson, Chicago Symphony Orchestra & Chicago Symphony Chorus)

Cantata profana, Sz. 94: I. Molto moderato (Béla Bartók, John Aler, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez & Chicago Symphony Chorus)

Cantata profana, Sz. 94: II. Andante (Béla Bartók, John Aler, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez & Chicago Symphony Chorus)

Cantata profana, Sz. 94: III. Moderato (Béla Bartók, John Aler, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez & Chicago Symphony Chorus)

A Quoi Bon (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Aimons-Nous (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Barcarolle (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Boléro (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Chanson À Boire Du Vieux Temps (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Chant De Ceux Qui Vont Sur Mer (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Clair De Lune (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Dans Les Coins Bleus (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Dramatic Songs (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Duet from Nuit Persane (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Evening Songs (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Extase (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Guitares (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Gypsy Melodies (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

La Mort D'Ophélie (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Le Bonheur Est Chose Legere (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Le Cygnes (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Le Papillon (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Le Rossignol (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Maria Lucrezia (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Pastorale (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Peut-Etre (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Sea Songs (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Shepherds' Echo Duets (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Si Vous N'Avez (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Spring Songs (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Suzette Et Suzon (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Tristesse (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Victor Hugo Love Songs (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Viens (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Whimsical Songs (Camille Saint-Saëns, John Aler, John Ostendorf, John Van Buskirk)

Chramer, Gip Die Varwe Mir (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Amor Volat Undique (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Ave Formosissima (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Blanziflor Et Helena (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Carmina Burana (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Chramer, Gip Die Varwe Mir (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Circa Mea Pectora (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Dies, Nox Et Omnia (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Dulcissime (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Ecce Gratum (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Ego Sum Abbas (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Estuans Interius (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Floret Silva Nobilis (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Fortuna Imperatrix Mundi (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Fortune Plango Vulnera (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

I. Primo Vere (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

In Taberna Quando Sumus (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

In Trutina Mentis Dubia (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

O Fortuna (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Olim Lacus Colueram (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Omnia Sol Temperat (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Reie / Swaz Hie Gat Umbe / Chume, Chum Geselle Min / Swaz Hie Gat Umbe (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Si Puer Cum Puellula (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Stetit Puella (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Tanz (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Tempus Est Iocundum (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Uf Dem Anger (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Veni, Veni, Venias (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Veris Leta Facies (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Were Diu Werlt Alle Min (Carl Orff - Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Beginning (Carl Orff - London Symphony Orchestra, Eduardo Mata, Barbara Hendricks, John Aler, Håkan Hagegård)

Conclusion (Carl Orff - London Symphony Orchestra, Eduardo Mata, Barbara Hendricks, John Aler, Håkan Hagegård)

Amor Volat Undique (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ave Formosissima (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Blanziflor Et Helena (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Chramer, Gip Die Varwe Mir (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Circa Mea Pectora (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Dies, Nox Et Omnia (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Dulcissime (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ecce Gratum (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ego Sum Abbas (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Estuans Interius (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Floret Silva Nobilis (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Fortuna Imperatrix Mundi (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Fortune Plango Vulnera (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

I. Primo Vere (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

II. in Taberna (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

III. Cours D'Amour (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

In Taberna Quando Sumus (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

In Trutina (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

O Fortuna (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Olim Lacus Colueram (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Omnia Sol Temperat (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Reie (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Si Puer Cum Puellula (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Stetit Puella (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Tanz (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Tempus Est Iocundum (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Uf Dem Anger (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Veni, Veni, Venias (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Veris Leta Facies (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Were Diu Werlt Alle Min (Carl Orff - Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Amor Volat Undique = Love Flies Everywhere (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Amor Volat Undique (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ave Formosissima = Hail, Most Beautiful (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ave Formosissima (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Blanziflor Et Helena = Blanchefleur and Helen (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Blanziflor Et Helena (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Carmina Burana = Songs of Beuern (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Chramer, Gip Die Varwe Mir = Peddler, Give Me Paint (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Chramer, Gip Die Varwe Mir (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Circa Mea Pectora = Many Are the Sighs (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Circa Mea Pectora (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Dies, Nox Et Omnia = Day, Night, and Everything Else (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Dies, Nox Et Omnia (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Dulcissime = My Sweetest (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Dulcissime (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ecce Gratum = Behold the Welcome (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ecce Gratum (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ego Sum Abbas Cucaniensis = I Am the Abbot of Cuckoominster (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Ego Sum Abbas (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Estuans Interius = Boiling Inside (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Estuans Interius (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Floret Silva Nobilis = the Noble Forest Blooms (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Floret Silva Nobilis (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Fortuna Imperatrix Mundi = Fortune, Empress of the World (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Fortuna Imperatrix Mundi (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Fortune Plango Vulnera = I Bewail the Wounds of Fortune (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Fortune Plango Vulnera (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

I. Primo Vere = Early Spring (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

I. Primo Vere (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

II. in Taberna = in the Tavern (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

II. in Taberna (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

III. Cours D'Amour = the Court of Love (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

III. Cours D'Amour (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

In Taberna Quando Sumus = When We Are in the Tavern (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

In Taberna Quando Sumus (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

In Trutina = on the Scales (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

In Trutina (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

O Fortuna = O Fortune (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

O Fortuna (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Olim Lacus Colueram = the Lake Was Once My Home (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Olim Lacus Colueram (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Omnia Sol Temperat = Pure and Soft (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Omnia Sol Temperat (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Reie (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Si Puer Cum Puellula = When a Boy Tarries (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Si Puer Cum Puellula (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Stetit Puella = There Was a Girl (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Stetit Puella (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Tanz = Dance (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Tanz (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Tempus Est Iocundum = the Season Is Pleasant (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Tempus Est Iocundum (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Uf Dem Anger = on the Green (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Uf Dem Anger (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Veni, Veni, Venias = Come, Come, Will You Come (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Veni, Veni, Venias (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Veris Leta Facies = the Bounteous Face of Spring (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Veris Leta Facies (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Were Diu Werlt Alle Min = If the Whole Wide World Were Mine (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Were Diu Werlt Alle Min (Carl Orff : Sylvia McNair, John Aler, Håkan Hagegård, Saint Louis Symphony Orchestra & Saint Louis Symphony Chorus, Leonard Slatkin)

Carmina Burana (Carl Orff Avec Barbara Hendricks, London Symphony Chorus Et London Symphony Orchestra, Eduardo Mata, John Aler, Håkan Hagegård)

Amor Volat Undique (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Ave Formosissima (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Blanziflor Et Helena (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Chramer, Gip Die Varwe Mir (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Circa Mea Pectora (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Dies, Nox Et Omnia (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Dulcissime (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Ecce Gratum (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Ego Sum Abbas (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Estuans Interius (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Floret Silva Nobilis (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Fortuna Imperatrix Mundi (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Fortune Plango Vulnera (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

I. Primo Vere (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

II. in Taberna (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

III. Cour D'amours (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

In Taberna Quando Sumus (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

In Trutina Mentis Dubia (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

O Fortuna (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Olim Lacus Colueram (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Omnia Sol Temperat (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Reie / Swaz Hie Gat Umbe / Chume, Chum Geselle Min / Swaz Hie Gat Umbe (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Si Puer Cum Puellula (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Stetit Puella (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Tanz (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Tempus Est Iocundum (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Uf Dem Anger (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Veni, Veni, Venias (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Veris Leta Facies (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Were Diu Werlt Alle Min (Carl Orff — Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Chorus, St. Paul's Cathedral Choir of Men and Boys, Buffalo NY, London Symphony Orchestra, Eduardo Mata)

Carmina Burana (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra & London Symphony Chorus, Eduardo Mata)

10. Were Diu Werlt Alle Min (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

12. Olim Lacus Colueram (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

13. Ego Sum Abbas (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

14. in Taberna Quando Sumus (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

16. Dies, Nox Et Omnia (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

17. Stetit Puella (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

18. Circa Mea Pectora (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

19. Si Puer Cum Puellula (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

2. Fortune Plango Vulnera (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

20. Veni, Veni, Venias (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

21. in Trutina (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

22. Tempus Est Iocundum (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

23. Dulcissime (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

4. Omnia Sol Temperat (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

5. Ecce Gratum (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

7. Floret Silva (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

8. Chramer, Gip Die Varwe Mir (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

9. Reie (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Blanziflor Et Helena 24. Ave Formosissima (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Carmina Burana (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Cour D' Amours 15. Amor Volat Undique (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Fortuna Imperatrix Mundi 1. O Fortuna (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Fortuna Imperatrix Mundi 25. O Fortuna (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

In Taberna 11. Estuans Interius (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Primo Vere 3. Vens Leta Facies (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Uf Dem Anger 6. Tanz (Carl Orff, Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Amor Volat Undique (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Ave Formosissima (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Blanziflor Et Helena (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Chramer, Gip Die Varwe Mir (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Circa Mea Pectora (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Dies, Nox Et Omnia (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Dulcissime (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Ecce Gratum (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Ego Sum Abbas (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Estuans Interius (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Floret Silva Nobilis (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Fortuna Imperatrix Mundi (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Fortune Plango Vulnera (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

I. Primo Vere (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

II. in Taberna (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

III. Cour D'amours (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

In Taberna Quando Sumus (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

In Trutina (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

O Fortuna (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Olim Lacus Colueram (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Omnia Sol Temperat (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Si Puer Cum Puellula (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Stetit Puella (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Swaz Hie Gat Umbe - Chume, Chum Geselle Min (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Tanz - (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Tempus Est Iocundum (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Uf Dem Anger (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Veni, Veni, Venias (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Veris Leta Facies (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Were Diu Werlt Alle Min (Carl Orff, Edita Gruberova, John Aler, Thomas Hampson, Shinyukai Choir, Knabenchor Des Staats- Und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa)

Red Seal (Carl Orff, Saint Louis Symphony Orchestra, Sylvia McNair, John Aler, Håkan Hagegård, Leonard Slatkin)

Carmina Burana Part 1 [tracks 1-10]: Fortuna Imperatix Mundi: O Fortuna / Fortune plango vulnera / Primo vere: Veris leta facies / Omnia sol temperat / Ecce gratum / Uf dem anger: Tanz / Floret silva nobilis / Chramer, gip die varwe mir / Reie: Swaz hie g (Carl Orff: Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Carmina Burana Part 3 [tracks 15-25]: Cours d'amours: Amor volat undique / Dies, nox et omnia / Stetit puella / Circa mea pectora / Si puer cum puellula / Veni, veni, venias / in trutina mentis dubia / Tempus est iocundum / Dulcissime / Blanziflor et Hele (Carl Orff: Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata)

Acte II (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

I. Akt (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

II. Akt (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

III. Akt (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

IV. Akt (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Iphigénie en Tauride (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Premier Acte (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Quatrième Acte (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Scène 1 (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Scène 2 (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Scène 3 (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Scène 4 (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Scène 5 (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Scène 7 (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Troisième Acte (Christoph Willibald Gluck - Diana Montague, John Aler, Thomas Allen, René Massis, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, John Eliot Gardiner)

Acte III (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Acte II (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Acte I (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Arrêtez, Arrêtez ! (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Iphigénie En Aulide - Opéra En Trois Actes (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Marche (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Ouverture (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Passacaille (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 1 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 2 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 3 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 4 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 5 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 6 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 7 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 8 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Scène 9 (Christoph Willibald Gluck – Lynne Dawson, Anne Sofie Von Otter, José van Dam, John Aler, Bernard Delétré, Gilles Cachemaille, René Schirrer, Orchestre De L'Opéra De Lyon, the Monteverdi Choir, 833722John Eliot Gardiner)

Achille Est Couronné (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Adieu, Vivez Pour Oreste (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Adieu: Conservez Dans Votre Âme (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Air Gai (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Air Pour Les Esclaves (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Ami Sensible, Ennemi Redoutable (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Armez-Vous D'Un Noble Courage (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Au Faîte Des Grandeurs (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Brillant Auteur De La Lumière (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

C'Est Mon Père, Seigneur (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

C'Est Trop Faire De Résistance (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Calchas, D'Un Trait Mortel Percé (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Chantez, Célébrez Votre Reine (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Cruelle, No Jamais (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

D'Une Sainte Terreur (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

De Votre Audace Téméraire (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Hélas! Mon Coeur Sensible! (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Il Faut, De Mon Destin (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Jamais À Tes Autels (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Jupiter, Lance La Foudre (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Jusque Aux Voûtes Ethérées (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Ma Fille, Je La Vois (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Mon Coeur Ne Saurait Contenir (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Ne Doutez Jamais De Ma Flamme (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Nommez-nous La Victime (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

O Toi, L'Objet Le Plus Aimable (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Ouverture (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Par La Crainte Et Par L'Espérance (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Par Un Père Cruel (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Que D'Attraits (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Rassurez-vous, Belle Princesse (Christoph Willibald Gluck, José van Dam · Anne Sofie von Otter, Lynne Dawson · John Aler, John Eliot Gardiner)

Act 1 (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Act 2 (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Act 3 (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Auftrittslied. O Vaterland Du Machst Bei Tag . . . Da Geh' Ich Zu Maxim (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Chanson. Ja, Wir Sind Es, Die Grisetten (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Den Herrschaften Hab' Ich Was Zu Erzahlen! . . . Die Ehe Ist Fur Mich (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Der Junge Mann Tanzt Polka (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Die Lustige Witwe = the Merry Widow, Operetta (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Duet Und Romanze. Mein Freund, Vernunft! . . . Wie Eine Rosenknospe (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Duet. Ja Was? Ein Trautes Zimmerlein (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Duet. So Kommen Sie! . . . Ich Bin Eine Anstand'ge Frau (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Duett. Heia, Madel, Aufgeschaut . . . Dummer, Dummer Reitersmann (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Ein Flotter Ehestand Solls Sein: Ganz Nach Pariser Art! (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Entree-lied Und Ensemble. Bitte, Meine Herrn . . . Hab' in Paris Mich Noch Nicht Ganz So... (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Es Waren Zwei Konigskinder . . . Ich Gehe Zu Maxim (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Final I. Damenwahl! Es Gibt Keine Groß're Beleidigung (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Final II. Ha! Ha! Wir Fragen Was Man von Uns Will?! . . . Wie Eine Rosenknospe (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Introduktion. Tanz Und Vilja-lied. Ich Bitte, Hier Jetzt Zu Verweilen... (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Introduktion: Verehrteste Damen Und Herren (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Lippen Schweigen (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Marsch-Septett. Wie Die Weiber . . . Ja, Das Studium Der Weiber Ist Schwer (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Narration - Sir Dirk Bogarde (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Oh Kommet Doch, Oh Kommt, Ihr Ballsirenen . . . Wie Die Blumen Im Lenze Erbluh'n (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Schlußgesang. Ja, Das Studium Der Weiber Ist Schwer (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

Tanz-Szene (Franz Lehár, Felicity Lott, Thomas Hampson, John Aler, Elzbieta Szmytka, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Franz Welser-Möst)

A Faust Symphony (Franz Liszt / James Conlon, John Aler, Rotterdams Philharmonisch Orkest)

First Part: Faust (Franz Liszt / James Conlon, John Aler, Rotterdams Philharmonisch Orkest)

Second Part: Gretchen (Franz Liszt / James Conlon, John Aler, Rotterdams Philharmonisch Orkest)

Third Part: Méphistophélés (Franz Liszt / James Conlon, John Aler, Rotterdams Philharmonisch Orkest)

A Faust Symphony (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

Der Nachtiliche Zug (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

Der Tanz in Der Dorfschenke (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

First Part: Faust (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

Second Part: Gretchen (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

Third Part: Méphistophélés (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

Zwei Episoden Aus Lenau's Faust (Franz Liszt / James Conlon, Slovak Philharmonic Chorus, Rotterdams Philharmonisch Orkest, John Aler)

Joshua (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, 776898D'Anna Fortunato, 2710503John OstendorfOstendorf)

Acc. Recitative / Arioso (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Acc. Recitative / Tenor Air (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Accompanied Recitative (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Act One (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Act Three (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Act Two (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Fanfare / Recite / Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Joshua, English Oratorio in Three Acts (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Overture (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recit / Bass Air / Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recit / Tenor Air / Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Bass Air (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Duet (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Flourishes (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / March (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Mezzo Air (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Solo & Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Soprano Air (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Recitative / Tenor Air (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Solo & Chorus (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

Soprano Air (Georg Friedrich Händel - Rudolph Palmer, John Aler, Julianne Baird, D'Anna Fortunato, John Ostendorf)

And He Shall Purify (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Come Unto Him, All Ye That Labor (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Comfort Ye My People (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Comfort Ye (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Every Valley Shall Be Exalted (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Every Valley (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

For Unto Us a Child Is Born (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Hallelujah Chorus (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Hallelujah (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

He Shall Feed His Flock Like a Shepherd (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

He Shall Feed His Flock (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

His Yoke Is Easy (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

I Know That My Redeemer Lives (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

I Know That My Redeemer Liveth (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

O Thou That Tellest Good Tidings to Zion (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Overture (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

The Trumpet Shall Sound (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Worthy Is the Lamb That Was Slain (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Worthy Is the Lamb (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

nto Him (Georg Friedrich Händel : Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Messiah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, 837534Samuel Ramey, 2060040Toronto Mendelssohn Choir, 872098Toronto Symphony Orchestra, Andrew Davis)

All We Like Sheep (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

And the Glory the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Behold the Lamb of God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

For Unto Us a Child Is Born (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Hallelujah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

He Shall Feed His Flock (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

He Was Despised (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

O Thou That Tellest Good Tidings to Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

O Thou That Tellest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Part of the First (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Part of the Third (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Rejoice Greatly, O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

The Trumpet Shall Sound (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Why Do the Nations (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Worthy Is the Lamb - Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

Worthy Is the Lamb... Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Andrew Davis, Toronto Mendelssohn Choir, Toronto Symphony Orchestra)

No. 1 Sinfonia (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 10 Air—Bass: the People That Walked in Darkness (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 11 Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 13 Recitative—Soprano: and Lo, the Angel of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 14 Recitative—Soprano: and Suddenly There Was with the Angel (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 15 Chorus: Glory to God in the Highest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 16 Air—Soprano: Rejoice Greatly, O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 17 Duet—Alto & Soprano: He Shall Feed His Flock (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 18 Chorus: His Yoke Is Easy (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 19 Chorus: Behold the Lamb of God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 2 Recitative—Tenor: Comfort Ye My People (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 20 Air—Alto: He Was Despised (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 21 Chorus: Surely He Has Borne Our Griefs (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 22 Chorus: and with His Stripes We Are Healed (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 23 Chorus: All We Like Sheep (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 24 Recitative—Tenor: All They That See Him (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 25 Chorus: He Trusted in God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 26 Recitative—Tenor: Thy Rebuke Hath Broken His Heart (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 28 Recitative—Tenor: He Was Cut Off Out of the Land (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 29 Air—Tenor: but Thou Didst Not Leave (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 3 Air—Tenor: Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 30 Chorus: Lift Up Your Heads (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 31 Chorus: Let All the Angels of God Worship Him (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 32a Air—Bass: Thou Art Gone Up on High (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 33 Chorus: the Lord Gave the Word (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 34a Air—Soprano: How Beautiful Are the Feet (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 35a Chorus: Their Sound Is Gone Out (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 36 Air—Bass: Why Do the Nations? (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 37 Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 38 Aria—Tenor: Thou Shalt Break Them (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 39 Chorus: Hallelujah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 4 Chorus: and the Glory, the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 40 Air—Soprano: I Know That My Redeemer Liveth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 41 Chorus: Since by Man Came Death (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 42 Recitative—Bass: Behold, I Tell You a Mystery (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 43 Air—Bass: the Trumpet Shall Sound (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 44 Duet—Alto & Tenor: O Death Where Is Thy Sting? (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 45 Chorus: but Thanks Be to God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 46 Air—Soprano: If God Be for Us (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 47 Chorus: Worthy Is the Lamb...Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 5 Recitative—Bass: Thus Saith the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 6 Air—Bass: but Who May Abide (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 7 Chorus: and He Shall Purify (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No. 9 Recitative—Bass: for Behold, Darkness Shall Cover the Earth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.1 Sinfonia (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.10 Air—Bass: the People That Walked in Darkness (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.11 Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.13 Recitative—Soprano: and Lo, the Angel of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.14 Recitative—Soprano: and Suddenly There Was with the Angel (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.15 Chorus: Glory to God in the Highest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.16 Air—Soprano: Rejoice Greatly, O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.17 Duet—Alto & Soprano: He Shall Feed His Flock (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.18 Chorus: His Yoke Is Easy (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.19 Chorus: Behold the Lamb of God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.2 Recitative—Tenor: Comfort Ye My People (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.20 Air—Alto: He Was Despised (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.21 Chorus: Surely He Has Borne Our Griefs (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.22 Chorus: and with His Stripes We Are Healed (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.23 Chorus: All We Like Sheep (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.24 Recitative—Tenor: All They That See Him (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.25 Chorus: He Trusted in God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.26 Recitative—Tenor: Thy Rebuke Hath Broken His Heart (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.27 Arioso—Tenor: Behold, and See If There Is Any Sorrow (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.28 Recitative—Tenor: He Was Cut Off Out of the Land (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.29 Air—Tenor: but Thou Didst Not Leave (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.3 Air—Tenor: Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.30 Chorus: Lift Up Your Heads (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.31 Chorus: Let All the Angels of God Worship Him (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.32a Air—Bass: Thou Art Gone Up on High (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.33 Chorus: the Lord Gave the Word (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.34a Air—Soprano: How Beautiful Are the Feet (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.35a Chorus: Their Sound Is Gone Out (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.36 Air—Bass: Why Do the Nations? (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.37 Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.38 Aria—Tenor: Thou Shalt Break Them (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.39 Chorus: Hallelujah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.4 Chorus: and the Glory, the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.40 Air—Soprano: I Know That My Redeemer Liveth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.41 Chorus: Since by Man Came Death (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.42 Recitative—Bass: Behold, I Tell You a Mystery (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.43 Air—Bass: the Trumpet Shall Sound (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.44 Duet—Alto & Tenor: O Death Where Is Thy Sting? (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.45 Chorus: but Thanks Be to God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.46 Air—Soprano: If God Be for Us (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.47 Chorus: Worthy Is the Lamb...Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.5 Recitative—Bass: Thus Saith the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.6 Air—Bass: but Who May Abide (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.7 Chorus: and He Shall Purify (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.8 Air—Alto & Chorus: O Thou That Tellest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

No.9 Recitative—Bass: for Behold, Darkness Shall Cover the Earth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Part One (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Part Three (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Part Two (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Alto: Behold a Virgin Shall Conceive (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Alto: Then Shall Be Brought to Pass (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Alto: Then Shall the Eyes of the Blind (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Soprano: There Were Shepherds (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Soprano: and the Angel Said Unto Them (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Tenor: He That Dwelleth in Heaven (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Tenor: Unto Which of the Angels (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Elmer Iseler, Toronto Symphony Orchestra, Andrew Davis)

All We Like Sheep (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

And the Glory the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

And the Glory, the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Behold the Lamb of God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Every Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

For Unto Us a Child Is Born (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Hallelujah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

He Shall Feed His Flock (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

He Was Despised (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.1 Sinfonia (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.10 Air—Bass: the People That Walked in Darkness (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.11 Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.13 Recitative—Soprano: and Lo, the Angel of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.14 Recitative—Soprano: and Suddenly There Was with the Angel (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.15 Chorus: Glory to God in the Highest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.16 Air—Soprano: Rejoice Greatly, O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.17 Duet—Alto & Soprano: He Shall Feed His Flock (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.18 Chorus: His Yoke Is Easy (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.19 Chorus: Behold the Lamb of God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.2 Recitative—Tenor: Comfort Ye My People (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.20 Air—Alto: He Was Despised (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.21 Chorus: Surely He Has Borne Our Griefs (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.22 Chorus: and with His Stripes We Are Healed (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.23 Chorus: All We Like Sheep (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.24 Recitative—Tenor: All They That See Him (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.25 Chorus: He Trusted in God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.26 Recitative—Tenor: Thy Rebuke Hath Broken His Heart (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.27 Arioso—Tenor: Behold, and See If There Is Any Sorrow (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.28 Recitative—Tenor: He Was Cut Off Out of the Land (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.29 Air—Tenor: but Thou Didst Not Leave (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.3 Air—Tenor: Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.30 Chorus: Lift Up Your Heads (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.31 Chorus: Let All the Angels of God Worship Him (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.32a Air—Bass: Thou Art Gone Up on High (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.33 Chorus: the Lord Gave the Word (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.34a Air—Soprano: How Beautiful Are the Feet (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.35a Chorus: Their Sound Is Gone Out (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.36 Air—Bass: Why Do the Nations? (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.37 Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.38 Aria—Tenor: Thou Shalt Break Them (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.39 Chorus: Hallelujah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.4 Chorus: and the Glory, the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.40 Air—Soprano: I Know That My Redeemer Liveth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.41 Chorus: Since by Man Came Death (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.42 Recitative—Bass: Behold, I Tell You a Mystery (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.43 Air—Bass: the Trumpet Shall Sound (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.44 Duet—Alto & Tenor: O Death Where Is Thy Sting? (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.45 Chorus: but Thanks Be to God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.46 Air—Soprano: If God Be for Us (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.47 Chorus: Worthy Is the Lamb...Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.5 Recitative—Bass: Thus Saith the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.6 Air—Bass: but Who May Abide (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.7 Chorus: and He Shall Purify (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.8 Air—Alto & Chorus: O Thou That Tellest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

No.9 Recitative—Bass: for Behold, Darkness Shall Cover the Earth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

O Thou That Tellest Good Tidings to Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

O Thou That Tellest (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Part One (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Part Three (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Part Two (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Alto: Behold a Virgin Shall Conceive (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Alto: Then Shall Be Brought to Pass (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Alto: Then Shall the Eyes of the Blind (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Soprano: There Were Shepherds (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Soprano: and the Angel Said Unto Them (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Tenor: He That Dwelleth in Heaven (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Recitative—Tenor: Unto Which of the Angels (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Rejoice Greatly O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Rejoice Greatly, O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

The Trumpet Shall Sound (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Why Do the Nations (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Worthy Is the Lamb - Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

Worthy Is the Lamb...Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Andrew Davis)

All We Like Sheep (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

And the Glory the Glory of the Lord (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Behold the Lamb of God (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

For Unto Us a Child Is Born (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Hallelujah (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

He Shall Feed His Flock (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

He Was Despised (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

O Thou That Tellest Good Tidings to Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Rejoice Greatly, O Daughter of Zion (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

The Trumpet Shall Sound (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Why Do the Nations (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Worthy Is the Lamb - Amen (Georg Friedrich Händel, Kathleen Battle, Florence Quivar, John Aler, Samuel Ramey, Toronto Symphony Orchestra, Andrew Davis)

Accompagnato: "Awake Saturnia from Thy Lethargy!" (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Act I = Erster Akt = Acte I = Atto Primo (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Act II = Zweiter Akt = Acte II = Atto Secondo (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Act III = Dritter Akt = Acte III = Atto Terzo (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Chorus: "Hail Cadmus, Hail!" Priests, Augurs) (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Ouverture – Gavotte (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 1 = Erste Szene = Scène 1 = Scena Prima (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 2 = Zweite Szene = Scène 2 = Scena Seconda (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 3 = Dritte Szene = Scène 3 = Scena Terza (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 4 = Vierte Szene = Scène 4 = Scena Quarta (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 5 = Fünfte Szene = Scène 5 = Scena Quinta (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 6 = Sechste Szene = Scène 6 = Scena Sesta (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 7 = Sibte Szene = Scène 7 = Scena Settima (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene 8 = Achte Szene = Scène 8 = Scena Ottava (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Scene the Last = Schlußszene = Dernière Scène = Scena Ultima (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Sinfonia (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

[Symphony] Larghetto E Piano Per Tutto (Georg Friedrich Händel, Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, the Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson)

Chorus: All We Like Sheep Have Gone Astray (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Behold the Lamb of God (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Glory to God in the Highest (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Hallelujah! (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: He Trusted in God (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: His Yoke Is Easy (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Let All the Angels of God Worship Him (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Lift Up Your Heads, O Ye Gates (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Since by Man Came Death (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Surely He Hath Borne Our Griefs (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Their Sound Is Gone Out into All Lands (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: Worthy Is the Lamb That Was Slain (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: and He Shall Purify (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: and the Glory of the Lord (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: and with His Stripes We Are Healed (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: but Thanks Be to God (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Chorus: the Lord Gave the Word (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Messiah (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Overture (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Part III (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Part II (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Part I (Georg Friedrich Händel, Musica Sacra, Richard Westenburg, Judith Blegen, Katherine Ciesinski, John Aler, John Cheek)

Acte I/Act I/I. Aufzug (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte II/Act II/II. Aufzug (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte III/Act III/III. Aufzug (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Appendice/Appendix/Anhang (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Deuxième Tableau/Part Two/Zweites Bild (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Introduction: "Sur La Grève En Feu" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Récit Et Reprise Du Chœur Dansé: "Demeure Parmi Nous, Nadir...Sur La Gréve En Feu" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Scène Et Chœur: "Amis, Interrompez Vos Danses" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 10 Final: "Ah! Revenez Á La Raison" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 11 Entracte, Récit Et Air: "L'orage S'est Calmé...O Nadir" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Duo: "Je Frémis, Je Chancelle" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Scène: "Entends Au Loin Ce Bruit De Fête" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Scène: "O Ciel! Quel Trouble..." (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 13 Chœur Dansé: "Dès Que Le Soleil" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 14 Scène Et Duo: "Sombres Divinités...O Lumière Sainte" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 15 Final: "Le Jour Enfin Perce La nue" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Duo: "Au Fond Du Temple Saint" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Duo: "C'est Toi, Toi Qu'enfin Je Revois...Amitié Sainte" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Récit: "C'est Toi, Toi Qu'enfine Je Revois" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Chœur: "Sois La Bienvenue" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Récit: "Que Vois-je?" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Scène Et Chœur: "Seule Au Milieu De Nous...Brahma, Divin Brahma!" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 4 Romance: "Je Crois Entendre Encore" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 4 Récit: "A Cette Voix" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 5 Air Et Chœur: "O Dieu Brahma" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 5 Final: Scéne Et Chœur: "Le Ciel Est Bleu" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 6 Entracte, Chœur Et Scène: "L'ombre Descend Des Cieux" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 7 Récit Et Cavatine: "Me Voilà Seule Dans La Nuit...Comme Autrefois" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 8 Chanson: "De Mon Amie Fleur Endormie" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 9 Duo: "Leïla! Leïla! Dieu Puissant" (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Premier Tableau/Part One/Erstes Bild (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Prélude (Georges Bizet - Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte I = Act I = I. Aufzug (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte I/Act I/I. Aufzug (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte II = Act II = II. Aufzug (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte II/Act II/II. Aufzug (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte III = Act III = III. Aufzug (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Acte III/Act III/III. Aufzug (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Appendice = Appendix = Anhang (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Appendice/Appendix/Anhang (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Deuxième Tableau = Part Two = Zweites Bild (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Deuxième Tableau/Part Two/Zweites Bild (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Introduction : "Sur La Grève En Feu" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Introduction: "Sur La Grève En Feu" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Récit Et Reprise Du Chœur Dansé : "Demeure Parmi Nous, Nadir... Sur La Grève En Feu" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Récit Et Reprise Du Chœur Dansé: "Demeure Parmi Nous, Nadir...Sur La Grève En Feu" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Scène Et Chœur : "Amis, Interrompez Vos Danses" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 1 Scène Et Chœur: "Amis, Interrompez Vos Danses" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 10 Final : "Ah! Revenez a La Raison" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 10 Final: "Ah! Revenez Á La Raison" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 11 Entracte, Récit Et Air : "L'Orage S'Est Calmé... O Nadir" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 11 Entracte, Récit Et Air: "L'orage S'est Calmé...O Nadir" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Duo : "Je Frémis, Je Chancelle" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Duo: "Je Frémis, Je Chancelle" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Scène : "Entends Au Loin Ce Bruit De Fête" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Scène : "O Ciel! Quel Trouble..." (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Scène: "Entends Au Loin Ce Bruit De Fête" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 12 Scène: "O Ciel! Quel Trouble..." (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 13 Chœur Dansé : "Dès Que Le Soleil" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 13 Chœur Dansé: "Dès Que Le Soleil" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 14 Scène Et Duo : "Sombres Divinités...O Lumière Sainte" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 14 Scène Et Duo: "Sombres Divinités...O Lumière Sainte" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 15 Final : "Le Jour Enfin Perce La Nue" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 15 Final: "Le Jour Enfin Perce La nue" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Duo : "Au Fond Du Temple Saint" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Duo : "C'est Toi, Toi Qu'Enfin Je Revois... Amitié Sainte" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Duo: "Au Fond Du Temple Saint" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Duo: "C'est Toi, Toi Qu'enfin Je Revois...Amitié Sainte" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Récit : "C'est Toi, Toi Qu'Enfin Je Revois" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 2 Récit: "C'est Toi, Toi Qu'enfin Je Revois" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Chœur : "Sois La Bienvenue" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Chœur: "Sois La Bienvenue" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Récit: "Que Vois-Je?" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Récit: "Que Vois-je?" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Scène Et Chœur : "Seule Au Milieu De Nous...Brahma, Divin Brahma!" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 3 Scène Et Chœur: "Seule Au Milieu De Nous...Brahma, Divin Brahma!" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 4 Romance : "Je Crois Entendre Encore" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 4 Romance: "Je Crois Entendre Encore" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 4 Récit : "A Cette Voix" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 4 Récit: "A Cette Voix" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 5 Air Et Chœur : "O Dieu Brahma" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 5 Air Et Chœur: "O Dieu Brahma" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 5 Final : Scène Et Chœur: "Le Ciel Est Bleu" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 5 Final: Scéne Et Chœur: "Le Ciel Est Bleu" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 6 Entracte, Chœur Et Scène : "L'Ombre Descend Des Cieux" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 6 Entracte, Chœur Et Scène: "L'ombre Descend Des Cieux" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 7 Récit Et Cavatine : "Me Voilà Seule Dans La Nuit... Comme Autrefois" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 7 Récit Et Cavatine: "Me Voilà Seule Dans La Nuit...Comme Autrefois" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 8 Chanson : "De Mon Amie Fleur Endormie" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 8 Chanson: "De Mon Amie Fleur Endormie" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 9 Duo : "Leïla ! Leïla ! Dieu Puissant" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

N° 9 Duo: "Leïla! Leïla! Dieu Puissant" (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Premier Tableau = Part One = Erstes Bild (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Premier Tableau/Part One/Erstes Bild (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Prélude (Georges Bizet, Barbara Hendricks, John Aler, Gino Quilico, Chœur Du Capitole De Toulouse Et Orchestre National Du Capitole De Toulouse, Michel Plasson)

Duo Zurga/Nadir: «Au Fond Du Temple Saint » (Gino Quilico, John Aler)

A La Faveur De Cette Nuit Obscure (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

ACT 1 (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

ACT 2 (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Act 1 (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Act 2 (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Ah! La Bonne Folie! (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Ah! Quel Respect, Madame (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Buvons, Buvons (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Ce Téméraire (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Cet Ermite, Ma Belle Enfant (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Cet Écrit, Noble Châtelaine (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Cette Aventure Fort Singulière (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Ciel! - Ô Terreur, (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Dans Ce Lieu Solitaire (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

De Gráce, Encore Un Mot (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Ecoutez Ces Chants De Victoire (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Eh! Mais, Quelle Triste Observance (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Elle Revient...Silence (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

En Proie à la tristesse (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Introduction- Dans Ce Séjour Calme Et Tranquille (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Introduction (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

J'Entends D'Ici Le Bruit Des Armes (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Je Ne Puis Plus Longtemps (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Jouvencelles. Venez Vite (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Marche - Isolier Dans Ces Lieuz (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Moi, Je Rèclame (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Que Les Destins Prospères (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Une Dame De Haut Parage (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Veiller Sans Cesse (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Venez Amis, Retirons-Nous (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Voici Vos Compagnes Fidéles (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Vous Avez Entendu Sa Touchante Prière (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Vous, Notre Appui (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

Ô Bon Ermite (Gioacchino Rossini - Sumi Jo, John Aler, Diana Montague, Gilles Cachemaille, Gino Quilico, Raquel Pierotti, Orchestre De L'Opéra De Lyon et Chœurs De L'Opéra De Lyon, John Eliot Gardiner)

I. Requiem Et Kryrie (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

II. Dies Irae (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

III. Quid Sum Miser (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

IV. Rex Tremendae (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

IX. Sanctus (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

V. Quaerens Me (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

VI. Lacryumsa (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

VII. Offertorium (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

VIII. Hostias (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

X. Agnus Dei (Hector Berlioz - Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler)

Adieu Bessy (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Amitie, Reprends Ton Empire (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Amitié, Reprends Ton Empire (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Canon Libre a la Quinte (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Canon Libre à la Quinte (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Chanson a Boire (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Chanson à Boire (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Chansonette de Mr Leon de Wailly (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Chansonette de Mr Léon de Wally (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Chant Guerrier (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Elegie En Prose (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Elégie En Prose (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Helene (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Hélène (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Je Crois En Vous (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

L' Origine de la Harpe (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

L'origine de la Harpe (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

La Belle Isabeau (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

La Mort D' Ophélie (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Chant Des Bretons (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Chasseur Danois (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Jeune Patre Breton (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Matin (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Maure Jaloux (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Montagnard Exile (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Montagnard Exilé (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Roi de Thule (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Roi de Thulé (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Trebuchet (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Le Trébuchet (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Les Champs (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Nocturne a Deux Voix (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Nocturne à Deux Voix (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Pleure, Pauvre Colette (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Priere Du Matin (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Sara la Baigneuse (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Serenade de Mephistopheles (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Sérenade de Méphistophélès (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Zaide (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

je crois en vous (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

la Belle Isabeau (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

la Belle Voyageuse (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

la Captive (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

la Mort D'Ophelie (Hector Berlioz, Françoise Pollet, Anne Sofie Von Otter, John Aler, Thomas Allen, Cord Garben)

Agnus Dei (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Dies Irae (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Hostias (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

I. Prelude and Chorus (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

I. Requiem Et Kryrie (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

II. Dies Irae (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

II. Instrumental Scherzo and Dramatic Intermezzo (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

II. Instrumental Scherzo and Dramatique Intermezzo (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

III. Quid Sum Miser (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

III. Vocal Scherzo (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

IV. Final Psalmody (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

IV. Rex Tremendae (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

IX. Sanctus (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Lacryumsa (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Offertorium (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Prologue to Mefistofele (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Prologue to Mephistofele (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Quaerens Me (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Quid Sum Miser (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Requiem Et Kryrie (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Rex Tremendae (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Sanctus (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

Te Deum (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

V. Quaerens Me (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

VI. Lacryomsa (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

VI. Lacryumsa (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

VII. Offertorium (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

VIII. Hostias (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

X. Agnus Dei (Hector Berlioz, Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus, John Aler, Arrigo Boito, Giuseppe Verdi, John Cheek)

A Perfect Day (John Aler & Grant Gershon)

Annabelle Lee (John Aler & Grant Gershon)

Bird Songs at Eventide (John Aler & Grant Gershon)

Do Not Go My Love (John Aler & Grant Gershon)

Evening Song (John Aler & Grant Gershon)

Homing (John Aler & Grant Gershon)

I Hear You Calling Me (John Aler & Grant Gershon)

I Love Life (John Aler & Grant Gershon)

I Love, and the World Is Mine (John Aler & Grant Gershon)

If I Could Tell You (John Aler & Grant Gershon)

Kashmiri Song (John Aler & Grant Gershon)

Little Boy Blue (John Aler & Grant Gershon)

Love Could I Only Tell Thee (John Aler & Grant Gershon)

Love's Philosophy (John Aler & Grant Gershon)

My Lovely Celia (John Aler & Grant Gershon)

Passing By (John Aler & Grant Gershon)

Still as the Night (John Aler & Grant Gershon)

The Cloths of Heaven (John Aler & Grant Gershon)

The Green Eyed Dragon (John Aler & Grant Gershon)

The Last Chord (John Aler & Grant Gershon)

The World Is Waiting for Sunrise (John Aler & Grant Gershon)

Trees (John Aler & Grant Gershon)

Until (John Aler & Grant Gershon)

When I Have Sung My Songs to You (John Aler & Grant Gershon)

Aus der Jugendzeit (John Aler & John Bell Young)

Beschwörung (John Aler & John Bell Young)

Da geht ein Bach (John Aler & John Bell Young)

Das Kind an die erloschene Kerze (John Aler & John Bell Young)

Es winkt und neigt sich (John Aler & John Bell Young)

Gebet an das Leben (John Aler & John Bell Young)

Gern und Gerner (John Aler & John Bell Young)

Junge Fischerin (John Aler & John Bell Young)

Kirchengeschichtliches Responsorium (John Aler & John Bell Young)

Mein Platz vor der Tür (John Aler & John Bell Young)

Nachspiel (John Aler & John Bell Young)

Ständchen (John Aler & John Bell Young)

Unendlich (John Aler & John Bell Young)

Ungewitter (John Aler & John Bell Young)

Verwelkt (John Aler & John Bell Young)

Wie sich Rebenranken schwingen (John Aler & John Bell Young)

Così fan tutte K588_ Act One_ Scene Two: Duettino: Al fato dan legge queli occhi (Ferrando/Guglielmo) (John Aler feat. Dale Duesing feat. London Philharmonic Orchestra feat. Bernard Haitink)

Mass in B minor, BWV 232: III. Sanctus (John Aler, Atlanta Symphony Orchestra Chamber Chorus, Sylvia McNair, Thomas Paul, Marietta Simpson, William Stone, Delores Ziegler, Atlanta Symphony Orchestra, Robert Shaw)

Così fan tutte: Atto II, scena 2. 'Barbara, perché fuggi?' (John Aler, Carol Vaness, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 3. 'Fra gli amplessi in pochi istanti' (John Aler, Carol Vaness, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 2. 'La commedia è graziosa' (John Aler, Claudio Desderi, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 2. 'Non piangere, idol mio!' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 2. 'Non v'è più tempo' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 2. 'Sento, o Dio, che questo piede' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 3. 'Ah, non partite!' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 3. 'Alla bella Despinetta' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 3. 'Che sussurro! Che strepito!' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 4. 'Ah che del sole il raggio' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 4. 'Ah, che tutto in un momento' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 4. 'Dammi un bacio, o mio tesoro' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 4. 'Dove son? Che loco è questo?' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 4. 'Eccovi il medico' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'Cos'è tal mascherata?' (John Aler, Claudio Desderi, Dale Duesing, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 2. 'Muoio d'affanno!' … 'Di scrivermi ogni giorno' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Ah Signor, son rea di morte' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Bella vita militar!' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Fortunato l'uom che prende' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Giusto ciel!' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Miei Signori, tutto è fatto' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Sani e salvi gli amplessi amorosi' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'V'ingannai, ma fu l'inganno' (John Aler, Claudio Desderi, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Lillian Watson, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'La mano a me date' (John Aler, Claudio Desderi, Dale Duesing, Lillian Watson, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 3. 'Vittoria, padroncini!' (John Aler, Claudio Desderi, Dale Duesing, Lillian Watson, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 1. 'Fuor' la spada' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 1. 'La mia Dorabella capace non è' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 1. 'Scioccherie di poeti!' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 1. 'Una bella serenata' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 1. 'È la fede delle femmine' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 3. 'E voi ridete?' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 3. 'Si può sapere un poco' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'Bravo, questo è costanza' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 3. 'Ah poveretto me, cosa ho veduto!' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 3. 'Tutti accusan le donne' (John Aler, Claudio Desderi, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Adieu, Bessy! (John Aler, Cord Garben)

Chansonnette de Mr Léon de Wailly, H. 73 (John Aler, Cord Garben)

Così fan tutte: Atto II, scena 2. 'Oh che bella giornata!' (John Aler, Dale Duesing, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 4. 'Benedetti i doppi coniugi' (John Aler, Dale Duesing, Glyndebourne Chorus, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'Secondate, aurette amiche' (John Aler, Dale Duesing, Glyndebourne Chorus, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto I, scena 2. 'Al fato dan legge quegli occhi' (John Aler, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'Amico, abbiamo vinto!' (John Aler, Dale Duesing, London Philharmonic Orchestra, Bernard Haitink)

Child, Were I King (John Aler, Daniel Blumenthal)

Kiss Me (John Aler, Davis Gaines, Heidi Grant Murphy, Paul Plishka)

Così fan tutte: Atto II, scena 4. 'El nel tuo, nel mio bicchiero' (John Aler, Glyndebourne Chorus, Carol Vaness, Delores Ziegler, London Philharmonic Orchestra, Bernard Haitink)

A Perfect Day (John Aler, Grant Gershon)

Annabelle Lee (John Aler, Grant Gershon)

Bird Songs at Eventide (John Aler, Grant Gershon)

Calm As the Night (John Aler, Grant Gershon)

Do Not Go, My Love (John Aler, Grant Gershon)

Evening Song (John Aler, Grant Gershon)

Homing (John Aler, Grant Gershon)

I Hear You Calling Me (John Aler, Grant Gershon)

I Love Life (John Aler, Grant Gershon)

I Love, and the World Is Mine (John Aler, Grant Gershon)

If I Could Tell You (John Aler, Grant Gershon)

Kashmiri Song (John Aler, Grant Gershon)

Little Boy Blue (John Aler, Grant Gershon)

Love's Philosophy (John Aler, Grant Gershon)

Love, Could I Only Tell Thee (John Aler, Grant Gershon)

My Lovely Celia (John Aler, Grant Gershon)

Passing By (John Aler, Grant Gershon)

The Cloths of Heaven (John Aler, Grant Gershon)

The Green-Eeyed Dragon (John Aler, Grant Gershon)

The Last Chord (John Aler, Grant Gershon)

The World Is Waiting for the Sunrise (John Aler, Grant Gershon)

Trees (John Aler, Grant Gershon)

Until (John Aler, Grant Gershon)

When I Have Sung My Songs for You (John Aler, Grant Gershon)

Cantata profana, Sz. 94: I. Molto moderato (John Aler, John Tomlinson, Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez)

Cantata profana, Sz. 94: II. Andante (John Aler, John Tomlinson, Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez)

Cantata profana, Sz. 94: III. Moderato (John Aler, John Tomlinson, Chicago Symphony Chorus, Chicago Symphony Orchestra, Pierre Boulez)

Così fan tutte: Atto I, scena 3. 'Un'aura amorosa' (John Aler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'Ah, io veggio, quell'anima bella' (John Aler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'In qual fiero contrasto' (John Aler, London Philharmonic Orchestra, Bernard Haitink)

Così fan tutte: Atto II, scena 2. 'Tradito, schernito' (John Aler, London Philharmonic Orchestra, Bernard Haitink)

Parlor Songs (John Aler, Patti LuPone, Neil Patrick Harris)

Ladies in Their Sensitivities (John Aler, Paul Plishka)

Firmament (John Aler, the Harmoneion Singers)

Parable: a Tale of Abraham and Isaac / Sacred Service (Excerpts) (Judith Lang Zaimont - Frances Lucey, John Aler, Randall Scarlata, 6995996Laudibus Choir, 888766Mike Brewer, 2139325James Maddalena, 900925Ernst Senff Chor Berlin, 796211Rundfunk-Sinfonieorchester Berlin, 991532Gerard Schwarz)

Adagio - Allegro Pesante - Presto (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Adagio (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Agnus Dei (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Allegretto Vivace - Allegro Assai - Tempo I - Presto - Tempo I (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Allegro - Allegro Molto - Allegro Ma Non Troppo (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Allegro Ma Non Troppo - Allegro Con Moto - Grave (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Allegro Ma Non Troppo (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Allegro Maestoso - Allegro Man Non Troppo E Ben Marcato (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Allegro Vivace (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Credo (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Gloria (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Kyrie (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Larghetto (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Meno Allegro - Tempo I (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Missa Solemnis Op. 123 D Major (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Praeludium - Sostenuto Ma Non Troppo - Andante Molto Cantabile E Non Troppo Mosso (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Sanctus (Ludwig van Beethoven, Daniel Barenboim, Chicago Symphony Orchestra, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus)

Adagio - Allegro Pesante - Presto (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Adagio (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Agnus Dei (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Allegretto Vivace - Allegro Assai - Tempo I - Presto - Tempo I (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Allegro - Allegro Molto - Allegro Ma Non Troppo (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Allegro Ma Non Troppo - Allegro Con Moto - Grave (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Allegro Ma Non Troppo (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Allegro Maestoso - Allegro Ma Non Troppo E Ben Marcato (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Allegro Vivace (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Assai Sostenuto - Andante Assai Ben Marcato - Tempo I (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Credo (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Gloria (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Kyrie (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Larghetto (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Meno Allegro - Tempo I (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Praeludium - Sostenuto Ma Non Troppo - Andante Molto Cantabile E Non Troppo Mosso (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Sanctus (Ludwig van Beethoven, Tina Kiberg, Waltraud Meier, John Aler, Robert Holl, Chicago Symphony Chorus and Chicago Symphony Orchestra, Daniel Barenboim)

Aeterna Fac Cum Sanctis Tuis (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Après Le Prélude (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Dignare, Domine (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Esurientes (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Et Misericordia (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Fecit Potentiam (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Fiat Misericordia (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Gloria (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

In Te Domine Speravi (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Judex Crederis Esse Venturus (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Magnificat À 8 Voix, Motet for 8 Voices, Chorus, Instruments & Continuo, H. 74 (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Magnificat, H.74 (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Magnificat (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Pleni Sunt Coeli Et Terra (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Prélude (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Quia Fecit Mihi Magna (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Sicut Locutus Est (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Sinfonia (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Suscepit Israel (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Te Aeternum Patrem (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Te Deum, H.146 (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Te Deum, Motet for 8 Voices, Chorus & Orchestra, H. 146 (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Te Deum (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Te Ergo Quaesumus (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Te Per Orben Terrarum Sancta Confitetur Ecclesia (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Tu Devicto (Marc Antoine Charpentier – Dawn Upshaw, Ann Murray, Ethna Robinson, John Aler, Kurt Moll, Chorus of St Martin in the Fields, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Cantata Profana 'The Enchanted Stags', Sz. 94: I. There was once an old man (Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez)

Cantata Profana 'The Enchanted Stags', Sz. 94: II. But their father grew impatient (Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez)

Cantata Profana 'The Enchanted Stags', Sz. 94: III. There was once an old man (Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez)

1. Sostenuto Assai-Allegro Ma Non Troppo (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

2. Scherzo (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

3. Andante Cantabile (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

4. Finale (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Andante and Variations for Two Pianos, Two Cellos and Horn (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Bedeckt Mich Mit Blumen (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Blaue AugenHat Des Madchen (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Dunkler Lichtglanz, Blinder Blick (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Flutenreicher Ebro (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Hoch, Hoch Sind Die Berge (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Intermezzo (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

O Wie Lieblich Trag' Ich Pein (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Piano Quartet in E Flat Major, Op.47 (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Spanische Liebeslider, Andante and Variations, Piano Quartet (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Spanische Liebeslieder, Op. 138 (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Tief Im Herzen (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Vorspiel (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

Weh, Wie Zornig Ist Das Madchen (Robert Schumann, Kathleen Battle, John Aler, Charles Wadsworth, Richard Goode)

All Quiet Along the Potomac Tonight (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

Beauregard's Retreat from Shiloh (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

I Wish I Was in Dixie's Land (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

I'm a Good Old Rebel (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

Jeff in Petticoats (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

Mother, Is the Battle Over? (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

Tenting on the Old Camp Ground (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

The Drummer Boy of Shiloh (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

We Are Coming from the Cotton Fields (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

We Are Coming, Father Abra'am (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

Weeping, Sad and Lonely (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

When Johnny Comes Marching Home (Tony Randall, John Aler, Alan Baker, Bonnie Hamilton, the Harmoneion Singers, Lawrence Skrobacs)

Act One, Scene Four (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act One, Scene One (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act One, Scene Three (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act One, Scene Two (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act Two, Scene Four (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act Two, Scene One (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act Two, Scene Three (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Act Two, Scene Two (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Ah Che Del Sole Il Raggio (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Ah, Signor, Son Rea di Morte (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Andante:"Tutti Accusan Le Donne" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:" E Amore Un Ladroncello" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:" Un Aura Amorosa" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Ah, Lo Veggio, Quell' Anima Bella" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Barbaro Fatto" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Come Scoglio Immoto Resta" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Donne Mie, la Fate a Tanti a Tanti" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"In Uomini in Soldati" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Non Siate Retrosi Occheitti Vezzosi" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Smanie Implacabili" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Aria:"Una Donna a Quindici Anni" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Bella Vitta Militar! (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Benedetti I Doppi Conjugi (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Cavatina:"Tradito Schernito" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Coro:"Bella Vita Militar" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Coro:"Bella Vitta Militar" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Dammi Un Bacio, O Mio Tesoro (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Dove Son? Che Loco E Questo? (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Duettino:"Al Fato Dan Legge Quegli Occhi" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Duetto Con Coro:"Secondaate, Aurette Amiche" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Duetto:" Il Core Vi Dono" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Duetto:"Fra Gli Amplessi in Pochi Istanti" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Duetto:"Prendero Quel Brunettino" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Duetto:"Scene 2, Ah Guarda Sorella" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

E Nel Tuo, Nel Mio Bicchiero (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Eccovi Il Medico (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Finale Atto Primo:"Che Tutto in Un Momento" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Finale Atto Secondo:"Fate Presto, O Cari Amici" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Fortunato Luom Che Prende (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Giusto Ciel! (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Iintatta Fede Che (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Miei Signori, Tutto E Fatto (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Overture (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Quartetto:"La Mano a Me Date" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Quintetto:"Muolo D Affanno" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Quintetto:"Sento O Dio Che Questo Piede" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:" Ora Vedo Che Siete Una Donna di Garbo" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:" Sorella, Cosa Dici?" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Ah Correte Al Giardino" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Ah Non Partite" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Ah Poveretto Me, Cosa Ho Veduto!" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Amico, Abbiamo Vinto!" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Andate La, Che Siete Due Bizzarre Ragazze (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Barbara, Perche Fuggi?" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Bravo, Questo E Constanza" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Che Silenzio Che Aspetto di Tristezza" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Che Sussurro" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Che Vita Maledetta" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Come Tutto Congiura a Sedurre Il Mio Cor!" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Cos E Tal Mascherata?" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Dove Son" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Ei Parte...senti Ah No!" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Fuor la Spada" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"In Qual Fiero Contrasto" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"La Commedia E Graziosa" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Mi Par Che Stamattina" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Non Pianegere Idol Mio" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Non Son Cattivo Comico" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Non Ve Piu Tempo" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Oh Che Bella Giomata!" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Scioccherie di Poeti" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Si Puo Sapere Un Poco" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Signora Dorabella Signora Floridilgi" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Stelle Per Carita Signor Alfonso" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Recitativo:"Vittoria Padroncini!" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Rondo:"Per Pieta, Ben Mio, Perdona" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Sani E Salvi Agli Amplessi Amorosi (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Sestetto:"Alla Bella Despinetta" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Terzettino:"E Voi Ridete" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Terzettino:"Soave Sia Li Vento" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Terzetto: "La Mia Dorabella Capace Non E" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Terzetto:"E la Fede Delle Femmine" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Terzetto:"Una Bella Serenata" (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Vingannai, Ma Fu Linganno (Wolfgang Amadeus Mozart - Carol Vaness, Delores Ziegler, John Aler, Dale Duesing, Lillian Watson, Claudio Desderi, Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink)

Mozart: Cosi fan tutte - Un'aura amorosa (Wolfgang Amadeus Mozart, John Aler, London Philharmonic Orchestra, John Pritchard)

Songs

Je Crois Entendre Encore

Le Postillion De Lonjumeau

Le Postillon de Lonjumeau

LesCygnes

Sérénade de Méphistophélès

The Pearl Fishers - "Je Crois Entendre Encore"

Where'er You Walk

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John Aler

Songs in corporation with

Songs