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John Bender

Albums

Negative Ecstasy

Songs in corporation with

Interview (John Bender & Judd Nelson)

Songs

34B1 Before You

35A5 Understood

38A1 Cities of the Plan

39 A5 Something

39A5 I Want to Be Loved for It

39A7 Philosophy

43B5 Meeting Station

45A1 Walk Down Wet Street

45A2 People Feeling

68-2 Amalgamelon

A Cassette Player

A More Active Role

About to Happen

All We Like Sheep

Allowing Me to Put My

An Extension Chord

An Undercurrent

And Were Labeled

As Flows the River

As One Could Hope For

As Workable an Enviroment

As a Swarm of Gnats

As an Studio Installation

At the 4th St. Cage 1/83

At the 4th St. Cage Continued

Auditority Prepped for What Was

Beep Squeek Hum Squawk Part 1.1

Beep Squeek Hum Squawk Part 3.1

Beep Squeek Hum Squawk Part I.III

Beep Squeek Hum Squawk Part I.II

Beep Squeek Hum Squawk Part I.IV

Beep Squeek Hum Squawk Part I.I

Beep Squeek Hum Squawk Part II.I

Beep Squeek Hum Squawk Part III.IV

Beep Squeek Hum Squawk Part III.I

Beep Squeek Hum Squawk, Part I.I (edit)

Beep Squeek Hum Squawk, Part I.III

Beep Squeek Hum Squawk, Part I.II

Beep Squeek Hum Squawk, Part I.IV

Beep Squeek Hum Squawk, Part III.IV

Before You (Knuckles)

Bleep Squeek Hum Squawk Part 1.1

Bleep Squeek Hum Squawk Part 3.1

Bonus 7" for VOD Members

Buy American (edit)

Came from the Fact

Cast of Characters

Cincinnati Artists Group Effort

Cities of the Plan (long version)

Cities of the Plan

Data How Are You, Tone (edit)

Data How Are You, Tone

Day (long version)

Decomposition (1980)

Do the Cage / at the 4th St. Cage 1983

Endless Tape in a Boom Box

Except for the Cincinnati

Feelings of Nowhere

First Time I Saw You

Formless Enough

From More Important Issues

Glacial (long version)

God of Miracles

Grass Roots Artist's Group

Had Bendable Metal Ciasps

Have Been More Fun

Have You Met Jesus

He Smiled on Me

I Don't Remember Now, I Don't Want to Talk About It 1978-1980

I Don't Remember Now

I Don't Want to Talk About It

I Found the Truth

I Know You Know

I Walked Today Where Jesus Walked

I Was Very Fortunate

I Was Very Grateful

If Only I Had Had

In Human Interaction

In Oiled Paper Envelopes

In the Darkness

Intended As Studio Atmosphere

Intended to Act

Intended to Cloud Thought

Intended to Distract

Intended to Divert

It Was Alot of Fun to Do These

It's Something to Do

It's a Rainy Day, Sunshine Baby

Its Purpose Was

Johnny Vortex Trailer Tape

Judgement or Evaluation

Last Time I Saw You

Let's Be Friends

Looking for a Play

Mallinder (long version)

Meat (long version)

Meeting Station

Money Making Function

Music Is in the Night

Music Out to the Public Without

Never Wanted to Go

Night's Feeling

Nippon Projectile 1982

Noone Knows You

Nor Eno's Ambience

Nor Satie's Furniture Music

Not Intended As Musak

Of Sound Events

Our Performance in Unfamiliar

Packing List 1982

People Feeling (long version)

Performance, We Had to Set Up

Pieces of a Puzzle

Placed It on Top of the Elevator

Plaster (long version)

Plaster Falling 1979-1981

Plaster: the Prototypes / Beep Squeek Hum Squawk 1978-1981

Plaster:The Prototypes

Pop Surgery 1982-1983

Presented for Sale at A

Sand Is Everywhere

Shipping Documentation

So Customers Would Become

Some Speaker Wire

Something (long version)

Sons of the Machine

Spaces and Situations

Take It Out to Bring It In

That Opened at the Narrow End

That Original Versions

That Still Exists to This Day

The Cassette / Boon Ober Babasooma 1976-1985

The Performance Space Required

This Is a Sound Collection

This Tape Was Created

This Tape's Title

This Was Accomplished

Thought (long version)

Time Stops, We Move On

To Catch the Ear

To Create a Sequence

To Social Intercourse

To Weave Itself

Took Me by the Hand

Understood (Records)

Unrelated (It's Obvious)

Use of an Elevator We Stuck This

Varied and Abrupt Enough

Victims of Victimless Crimes

Victims of Victimless Crime

Walk Down Wet Street (long version)

Walk Down Wet Street

We Had to Be Flexible

We Used at Performances

Were Used to Hold

Where Access To

Whole in the Window

With Apair of Speakers

Without Plastic Cases

You Look at Me I Look at You

You Never Know (edit)

You Put These Things Inside My Head

You Said You Were Mine