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John Gay

Albums

The Beggar's Opera

Songs in corporation with

Act III (John Gay & Frederic Austin Conducted by Richard Austin)

The Beggar's Opera (John Gay & Frederic Austin Conducted by Richard Austin)

Act I, Nos, 1-13 (John Gay, Accademia Monteverdiana, Denis Stevens)

Act I, Nos. 14-18 (John Gay, Accademia Monteverdiana, Denis Stevens)

Act II, Nos. 19-31 (John Gay, Accademia Monteverdiana, Denis Stevens)

Act II, Nos. 32-40 (John Gay, Accademia Monteverdiana, Denis Stevens)

Act III, Nos. 41-46 (John Gay, Accademia Monteverdiana, Denis Stevens)

Act III, Nos. 47-69 (John Gay, Accademia Monteverdiana, Denis Stevens)

Overture (John Gay, Accademia Monteverdiana, Denis Stevens)

'Tis Woman That Seduces All Mankind (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

156 (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

A Curse Attends a Woman's Love (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

A Fox May Steal Your Hens, Sir (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

A Maid Is Like the Golden Ore (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Act One (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Act Three (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Act Two (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

And Macheath, at Liberty and at Large...The Modes of the Court (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

And Now Our Scene Changes...Fill Ev'ry Glass (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

And Those Two Good Old Friends (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Bring Us Then More Liquor!...What Gudgeons Are We Men (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

But All Scores Have a Reckoning (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

But Perhaps He Hath a Heart Not Capable of It...Among the Men Coquets We Find (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

But to Be Sure...The Gamesters and Lawyers Are Jugglers Alike...At the Tree I Shall Suffer with Pleasure (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Can Love Be Controll'd by Advice (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Come, Sweet Lass, Let's Banish Sorrow (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Dear Mrs Coaxer, You're Welcome...Youth's the Season Made for Joys (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Dear Sir, Mention Not My Education...When Young at the Bar (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Dear, Dear Father, Sink the Evidence...When My Hero in Court Appears (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Fortune Be with You, Lucy (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

I Know As Well As Any of the Fine Ladies...Virgins Are Like the Fair Flower in Its Lustre (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

I, Like a Ship in Storms, Was Tossed (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

If Love the Virgin's Heart Invade (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

If Poverty Be a Title to Poetry (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

If the Heart of a Man Is Depressed with Cares (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

In the Days of My Youth (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Introduction (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Is Then His Fate Decreed, Sir? (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

It Is Your Own Choice...Before the Barn Door Crowing (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

It Is the Pleasure of All You Fine Men...How Cruel Are the Traitors (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Jealousy, Rage, Love and Fear...I'm Like a Skiff on the Ocean Tossed (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

My Heart Was So Free (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

No Power on Earth Can E'er Divide (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Noble Captain, You Are Welcome Once More...Man May Escape from Rope and Gun (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Now I Am a Wretch Indeed...Pretty Polly Say (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

O Cruel, Cruel Case (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

O Macheath! I Will Stay with Thee Till Death...Thus When the Swallow (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

O Ponder Well, Be Not Severe...The Turtle Thus with Plaintive Crying (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

O! What Pain It Is to Part! (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Oh Sir, If Peachum's Heart Is Hardened...When He Holds Up His Hand (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Our Polly Is a Sad Slut (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Ourselves, Like the Great (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Overture (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Really, Miss Peachum, You Expose Yourself!...Cease Your Funning (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Shall I Not Claim My Own?...How Happy Could I Be with Either (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Success Attend You...Let Us Take the Road (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Such Language, Brother! ...When You Censure the Age (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

The First Time at the Looking-Glass (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

The Girl Shows Such a Readiness...O Polly, You Might Have Toyed and Kissed (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

The Miser Thus a Shilling Sees (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Through All the Employments of Life (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Thus Gamesters United in Friendship (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Thus I Stand Like the Turk (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Thus When a Good Housewife Sees a Rat (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Ungrateful Macheath! (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

We Are Ready, Sir, to Conduct You to the Old Bailey...The Charge Is Prepared (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Were I Laid on Greenland's Coast (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

What Do I See! Oh! Macheath Again in Custody!...Hither, Dear Husband, Turn Your Eyes (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Which Way Shall I Turn Me (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Why How Now, Madam Flirt? (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Women Are Bitter Bad Judges in These Cases...If Any Wench Venus' Girdle Wear (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

Would I Might Be Hanged (John Gay, Benjamin Britten - Ann Murray, Yvonne Kenny, Anne Collins, Philip Langridge, John Rawnsley, Robert Lloyd, Steuart Bedford)

A Curse Attends the Woman's Love (John Gay, Benjamin Britten, the English Opera Group)

A Maid Is Like the Golden Ore (John Gay, Benjamin Britten, the English Opera Group)

Act III (John Gay, Benjamin Britten, the English Opera Group)

Act II (John Gay, Benjamin Britten, the English Opera Group)

Act I (John Gay, Benjamin Britten, the English Opera Group)

Among the Men, Coquettes We Find (John Gay, Benjamin Britten, the English Opera Group)

At the Tree I Shall Suffer with Pleasure (John Gay, Benjamin Britten, the English Opera Group)

Before the Barn-door Crowing (John Gay, Benjamin Britten, the English Opera Group)

Can Love Be Controll'd by Advice (John Gay, Benjamin Britten, the English Opera Group)

Cease Your Funning (John Gay, Benjamin Britten, the English Opera Group)

Come Sweet Lass (John Gay, Benjamin Britten, the English Opera Group)

Fill Every Glass (John Gay, Benjamin Britten, the English Opera Group)

Hither, Dear Husband, Turn Your Eyes (John Gay, Benjamin Britten, the English Opera Group)

How Cruel Are the Traitors (John Gay, Benjamin Britten, the English Opera Group)

How Happy Could I Be with Either / I'm Bubbled, I'm Bubbled (John Gay, Benjamin Britten, the English Opera Group)

I'm Like a Skiff on the Ocean Tossed (John Gay, Benjamin Britten, the English Opera Group)

If Any Wench Venus' Girdle Wear (John Gay, Benjamin Britten, the English Opera Group)

If Love the Virgin's Heart Invade (John Gay, Benjamin Britten, the English Opera Group)

If the Heart of a Man (John Gay, Benjamin Britten, the English Opera Group)

In the Days of My Youth (John Gay, Benjamin Britten, the English Opera Group)

Is Then His Fate Decreed Sir? (John Gay, Benjamin Britten, the English Opera Group)

Let Us Take the Road (John Gay, Benjamin Britten, the English Opera Group)

Man May Escape from Rope and Gun (John Gay, Benjamin Britten, the English Opera Group)

My Heart Was So Free (John Gay, Benjamin Britten, the English Opera Group)

O Polly, You Might Have Toyed and Kissed (John Gay, Benjamin Britten, the English Opera Group)

O Ponder Well (John Gay, Benjamin Britten, the English Opera Group)

Oh, What Pain It Is to Part (John Gay, Benjamin Britten, the English Opera Group)

Our Polly Is a Sad Slut (John Gay, Benjamin Britten, the English Opera Group)

Ourselves Like the Great (John Gay, Benjamin Britten, the English Opera Group)

Overture and Introduction (John Gay, Benjamin Britten, the English Opera Group)

Power on Earth (John Gay, Benjamin Britten, the English Opera Group)

Pretty Polly, Say (John Gay, Benjamin Britten, the English Opera Group)

Scena. O Cruel, Cruel Case! / but Now Again My Spirits Sink / Since Laws Were Made for Every (John Gay, Benjamin Britten, the English Opera Group)

The Charge Is Prepared (John Gay, Benjamin Britten, the English Opera Group)

The First Time at the Looking-glass (John Gay, Benjamin Britten, the English Opera Group)

The Miser Thus a Shilling Sees (John Gay, Benjamin Britten, the English Opera Group)

The Turtle Thus with Plaintive Crying / Melodrama. Now I Am a Wretch Indeed (John Gay, Benjamin Britten, the English Opera Group)

Through All the Employments of Life (John Gay, Benjamin Britten, the English Opera Group)

Thus Gamesters United in Friendship Are Found (John Gay, Benjamin Britten, the English Opera Group)

Thus I Stand Like the Turk (John Gay, Benjamin Britten, the English Opera Group)

Thus When the Good House-wife (John Gay, Benjamin Britten, the English Opera Group)

Thus When the Swallow (John Gay, Benjamin Britten, the English Opera Group)

Ungrateful Macheath... My Love Is All Madness and Folly (John Gay, Benjamin Britten, the English Opera Group)

Virgins Are Like the Fair Flowers (John Gay, Benjamin Britten, the English Opera Group)

Were I Laid on Greenland's Coast (John Gay, Benjamin Britten, the English Opera Group)

What Gudgions Are We Men (John Gay, Benjamin Britten, the English Opera Group)

When He Holds Up His Hand (John Gay, Benjamin Britten, the English Opera Group)

When My Hero in Court Appears (John Gay, Benjamin Britten, the English Opera Group)

Which Way Shall I Turn Me (John Gay, Benjamin Britten, the English Opera Group)

Why, How Now, Madam Flirt? (John Gay, Benjamin Britten, the English Opera Group)

Would I Might Be Hanged (John Gay, Benjamin Britten, the English Opera Group)

Youth's the Season (John Gay, Benjamin Britten, the English Opera Group)

The Beggar's Opera (John Gay, Frederic Austin)

'Tis Woman That Seduces All Mankind (John Gay, Max Goberman)

A Curse Attends That Woman's Love (John Gay, Max Goberman)

A Fox May Steel Your Hens, Sir (John Gay, Max Goberman)

A Maid Is Like the Golden Oar (John Gay, Max Goberman)

Among the Men, Coquets We Find (John Gay, Max Goberman)

At the Tree I Shall Suffer with Pleasure (John Gay, Max Goberman)

Before the Barn-Door Crowing (John Gay, Max Goberman)

But Can I Leave My Pretty Hussies (John Gay, Max Goberman)

But Now Again My Spirits Sink (John Gay, Max Goberman)

But Valour the Stronger Grows (John Gay, Max Goberman)

Can Love Be Controul'd by Advice (John Gay, Max Goberman)

Cease Your Funning (John Gay, Max Goberman)

Come, Sweet Lass (John Gay, Max Goberman)

Fill Ev'ry Glass, for Wine Inspires Us (John Gay, Max Goberman)

Hither, Dear Husband, Turn Your Eyes (John Gay, Max Goberman)

How Cruel Are the Traytors (John Gay, Max Goberman)

How Happy Could I Be with Either (John Gay, Max Goberman)

I Like a Ship in Storms, Was Tost (John Gay, Max Goberman)

I Like the Fox Shall Grieve (John Gay, Max Goberman)

I'm Bubbled (John Gay, Max Goberman)

I'm Like a Skiff on the Ocean Tost (John Gay, Max Goberman)

If Any Wench Venus's Girdle Wear (John Gay, Max Goberman)

If Love the Virgin's Heart Invade (John Gay, Max Goberman)

If Thus - A Man Can Die (John Gay, Max Goberman)

If You at an Office Solicit Your Due (John Gay, Max Goberman)

If the Heart of a Man Is Deprest with Cares (John Gay, Max Goberman)

In the Days of My Youth I Could Bill Like a Dove (John Gay, Max Goberman)

Is Then His Fate Decreed, Sir? (John Gay, Max Goberman)

Let Us Take the Road (John Gay, Max Goberman)

Man May Escape from Rope and Gun (John Gay, Max Goberman)

My Heart Was So Free (John Gay, Max Goberman)

My Love Is All Madness and Folly (John Gay, Max Goberman)

No Power on Earth Can E'er Divide (John Gay, Max Goberman)

O Cruel, Cruel, Cruel Case! (John Gay, Max Goberman)

O Polly, You Might Have Toy'd and Kist (John Gay, Max Goberman)

O What Pain It Is to Part (John Gay, Max Goberman)

Of All the Friends in Time of Grief (John Gay, Max Goberman)

Oh, Ponder Well! Be Not Severe (John Gay, Max Goberman)

Our Polly Is a Sad Slut! Nor Heeds What We Have Taught Her (John Gay, Max Goberman)

Our Selves, Like the Great, to Secure a Retreat (John Gay, Max Goberman)

Pretty Polly, Say (John Gay, Max Goberman)

Since I Must Swing (John Gay, Max Goberman)

Since Laws Were Made for Ev'ry Degree (John Gay, Max Goberman)

So I Drink Off This Bumper (John Gay, Max Goberman)

The Beggar's Opera (John Gay, Max Goberman)

The First Time at the Looking-Glass (John Gay, Max Goberman)

The Gamesters and Lawyer Are Jugglers Alike (John Gay, Max Goberman)

The Miser Thus a Shilling Sees (John Gay, Max Goberman)

The Modes of the Court So Common Are Grown (John Gay, Max Goberman)

The Turtle Thus with Plaintive Crying (John Gay, Max Goberman)

Their Eyes, Their Lips, Their Busses (John Gay, Max Goberman)

Through All the Employments of Life (John Gay, Max Goberman)

Thus Gamesters United in Friendship Are Found (John Gay, Max Goberman)

Thus I Stand Like the Turk, with His Doxies Around (John Gay, Max Goberman)

Thus When a Good Huswife Sees a Rat (John Gay, Max Goberman)

Thus When the Swallow, Seeking Prey (John Gay, Max Goberman)

Virgins Are Like the Fair Flower in Its Lustre (John Gay, Max Goberman)

Were I Laid on Greenland's Coast (John Gay, Max Goberman)

What Gudgeons Are We Men! (John Gay, Max Goberman)

When He Hold Up His Hands Arraign'd for His Life (John Gay, Max Goberman)

When My Hero in Court Appears (John Gay, Max Goberman)

When You Censure the Age (John Gay, Max Goberman)

When Young at the Bar You First Taught Me to Score (John Gay, Max Goberman)

When a Wife's in Her Pout (John Gay, Max Goberman)

Which Way Shall I Turn Me - How Can I Decide? (John Gay, Max Goberman)

Why How Now, Madam Flirt (John Gay, Max Goberman)

Would I Might Be Hang'd! (John Gay, Max Goberman)

You'll Think, E'er Many Days Ensue (John Gay, Max Goberman)

Youth's the Season Made for Joys (John Gay, Max Goberman)

wyers Are Met (John Gay, Max Goberman)

Act III (John Gay, Old Vic Company, Pro Arte Orchestra, Sir Malcolm Sargent)

'Tis Woman That Seduces All Mankind (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

A Fox May Steal Your Hens, Sir (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

A Maid Is Like the Golden Ore (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Act III Including (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

At the Tree I Shall Suffer (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Can Love Be Controlled by Advice? (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Cease Your Funning (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Come Sweet Lass (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Entrance of Lucy (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

How Cruel Are the Traitors (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

How Happy Could I Be with Either (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

I Like a Ship in Storms, Was Tossed (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

I'm Like a Skiff on the Ocean Tost (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

If Love the Virgin's Heart Invade (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

If the Heart of a Man (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Macheath's Soliloquy (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Man May Escape from Rope and Gun (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Melodrama (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

My Heart Was So Free (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

O Ponder Well (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Overture (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

The Charge Is Prepared (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Thro' All the Employments of Life (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Virgins Are Like the Fair Flower (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

Which Way Shall I Turn Me? (John Gay, Pro Arte Orchestra & Chorus Sir Malcolm Sargent)

'Tis Woman That Seduces All Mankind (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

A Fox May Steal Your Hens, Sir (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

A Maid Is Like the Golden Ore (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Act III Including (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

At the Tree I Shall Suffer (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Can Love Be Controlled by Advice? (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Cease Your Funning (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Come Sweet Lass (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Entrance of Lucy (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

How Cruel Are the Traitors (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

How Happy Could I Be with Either (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

I Like a Ship in Storms, Was Tossed (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

I'm Like a Skiff on the Ocean Tost (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

If Love the Virgin's Heart Invade (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

If the Heart of a Man (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Macheath's Soliloquy (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Man May Escape from Rope and Gun (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Melodrama (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

My Heart Was So Free (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

O Ponder Well (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Overture (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Side 4 - Act III Including (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

The Charge Is Prepared (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Thro' All the Employments of Life (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Virgins Are Like the Fair Flower (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Which Way Shall I Turn Me? (John Gay, Sir Malcolm Sargent, Pro Arte Orchestra)

Songs

'Tis Woman That Seduces All Mankind

A Curse Attends That Woman's Love

A Fox May Steal Your Hens, Sir/Oh, Ponder Well!

A Fox May Steal Your Hens, Sir

A Fox May Steel Your Hens, Sir

A Maid Is Like the Golden War

Among the Men, Coquets We Find

As Fox May Steal Your Hens, Sir

At the Tree I Shall Suffer with Pleasure

Before the Barn-Door Crowimg

Before the Barn-Door Crowing

Before the Barndoor Crowing/The Gamesters and Lawyers Are Jugglers Alike

But Can I Leave My Pretty Hussies

But Know Again My Spirits Sink

But Valour the Strong Grows

Can Love Be Controlled by Advice?/Oh Polly, You Might Have Toyed and Kissed/I, Like a Ship in Storms, Was Tossed

Can Love Be Controlled by Advice

Can Love Be Controul'd by Advice

Cease Your Funning/Why How Now, Madam Flirt?

Cease Your Funning

Come Sweet Lass

Come, Sweet Lass/Hither, Dear Husband, Turn Your Eyes/Which Way Shall I Turn Me?

Come, Sweet Lass

Dance of Prisoners in Chains

Dance of the Prisoners in Chains

Fill Ev'ry Glass, Let Us Take the Road

Fill Ev'ry Glass, for Wine Inspires Us

Fill Every Glass/Let Us Take the Road

Fill Every Glass: Let Us Take to the Road

Finale: Thus I Stand Like the Turk 2

Finale: Thus I Stand Like the Turk

Hither, Dear Husband, Turn Your Eyes

Hither, Dear Husband

How Cruel Are the TraItors

How Cruel Are the Traitors

How Cruel Are the Traytors

How Happy Could I Be with Either

How Happy Could I Be with Her

How Happy I Could Be with Either

I Like a Ship in Storms, Was Tost

I Like the Fox Shall Grieve

I'm Bubbled, I'm Bubbled

I'm Like a Skiff on the Ocean Tossed/When a Wife's in Her Pout/A Curse Attends That Woman's Love/Among the Men, Coquets We Find

I'm Like a Skiff on the Ocean Tost

I'm Like a Skiff

If Any Wench Venus' Girdle Wear

If Any Wench Venus's Girdle Wear

If Love the Virgin's Heart Invade/A Maid Is Like the Golden Ore

If Love the Virgin's Heart Invade

If Thus - A Man Can Die

If You at an Office Solite Your Due

If the Heart of a Man Is Deprest with Cares

If the Heart of a Man

In the Day of My Youth I Could Bill Like a Dove

In the Day of My Youth

In the Days of My Youth

Is Then His Fate Decreed, Sir?

Is Then His Fate Decreed?

Is Then His Fate Decreed

Is Then His Fate Degreed?

It the Heart of a Man Is Depressed with Cares/Harp Background Music 'Polly'

Let Us Take the Road

Lionel and Clarissa

Man May Escape from Rope and Gun/Thus When a Good Housewife Sees a Rat/How Cruel Are the Traitors

Man May Escape from Rope and Gun

Medley of Traditional Airs: Oh Cruel, Cruel, Cruel Case!/Of All the Friends in Time of Grief/Since I Must Swing/But Now Again My Spirits Sink/But Valour the Stronger Grows/If Thus a Man Can Die/So I Drink of This Bumper/But Can I Leave My Pretty Hussies/Their Eyes, Their Lips, Their Busses/Sice Laws Were Made for Ev'ry Degree

My Heart Was So Free

My Love Is All Madness and Folly

Newgate Prison: 'Lockit!'

Newgate: Outside Lockit's Room: 'To Be Sure, Wench'

No Power on Earth Can E'er Divide

No Power on Earth

O Cruel, Cruel Cruel Case

O Polly, You Might Have Toy' and Kist

O What Pain It Is to Part

O, Polly, You Have Been Toyed and Kissed

O, Polly, You Might Have Toyed and Kissed

Of All the Friend in Time of Grief

Oh What Pain Is It to Part

Oh, Ponder Well! Be Not Severe

Oh, Ponder Well!

Our Polly Is a Sad Slut! Nor Heeds What We Have Taught Her

Our Polly Is a Sad Slut!

Our Polly Is a Sad Slut

Our Selves, Like the Great, to Secure a Retreat

Pain It Is to Part

Pretty Polly, Say/My Heart, Was So Free/Were I Laid on Greenland's Coast

Pretty Polly, Say

Since I Must Swing

Since Laws Were Made for Ev'ry Degree

So I Drink Off This Bumper

Tavern Ad. Lib.

The Beggar's Opera / Lionel & Clarissa

The Beggar's Opera, end of Act II (1 of 3)

The Beggar's Opera, end of Act II (2 of 3)

The Beggar's Opera, end of Act II (3 of 3)

The Beggar's Opera: Act I. Air "If any wench Venus's girdle wear" (Mrs Peachum, Peachum)

The Beggar's Opera: Act I. Air. "'Tis woman that seduces all mankind" (Filch, Peachum)

The Beggar's Opera: Act I. Air. "A fox may steal your hens, sir" (Peachum)

The Beggar's Opera: Act I. Air. "A maid is like the golden ore" (Mrs Peachum)

The Beggar's Opera: Act I. Air. "Can love be control'd by advice?" (Polly, Mrs Peachum, Peachum)

The Beggar's Opera: Act I. Air. "I like a ship in storms was tossed" (Polly, Peachum)

The Beggar's Opera: Act I. Air. "If love the virgin's heart invade" (Mrs Peachum, Peachum)

The Beggar's Opera: Act I. Air. "My heart was so free" (Macheath, Polly)

The Beggar's Opera: Act I. Air. "O Polly, you might have toy'd and kissed" (Mrs Peachum, Polly)

The Beggar's Opera: Act I. Air. "O what pain it is to part!" (Polly, Macheath)

The Beggar's Opera: Act I. Air. "Oh, ponder well! be not severe" (Polly, Mrs Peachum)

The Beggar's Opera: Act I. Air. "Our Poly is a sad slut!" (Mrs Peachum, Peachum, Polly)

The Beggar's Opera: Act I. Air. "Pretty Polly, say" (Macheath, Polly)

The Beggar's Opera: Act I. Air. "The miser thus a shilling sees" (Macheath, Polly)

The Beggar's Opera: Act I. Air. "The turtle thus with plaintive crying" (Polly, Mrs Peachum, Peachum)

The Beggar's Opera: Act I. Air. "Through all the employments of life" (Peachum)

The Beggar's Opera: Act I. Air. "Virgins are like the fair flower in its lustre" (Polly, Peachum)

The Beggar's Opera: Act I. Air. "Were I laid on Greenland's coast" (Macheath, Polly)

The Beggar's Opera: Act I. Dialogue "Sir, Black Moll hath sent word" (Filch, Peachum)

The Beggar's Opera: Act I. Dialogue / Overture

The Beggar's Opera: Act I. Dialogue. "'Twas only Nimming Ned" (Polly, Peachum, Mrs Peachum)

The Beggar's Opera: Act I. Dialogue. "But 'tis now high time to look about me" (Peachum)

The Beggar's Opera: Act I. Dialogue. "Come hither, Filch" (Mrs Peachum, Filch)

The Beggar's Opera: Act I. Dialogue. "Dear wife, be a little pacified" (Peachum, Mrs Peachum)

The Beggar's Opera: Act I. Dialogue. "I know as well as any of the fine ladies" (Polly)

The Beggar's Opera: Act I. Dialogue. "Never was a man more out the way in an argument" (Mrs Peachum)

The Beggar's Opera: Act I. Dialogue. "Now I'm a wretch" (Polly)

The Beggar's Opera: Act I. Dialogue. "The thing, husband, must and shall be done" (Mrs Peachum, Peachum)

The Beggar's Opera: Act I. Dialogue. "What of Bob Booty, husband?" (Mrs Peachum, Peachum)

The Beggar's Opera: Act I. the Beggar's Opera: Act I. Introduction "If poverty be a title to poetry" (Beggar, Player)

The Beggar's Opera: Act II. Air. "At the tree I shall suffer with pleasure" (Macheath, Peachum)

The Beggar's Opera: Act II. Air. "Before the barn door crowing" (Jenny, Macheath, Trull, Tawdry, Slammekin, Vixen)

The Beggar's Opera: Act II. Air. "Fill ev'ry glass, for wine inspires us" (Matt, company)

The Beggar's Opera: Act II. Air. "If the heart of a man is deprest with cares" (Macheath, Drawer)

The Beggar's Opera: Act II. Air. "Let us take the road" (Matt)

The Beggar's Opera: Act II. Air. "Man may escape from rope and gun" (Macheath)

The Beggar's Opera: Act II. Air. "The gamesters and lawyers are jugglers alike" (Jenny, Tawdry, Macheath)

The Beggar's Opera: Act II. Air. "Youth's the season made for joys" (Macheath, Jenny, Coaxer, Vixen, Brazen)

The Beggar's Opera: Act II. Dialogue. "But pr'ythee, Matt, what is become of thy brother Tom?" (Ben, Matt, Jemmy, Jack, Wat, Robin, Ned, Harry)

The Beggar's Opera: Act II. Dialogue. "Dear Mrs Coaxer, you are welcome" (Macheath)

The Beggar's Opera: Act II. Dialogue. "Gentlemen, well met" (Macheath, Matt)

The Beggar's Opera: Act II. Dialogue. "I seize you, sir, as my prisoner" (Peachum, Macheath)

The Beggar's Opera: Act II. Dialogue. "Look ye, Mrs Jenny" (Vixen, Coaxer, Slammekin, Trull, Jenny)

The Beggar's Opera: Act II. Dialogue. "Noble Captain, you are welcome" (Lockit, Macheath)

The Beggar's Opera: Act II. Dialogue. "What a fool is a fond wench!" (Macheath)

The Beggar's Opera

The Charge Is Prepared

The First Time at the Looking Glass/When You Censure the Age/Is Then His Fate Decreed, Sir?

The First Time at the Looking-Glass

The Gamesters United in Friendship Are Found

The Gamesters and Lawyer Are Jugglers Alike

The Miser Thus a Shilling Sees

The Modes of the Court So Common Are Grown/What Gudgeons Are We Men/Ih the Days of My Youth

The Modes of the Court So Common Are Grown

The Modes of the Court

The Turtle Thus Plaintive Crying

The Turtle Thus with Plaintive Crying

Their Eyes, Their Lips, Their Busses

Thro' All the Employment of Life

Thro'All the Employement of Life

Through All Employments of Life

Through All the Employments of Life/This Woman That Seduces Mankind/If Any Wench Venus's Girdle Wear

Thus Gamesters United

Thus I Stand Like the Turk

Thus I Stand Lke the Turk, with His Doxies Around

Thus When a Good Huswife Sees a Rat

Thus When the Swallo, Seeking Prey

Thus When the Swallow, Seeking Prey/How Happy Could I Be with Either/I'm Bubbled

Tiggarens Opera 1

Tiggarens Opera 2

Tiggarens Opera 3

Tiggarens Opera 4

Virgins Are Like the Fair Flow'r

Virgins Are Like the Fair Flower in It's Lustre

Virgins Are Like the Fair Flower in Its Luster/Our Polly Is a Sad Slut

Were I Laid on Greenland's Coast

What Gudgeons Are We Men!

What Shall I Do to Show How Much I Love Her

When He Hold Up His Hands Arraign'd for His Life

When My Hero in Court Appears/When He Holds Up His Hand Arraigned for His Life/Ourselves, Like the Great to Secure a Retreat/The Charge Is Prepared

When My Hero in Court Appears

When You Censure the Age

When Young at the Bar You First Taught Me to Score/My Love Is All Madness and Folly/Thus Gamesters United in Friendship Are Found

When Young at the Bar You First Taught Me to Score

When Young at the Bar

When a Wife in Her Pout

Where I Laid on Greenlands's Coast, O What a Pain It Is to Part

Which Way Shall I Turn Me - How Can I Decide?

Which Way Shall I Turn Me?

Why How Now, Madam Flirt

Why, How Now Madam Flirt

Why, How Now, Madam Flirt

Would I Be Hang'd

Would I Might Be Hang'd

Would I Might Be Hanged

You'll Think, E'er Many Days Ensue/If You at an Office Solicit Your Due

You'll Think, E'er Many Days Ensue

Youth's the Season Made for Joys

Youth's the Season Made for Joy

Youth's the Season