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John Milton

Songs in corporation with

Act 2 (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Act 3 (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Act I (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Dead March (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Samson (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Scene 1 (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Scene 2 (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Scene 3 (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Sinfonia (Georg Friedrich Händel, Raymond Leppard, English Chamber Orchestra, London Voices, Newburgh Hamilton, John Milton)

Running Wild (John Milton + Glass Torpedoes)

Unreal the Real (John Milton + Glass Torpedoes)

The Darkside Collective (John Milton, DJ Jamo)

Who Will Rise Up with Me? (John Milton, Martin Peerson, the Choir of Selwyn College, Cambridge, Sarah MacDonald)

The System [Harder Better Faster] (John Milton, Reproach)

Band 1 Book 5 Lines 1-135 (John Milton, Tony Church, Michael Redgrave)

Band 1 Book 5 Lines 642-808, 877-End (John Milton, Tony Church, Michael Redgrave)

Band 2 Book 5 Lines 211-320 (John Milton, Tony Church, Michael Redgrave)

Band 2 Book 6 Lines 1-55 (John Milton, Tony Church, Michael Redgrave)

Band 3 Book 5 Lines 451-617 (John Milton, Tony Church, Michael Redgrave)

Band 3 Book 6 Lines 669-698, 719-745, 824-End (John Milton, Tony Church, Michael Redgrave)

Consider How My Light Is Spent (John Milton, William Devlin, William Squire, Gary Watson)

Il Penseroso (John Milton, William Devlin, William Squire, Gary Watson)

Lycidas (John Milton, William Devlin, William Squire, Gary Watson)

On the Morning of Christ's Nativity (John Milton, William Devlin, William Squire, Gary Watson)

Shorter Poems (John Milton, William Devlin, William Squire, Gary Watson)

x, Whose Name in Arms (John Milton, William Devlin, William Squire, Gary Watson)

Songs

A Girl Named Sue

Avenge, O Lord, thy slaughter'd saints

Book 4 Lines 1 - 145

Book 4 Lines 172 - 318

Book 4 Lines 319 - 410

Book 4 Lines 411 - 538

Book 4 Lines 598 - 719

Book 4 Lines 750 - 884, 962 - End

Book 5 Lines 1 - 135

Book 5 Lines 211 - 320

Book 5 Lines 451 - 617

Book 5 Lines 642 - 808, 877 - End

Book 6 Lines 1 - 55

Book II. Beginning

Book II. Conclusion

Book III Paraphrase: God, sitting on his throne

Book III. Beginning

Book III. Conclusion

Book IV Line 1: 'O for that warning voice, which he who saw'

Book IX Line 1: 'No more talk of where God or Angel Guest'

Book IX Line 494: 'So spake the Enemy of Mankind, enclos'd'

Book IX Lines 1 - 191

Book IX Lines 192 - 433

Book IX Lines 434 - 566

Book IX Lines 567 - 732

Book IX Lines 733 - 885

Book V-VIII Paraphase: 'Meanwhile, Uriel, descending'

Book VII Lines 1 - 39

Book X Paraphrase: 'Man's disobedience known'

Book XII Line 553: 'How soon hath thy prediction, Seer blest'

Books XI and XII Paraphrase: 'Meanwhile Sin and Death rejoice'

End

From Paradise Lost, Book 1

How Soon Hath Time

Il Penserosa

Is This the Region, This the Soul, the Clime from Paradise Lost

L'Allegro

La caduta degli angeli

Line 1034: 'So said he, and forbore not glance or toy'

Line 1134: 'Would thou hadst heark'n'd to my words, & stay'd'

Line 114: 'Thus while he spake, each passion dimm'd his face'

Line 172: 'No to th'ascent of that steep savage Hill'

Line 194: 'And Eve first to her Husband thus began.'

Line 229: 'Meanwhile ere thus was sinn'd & judg'd on Earth

Line 246: '............Thus was this place'

Line 270: 'To whom the Virgin Majesty of Eve'

Line 354: 'O Parent, these are thy magnific deeds'

Line 358: 'O Hell! what do mine eyes with grief behold'

Line 376: 'So spake the Patriarch of Mankind, but Eve'

Line 440: 'To whom thus Eve repli'd. O thou for whom'

Line 460: 'Thrones, Dominations, Princedoms, Virtues, Powers'

Line 492: 'So spake our general Mother, and with eyes'

Line 567: 'To whom the guileful Tempter thus repli'd'

Line 612: 'Serpent, thy overpraising leaves in doubt'

Line 679: 'O Sacred, Wise and Wisdom-giving Plant'

Line 68: 'Father Eternal, thine is to decree'

Line 745: 'Great are thy Virtues, doubtless, best of Fruits'

Line 850: 'The key of this infernal Pit by due'

Line 856: 'Hast thou not wonder'd Adam, at my stay?'

Line 896: 'O fairest of Creation, last and best'

Line 960: 'So Adam, and thus Eve to him repli'd.'

Line 968: 'T' whom Satan turning boldly thus. Ye Powers'

Line 99: 'O Earth, how like to Heav'n, if not preferr'd'

Lines 1 - 105

Lines 1 - 124

Lines 106 - 225

Lines 125 - 191

Lines 192 - 270

Lines 226 - 309

Lines 271 - 375

Lines 310 - 416

Lines 376 - 505

Lines 417 - 505

Lines 506 - 669

Lines 629 - 734

Lines 670 - 730

Lines 731 - End

Lines 734 - 889

Lines 917 - 987

Lycidas

On Shakespear

On the Morning of Christ's Nativity (feat. narrator: Jim Lawton) / John McCutcheon - For Unto Us a Child

On the Morning of Christ's Nativity

Paradiso perduto la caduta degli angeli

Something Else

Straight Mine Eye Hath Caught New Pleasures from "L'Allegro"

The Second Coming