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Kip Hanrahan

Albums

A Few Short Notes from the End Run

A Thousand Nights and a Night (1-Red Nights)

A Thousand Nights and a Night (Shadow Night -1)

A Thousand Nights and a Night - (1.Red Night)

A Thousand Nights and a Night - (Shadow Night 1)

A Thousand Nights and a Night - (Shadow Night 2)

A Thousand Nights and a Night - (Shadow Nights 2)

A Thousand Nights and a Night

All Roads Are Made of the Flesh

At Home in Anger Which Could Also Be Called Imperfect, Happily

Beautiful Scars

Coup De Tête

Crescent Moon Waning

Days and Nights of Blue Luck Inverted

Desire Develops an Edge

Exotica

Kip Hanrahan

Original Music for Piñero

Original Music from the Soundtrack of Pinero

Tenderness

Vertical's Currency

EPs

A Few Short Notes from the End Run

Songs in corporation with

Doubt (Piri Thomas & Kip Hanrahan)

The Streets (Piri Thomas & Kip Hanrahan)

Songs

"Faith and Resolve", Parts One and Three of Shadow Nights -2

"Fear", Opening (Shadow Nights -2)

"The Illusion of Commerce", Part 1 of Shadow Nights -2

"The Jinn of Class", Part One of Shadow Nights -2

"The Lie of the Possibility of Fairness in Contracts in Capitalism", the First Part of Shadow Nights -2

'.. I Told Him 'i Don't Have to Be Beaten to Be Understood'...

'... At the Same Time, as the Subway Train Was Pulling Out of the Station...'

'... Faith in the Pants, Not in the Prick...' (Vallejo's Folk Song)

'... Look, the Moon...' (Carmen's)

'... Look, the Moon...' (Diahnne's)

'... She Turned So That Maybe a Third Of

'... She Turned So That Maybe a Third of Her Face Was in This F-in' Beautiful Half-Light...'

'... There Was Something About His Anger That Was So... Inaccessable to Me...'

'... When I Lose Myself in the Darkness and Pain of Love, No, This Love...'

'... You're No Pimp, and I'm Certainly No Whore...'

'...At the Same Time, As the Subway Train Was Pulling Out of the Station...'

'...Faith in the Pants, Not in the Prick...'

'...Half of S- Is Fear...'

'...I Told Him 'I Don't Have to Be Beaten to Be Understood'...'

'...If I Knew How To, If I Knew What Muscles to Relax...'

'...Look, the Moon...'

'...She Turned So That Maybe a Third of Her Face Was in This F-in' Beautiful Half-Light...'

'...There Was Something About His Anger That Was So...Inaccessable to Me...'

'...When I Lose Myself in the Darkness and Pain of Love, No, This Love...'

'...You're No Pimp, and I'm Certainly No Whore...'

(Don't Complicate) the Life (La Vie)

(Don't Complicate) the Life

(Nancy) the Silence Focuses on You....

(Nancy) the Silence Focuses on You...

... Half of S- Is Fear...

... If I Knew How to, If I Knew What Muscles to Relax...

... When I Lose Myself in the Darkness of Love, No, This Love...

...At the Same Time As the Subway Train Was Pulling Out of the Station...

...At the Same Time, As the Subway Train Was Leaving the Station...

...At the Same Time, As the Subway Train Was Pulling Out of the Station...

...At the Same Time

...Faith in the Pants, Not in the Prick...

...Half of S- Is Fear...

...I Told Him 'I Don't Have to Be Beaten to Be Understood'...

...If I Knew How To, If I Knew What Muscles to Relax...

...Look, the Moon...

Diahnne's)|...Look, the Moon...|Diahnne's)

...She Turned So That Maybe a Third of Her Face Was in This F-in' Beautiful Half-Light...

...There Was Something About His Anger That Was So...Inaccessable to Me...

...When I Lose Myself in the Darkness and Pain of Love, No, This Love...

...You're No Pimp, and I'm Certainly No Whore...

A Lover Divides Time (to Hear How It Sounds)

A Lover Divides Time

A Model Bronx Childhood

A More Naked Man, Frightened (2 - Giacomo And Kip, with the Clarity Of Lucy, Explain the Recording Techniques Of the Rekid)

A More Naked Man, Frightened

A Naked Woman, Comfortable (1- Giacomo And Kip, with the Clarity Of Lucy, Explain the Recording Techniques Of the Rekid)

A Naked Woman, Comfortable

A Poker Game / Luck Inverts Itself / Four Swimmers

A Poker Game

A Small Map of Heaven

A Woman's Trick

Accounting in the Morning

Accuracy of Location in Shahrazade's Shadow Night

Against the Light

Aguaybana Zemi [The Cause]

Ah, Intruder! (Female)

Ah, Intruder!

Ah, Intruder

Al Mumuun and the Arab Girl by the Well

Al-Mumuun And the Arab Girl By the Well

Al-Mumuun and the Arab Girl by the Well

All Us Working Class Boys = ワーキング・クラス・ボーイズ

All Us Working Class Boys

American Clave

American Clavé

Andy Laughs At One Of the Few Golden Veins in Our Bronx Childhood (For Andy Gonzalez)

Andy Laughs at One of the Few Golden Veins in Our Bronx Childhood (For Andy Gonzalez = アンディは数少ない金脈のひとつを笑う)

Andy Laughs at One of the Few Golden Veins in Our Bronx Childhood

Another Autumn Forms

As in Angola (Red Star in the Morning Sky)

As in Angola

As in the Bronx (You Can Tell Where Someone Comes from by what They Laugh at)

As in the Bronx

As in the Red Morning

At Home in the Night

At the Moment of the Serve (Excerpt)

At the Moment of the Serve

Aziz And Azizah (Continued)

Aziz And Azizah (Opening)

Aziz and Azizah(Continued)

Aziz and Azizah(opening)

Aziz and Azizah

Birds Through the Alabaster Ceiling

Blonde Woman Escapes

Blue Shalimah's Tale, Continuing

Blue Shalimah's Tale, Opening

Brown Eyed Woman Escapes

Buddy Bolden's Blues

Busses From Heaven

Busses from Heaven

Can't Fly on One Wing...

Caravaggio / A Quick Balance

Caravaggio / a Quick Balance

Cause

Chances Are Good (Baden's Distance)

Chances Are Good

Charles

Child Song

Child's Song

Childhood Damage

City of Gold (Palestine Blues)

City of Gold

Clean Charm Amongst Evil

Commerce - Erica/Negro/Roby/JT

Como En Vietnam

Como en Vietnam

Coup de Tête

Dancing with Sweetness, Tonight = 今夜、やさしさと踊る

Dancing with Sweetness, Tonight

Dark (Kip's Tune)

Dark

Days and Nights of Blue Luck Inverted

Deep Summer

Describing It to Yourself As Convex

Describing it To Yourself as Convex

Desire Develops An Edge

Desire Develops an Edge

Diente De Oro [Opening Night Celebration]

Diente De Oro

Diente de Oro

Don

Early Fall

Elizabeth

Estate of Mind

Exterior New York - Night

Faith and Resolve, Parts One and Three of Shadow Nights -2

Faith in the Pants, Not in the Prick

Far From Freetown

Far from Freedom

Far from Freetown

Father? Well He F-ed My Mother, And Made Me...

Father? Well He F-ed My Mother, and Made Me...

Fear, Opening

Funeral Poem Celebration/Scattering the Ashes

G-d Is Great

Gender

Geography

Ghanim Ibn Ayyub's Tale and Kut Al-Kulub

Gift (No Woman Knows)

Gift

Gillian's Folk Song

Hasheater at the Gates of the Summer City

Hasheater in Judgement - And the Revival of the Thousand Pound Elephant

Heart on My Sleeve

Her Boyfriend Asseses His Value and Pleads His Case

Her Boyfriend Assesses His Value And Pleads His Case

Her Boyfriend Assesses His Value and Pleads His Case

His Mother's Funeral

History

In Olinda, She Calmly Explained the Use Of the Reflexive....

In Olinda, She Calmly Explained the Use of the Reflexive.... = オリンダで語られたこと

In Olinda, She Calmly Explained the Use of the Reflexive....

In Place of a Morale: Geography

In Place of an Epilog: Lullabye for My Daughter

India Song

Intimate Distances (Jack's Margaret's Natasha)

Intimate Distances

Ishaak of Mosul, His Mistress and the Devil

Jack And the Golden Palominos

Jack and the Golden Palominos

Jewish Doctor's Tale Continues

Junkie Christ

Kuduro of Assassins and Laughter

La Perla

Ladies and Gentleman, Please Welcome Miguel Pinero...

Ladies and Gentlemen, Please Welcome Miguel Piñero...

Last Call

Late Fall

Leaving the Reception

Leijia Heads to Brooklyn

Leijia on the Way to Brooklyn

Lisbon / Blue Request

Lisbon: Blue Request

Look, the Moon...

Look, the Moon

Love Is Like a Cigarette

Lucia's Young Night = 夜のはじまりのルシア

Lucia's Young Night

Make Love 2 (Nujabes / Beat Laments the World)

Make Love 2

Marriage

Mañenquito's Magic Afternoon

Mañequito's Magic Afternoon

Meaning a Visa

Medley: Velasquez / Late Fall

Miguel Leaves Puerto Rico

Mikey Enters the Shooting Gallery

Mikey Falls / Obatala

Mikey Falls/Obatala

Milton Cardona

Montana

Mother's Prison Visit...

My Life Outside of Power

Name Us Light = 光と名づけよう

Name Us Light

Nancy

Naney (The Silence Focuses On You...)

Needle State Building

Need

Night Cumbia

No Baby (1)

No Baby (2)

No Baby

No One Gets to Transcend Anything (No One Except Oil Company Executives)

No One Gets to Transcend Anything

Nocturnal Heart (Coracao Noturno)

Nocturnal Heart (Coracão Norurno)

Nocturnal Heart (Coracão Noturno)

Nocturnal Heart

Obviously Spring (Evora)

Obviously Spring

One Casual Song (After Another)

One Casual Song - After Another

One Casual Song

One Summer Afternoon (For Gil Evans)

One Summer Afternoon

Opening Night Celebration

Opening of the Nuyorican Poet's Cafe

Our Reflection in the Turbulent Heat (It's Really You...)

Our Reflection in the Turbulent Heat

Paris Through Tears

Parole Hearing

Perfect Math, in A Model Bronx Childhood

Perfect Math, in a Model Bronx Childhood = 完璧な数学

Perfect Math, in a Model Bronx Childhood

Perla

Princess Dunya and Taj Al-Muluk

Princess Dunya's Nocturnal Realization

Real Time and Beautiful Scars

Red Headed Woman Remains with the Merchant

Red Star

Road Song

Rumba of Cities

Salt in the Mozambique Evening

Salt in the Mozambique Night (Glasgow, for Jack Bruce)

Salt n the Mazambique Night

Sara Wade

Shadow Song (Mario's In)

Shadow Song

Shadow of the Unfinished Dawn

Shadow to Shadow

Shahrazad Shifts Angles, Introducing:

Shahrazade (Opening)

Shahrazade Adrift

Shahrazade And the Closing Of the First Night Of Stories

Shahrazade Shifts Angles, Introducing

Shahrazade Watches Birds Through an Alabaster Ceiling

Shahrazade and the Closing of the First Night of Stories

Shahrazade and the Closing of the First Shadow Night

Shahrazade and the Forming of the Next Day

Shahrazade and the Opening of the First Shadow Night / Funeral Poem Celebration / Scattering the Ashes

Shahrazade and the Opening of the First Shadow Night [Last Call]

Shahrazade and the Opening of the First Shadow Night [Mikey Enters the Shooting Gallery]

Shahrazade and the Opening of the First Shadow Night

Shahrazade's First Shadow Night Lover

Shahrazade(opening)

Shahrazade

Sharazard Shifts Angels

She And He Describe the Exact Same Intimate Moment

She Can Measure the History Of Dreams

She Can Measure the History of Dreams = 彼女が測る夢の重さ

She Can Measure the History of Dreams

She and He Describe the Exact Same Intimate Moment = 親密な時に関する彼女と彼の見解

She and He Describe the Exact Same Intimate Moment

Short Eyes Prison Rehearsal Boogaloo

Silvana Laughs At the Film Noir Shadows (For Silvana DeLuigi)

Silvana Laughs at the Film Noir Shadows

Sitt Al Milla, Zumurrud

Sitt Al Milla/ Zumurrud

Sitt Al Milla/Zumurrud

Sketch From Two Cubas

Sketch from "Two Cubas"

Sketch from Two Cubas

Sleeper Awakened

Smal Change

Small Change

Smiles and Grins

Some Scottish Lullaby = スコットランドの子守唄

Some Scottish Lullaby

Sometimes I Can Go For Nights, Forgetting

Sometimes I Can Go for Nights, Forgetting = 夜に魅せられて

Sometimes I Can Go for Nights, Forgetting

Somewhere in the Deepest Blue, There's A Woman Who Knows... (Grayson's Grasp Of the Light Of the Dreamless Moon, And Sings It Through the Next Take Of 'She Can Measure the History Of Dreams'… ) A.K.A. Alternate Understanding / Take Of 'She Can Measure The

Somewhere in the Deepest Blue, There's a Woman Who Knows...

Song Cycle

Stealing the Furs Boogaloo

Suenos Da Vida Colonial

Suenos da Vida Colonial

Sugar's Theme

Taj Al-Muluk And Princess Dunya

Taj Al-Muluk and Princess Dunya

The Accountant of Morning

The Accounting of Morning

The Angel Charles And the Caravan Of Jinns

The Angel Charles and the Caravan of Jinns and Dreams

The Angel Charles and the Caravan of Jinns

The Blonde Woman Escapes

The Brown Eyed Woman Escapes

The Dusk Coming To A Moving Rest (3- Giacomo And Kip, with the Clarity Of Lucy, Explain the Recording Techniques Of the Rekid)

The Dusk Coming to a Moving Rest

The Edge You Always Love in Me

The Edge You Always Loved in Me

The First And Last To Love Me (3 , November)

The First And Last To Love Me (4, September)

The First and Last to Love Me (2, Dec)

The First and Last to Love Me (2, December)

The First and Last to Love Me (2, October)

The First and Last to Love Me (4, December)

The First and Last to Love Me

The Girl That Won't Resolve

The Girl Who Won't Resolve

The Hasheater at the Gates of the Summer City

The Hasheater in Judgement / and the Revival of the Thousand Pound Elephant

The Hasheater's Tale

The Heat Changed the Colors Of My Eyes

The Heat Changed the Colors of My Eyes = ぼくの瞳の色

The Heat Changed the Colors of My Eyes

The Illusion of Commerce, Part 1 of Shadow Nights -2

The Jewish Doctor's Tale Continues

The Jewish Doctor's Tale(opening)

The Jewish Doctor's Tale

The Jinn of Class, Part One of Shadow Nights -2

The Jinniya Sleeps on the Alabaster Ceiling, the Coolness of the Stone...

The Jinniya Who Envied Human Suffering

The Last Song on the Album

The Last Song

The Lie of the Possibility of Fairness in Contracts in Capitalism, the First Part of Shadow Nights -2

The Lost Prince (Excerpt From the Third Dervih's Tale)

The Lost Prince

The Man Who Stole the Golden Plate From Which the Dog Had Eaten

The Man Who Stole the Golden Plate from Which the Dog Had Eaten

The Night Finding It's Form = 夜が見つけた自分の姿

The Night Finding It's Form

The Red Headed Woman Remains with the Merchant

The Same Dawn, at Almost the Exact Same Moment, Actually Smiles at Don in Passaic

The Same Dawn, at Almost the Same Exact Moment, Actually Smiles at Don in Passaic

The Savage Dawn in Her Glance (Music and Autobiography)

The Savage Dawn in Her Glance

The September Dawn Shows Itself to Elizabeth and Her Lover on East 18th Street in Manhattan

The September Dawn Shows Itself to Elizabeth and Her Lover on East18th Street in Manhattan

The Sleeper Awakened

The Tale Of Blue Shalimah, the Singer (Beginning)

The Tale of Blue Shalimah, the Singer

The Tale of the Youth Behind Whom Indian and Chinese Music Was Played, and the Tale of the Jaundiced Youth

The Yemeni Merchant And the Three Different Colored Women

The Yemeni Merchant and the Three Different Colored Women

This Night Comes Out of Both of Us

Three Card Monte

Today Just Ain't My Day / Dominican Heist / the End of a Lifetime of Friendship

Today Just Ain't My Day/Dominican Heist/The End of a Lifetime ...

Trust Me Yet ?

Trust Me Yet?

Two (Still in Half Light)

Two (Still in a Half-Light)

Two Cubas

Two Heartedly - To the Other Side

Two Heartedly to the Other Side

Two Heartedly, to the Other Side

Two Heartedly. To the Other Side

Two

Una Noche De Verano Comenca / Shahrazade / Puntillo / Yambhoracio [The Opening of the NuYorican Poet's Café]

Una Noche De Verano Comenca

Unfinished Dawn

Unfinished Dusk

Unobtainable Days, Unobtainable Nights

Unobtainable Days: Unobtainable Nights

Unobtainable Days

Vallejo

Velasquez / the Edge You Always Loved in Me

Velasquez

Vida Sin Miel

WInterscape with I.M.F.

War News From Inside the City

War News from Inside the City

We Were Not Alone (Fernando Looks For Closure - But There's Never Any...)(For Lou And Jack)

We Were Not Alone (Fernando Looks for Closure - but There's Never Any...)

We Were Not Alone

What Do You Think That This Mountain Was Once Fire

What Do You Think? That This Mountain Was Once Fire?

What Do You Think? That This Mountain Was Once On Fire?

What Else Can We Do with a Drum?

What Else Can You Do with a Drum

What Is This Dance Anyway

What Is This Dance, Anyway ?

What Is This Dance, Anyway?

What We Learned That Night in Vera Cruz and How We Applied It

Whatever I Want

Winterscape with I.M.F.

Within an Hour, in New Orleans, Charles Knows the Light's in the Room Without Even Opening His Eyes

Within an Hour, in New Orleans, Charles Knows the Light's in the Room without Even Opening His Eyes

Woman's Trick

Xiomara Wears the Heat Beautifully

Xiomarra Wears the Heat Beautifully

You Can Tell Someone Who'll Never Fulfill Their Potential by the Way They Measure the Evening

You Can Tell Someone Who'll Never Fulfill Their Potential by the way They Measure the Evening

You Can Tell Someone Who'll Never Fullfill Their Potential by the Way They Measure the Evening

You Can Tell a Guy by His Anger

You Can Tell a Moment of Clarity by the Digital Trace It Leaves

You Can Tell a Moment of Clarity by the Digital Traces it Leaves

You Play with the Night with Your Fingertips

Zummarud's Tale Continues with the Thieves

Zunnarud's Tale Continues with the Theives

equest

inable Nights

sketch from Two Cubas

wimmers

アイ・トールド・ヒム・アイ・ドント・ハフ・トゥ・ビー・ビートン・トゥ・アンダーストゥッド

アット・ザ・セイム・タイム,アズ・ザ・サブウェイ・トレイン・ワズ・プリング・アウト・オブ・ザ・ステー

イフ・アイ・ニュー・ハウ・トゥ,イフ・アイ・ニュー・ホワット・ミュージカルズ・トゥ・リラックス

シー・ターンド・ソー・ザット・メイビー・ア・サード・オブ・ハー・フェイス・ワズ・イン・ジス・ファッキ

ジリアンズ・フォーク・ソング

ゼア・ワズ・サムシング・アバウト・ヒズ・エンジャー・ザット・ワズ・ソー・インアクセブル・トゥ・ミー

ディープ・サマー

ハーフ・オブ・セックス・イズ・フェア

ヒストリー

フェイス・イン・ザ・パンツ,ノット・イン・ザ・プリック

ホエン・アイ・ルーズ・マイセルフ・イン・ザ・ダークネス・アンド・ペイン・オブ・ラブ,ノー,ジス・ラブ

ユーアー・ノウ・ピンプ,アンド・アイム・サートゥンリー・ノウ・フーアー

ルック,ザ・ムーン