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Norma Procter

Songs in corporation with

Fair and Fair (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Finale: London, to Thee I Do Present - Soomer Is Icoomen In (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Introduction: Shine Out (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Out on the Lawn I Lie on Bed (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 1. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 2. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 3. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 4. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Sound the Flute (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony Op. 44 (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony, Op. 44 Part 1. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony, Op. 44 Part 2. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony, Op. 44 Part 3. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony, Op. 44 Part 4. (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring the Sweet Spring (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

The Driving Boy (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

The Merry Cuckoo (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

The Morning Star (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Water Above (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Welcome Maids of Honour (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

When Will My May Come (Benjamin Britten - Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Fair and Fair (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Finale: London, to Thee I Do Present (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Introduction: Shine Out (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Out on the Lawn I Lie on Bed (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Part 1 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Part 2 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Part 3 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Part 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Sound the Flute (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Spring the Sweet Spring (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

The Driving Boy (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

The Merry Cuckoo (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

The Morning Star (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Water Above (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Welcome Maids of Honour (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

When Will My May Come (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth)

Britten: Spring Symphony Op. 44, Simple Symphony Op. 4, (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, 855066Chorus of the Royal Opera House, Covent Garden, 855061Orchestra of the Royal Opera House, Covent Garden)

Fair and Fair (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Finale: London, to Thee I Do Present (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Introduction: Shine Out (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Out on the Lawn I Lie on Bed (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Part 1 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Part 2 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Part 3 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Part 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Sound the Flute (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Spring the Sweet Spring (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

The Driving Boy (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

The Merry Cuckoo (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

The Morning Star (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Water Above (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Welcome Maids of Honour (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

When Will My May Come (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden Und Orchestra of the Royal Opera House, Covent Garden)

Fair and Fair (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Finale: London, to Thee I Do Present (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Introduction: Shine Out (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Out on the Lawn I Lie on Bed (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 1 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 2 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 3 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Part 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Sound the Flute (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Spring the Sweet Spring (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

The Driving Boy (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

The Merry Cuckoo (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

The Morning Star (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Water Above (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Welcome Maids of Honour (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

When Will My May Come (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden and Orchestra of the Royal Opera House, Covent Garden)

Boisterous Bourree -- Alegro Ritmico (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Fair and Fair (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Finale: London, to Thee I Do Present (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Frolicsome Finale - Prestissimp Con Fouco (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Introduction: Shine Out (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Out on the Lawn I Lie on Bed (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Part 1 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Part 2 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Part 3 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Part 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Playful Pizzicato - Presto Possible Pizzicato Sempre (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Sentimental Saraband - Poco Lento E Pesante (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Simple Symphony Op. 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Sound the Flute (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony Op. 44, Simple Symphony Op. 4, (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Spring Symphony Op. 44 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Spring the Sweet Spring (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Teil 1 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Teil 2 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Teil 3 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Teil 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

The Driving Boy (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

The Merry Cuckoo (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

The Morning Star (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Water Above (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Welcome Maids of Honour (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

When Will My May Come (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of Boys from Emanuel School, Wandsworth, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden)

Fair and Fair (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

I. Boisterous Bourree - Allegro Ritmico (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

II. Playful Pizzicato - Presto Possibile Pizzicato Sempre (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

III. Sentimental Saraband - Poco Lento E Pesante (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

IV. Frolicsome Finale - Prestissimo Con Fuoco (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Out on the Lawn I Lie on Bed (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part I: Introduction: Shine Out (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part II: Welcome Maids of Honour (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part III: When Will My May Come (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part IV: Finale - London, to Thee I Do Present (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Simple Symphony Op. 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Sound the Flute (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Spring Symphony Op. 44 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Spring, the Sweet Spring (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

The Driving Boy (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

The Merry Cuckoo (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

The Morning Star (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Waters Above (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Boisterous Bourree -- Alegro Ritmico (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Fair and Fair (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Finale: London, to Thee I Do Present (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Frolicsome Finale - Prestissimp Con Fouco (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Introduction: Shine Out (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Out on the Lawn I Lie on Bed (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part 1 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part 2 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part 3 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Part 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Playful Pizzicato - Presto Possible Pizzicato Sempre (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Sentimental Saraband - Poco Lento E Pesante (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Simple Symphony Op. 4 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Sound the Flute (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Spring Symphony Op. 44 (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Spring the Sweet Spring (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

The Driving Boy (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

The Merry Cuckoo (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

The Morning Star (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Water Above (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Welcome Maids of Honour (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

When Will My May Come (Benjamin Britten, Jennifer Vyvyan, Norma Procter, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Chorus of Boys from Emanuel School, Wandsworth, English Chamber Orchestra)

Symphony No. 9 in D minor, Op. 125 “Choral': 4. Allegro ma non troppo – Allegro assai (Choeur des Jeunes l'Église Nationale Vaudoise, Chorale du Brassus, Anton Dermota, Arnold van Mill, Norma Procter, Joan Sutherland, Orchestre de la Suisse Romande, Ernest Ansermet)

Messe C-Dur KV 317 "Krönungsmesse" - Gloria (Edith Mathis, Norma Procter, Donald Grobe, John Shirley-Quirk, Symphonie-Orchester Des Bayerischen Rundfunks, Chor Des Bayerischen Rundfunks, Rafael Kubelik)

Das klagende Lied, Cantata for Soloists, Chorus & Orchestra: Der Spielmann (Ernst Haefliger, Large Radio Choir, Norma Procter, Hanneke van Bork, Royal Concertgebouw Orchestra, Bernard Haitink)

Das klagende Lied, Cantata for Soloists, Chorus & Orchestra: Hochzeitsstück (Ernst Haefliger, Large Radio Choir, Norma Procter, Hanneke van Bork, Royal Concertgebouw Orchestra, Bernard Haitink)

And Lo! the Angel of the Lord (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

And Suddenly There Was with the Angel (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

And the Angel Said Unto Them (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Comfort Ye My People (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Every Valley (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

For Unto Us a Child Is Born (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Hallelujah (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

He Shall Feed His Flock (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

He Was Despised (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

How Beautiful Are the Feet (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

I Know That My Redeemer Liveth (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

The Trumpet Shall Sound (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Then Shall the Eyes of the Blind Be Opened (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

There Were Shepherds Abiding in the Field (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Why Do the Nations So Furiously Rage Together (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Worthy Is the Lamb (Georg Friedrich Händel - Jennifer Vyvyan, George Maran, Norma Procter, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra Dir.: Sir Adrian Boult)

Messiah (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 1, Overture (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 13, Pastoral Symphony (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 17, Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 1 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 2 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 3 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, George Malcolm, Ralph Downes, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

And Lo! the Angel of the Lord (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

And Suddenly There Was with the Angel (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

And the Angel Said Unto Them (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Comfort Ye My People (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Comfort Ye, My People - Every Valley (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Every Valley (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

For Unto Us a Child Is Born (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Hallelujah (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

He Shall Feed His Flock (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

He Was Despised (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

How Beautiful Are the Feet (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

I Know That My Redeemer Liveth (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

The Trumpet Shall Sound (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Then Shall the Eyes of the Blind Be Opened - He Shall Feed His Flock (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Then Shall the Eyes of the Blind Be Opened (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

There Were Shepherds - An Lo! the Angel of the Lord - and the Angel Said Unto Them - and Suddenly There Was with the Angel - Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

There Were Shepherds Abiding in the Field (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Why Do the Nations So Furiously Rage Together (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Why Do the Nations? (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Worthy Is the Lamb (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Air Bass (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Air Contralto and Chorus (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Air Soprano (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Air Tenor (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Chorus (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Deel I. (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Deel II. (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Deel III. (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Der Messias (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Koor (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

No. 1, Overture (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

No. 13, Pastoral Symphony (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

No. 17, Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Overture (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 1-Conclusion: Nos. 19 to 21 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 1 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 2-Conclusion: Nos. 37 to 44 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 2: Nos. 22 to 24 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 2: Nos. 25 to 36 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 2 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 3-Conclusion: Nos. 47 to 53 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 3: Nos. 45 & 46 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Part 3 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Pastoral Symphony (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Pastorale Symfonie (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Recit. Bass (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Recit. Contralto (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Recit. Soprano (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Recit. Tenor (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Side 3 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Side 4 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Side 5 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Side 6 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Sinfonia (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Messiah (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 1, Overture (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 13, Pastoral Symphony (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 17, Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 1: No. 1, Overture (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 1: No. 13, Pastoral Symphony (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 1: No. 17, Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 1 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 2 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

Part 3 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra and London Philharmonic Choir, Sir Adrian Boult)

No. 1, Overture (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting the London Philharmonic Orchestra and London Philharmonic Choir)

No. 13, Pastoral Symphony (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting the London Philharmonic Orchestra and London Philharmonic Choir)

No. 17, Glory to God (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting the London Philharmonic Orchestra and London Philharmonic Choir)

Part 1 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting the London Philharmonic Orchestra and London Philharmonic Choir)

Part 2 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting the London Philharmonic Orchestra and London Philharmonic Choir)

Part 3 (Georg Friedrich Händel - Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting the London Philharmonic Orchestra and London Philharmonic Choir)

Pastoral Symphony of the Shepherds (Georg Friedrich Händel - Leopold Stokowski Conducting London Symphony Orchestra and London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Sinfonia (Georg Friedrich Händel - Leopold Stokowski Conducting London Symphony Orchestra and London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Allelujah (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Amen (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Los Ojos Ciegos Tendrán Luz... (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Obertura (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Pues El Hombre Fue Causa De La Muerte (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Se Que Mi Redentor Vive (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Sinfonía Pastoral (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Todos Los Valles Se Exaltarán (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Vuestra Negativa Ha Roto Su Corazón... (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Y la Gloria Del Señor (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

¿Por Que Las Naciones? (Georg Friedrich Händel - London Symphony Orchestra, London Symphony Chorus, Leopold Stokowski, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis Choir, Charles Spinks, 877523Philip Ledger)

Air: Love in Her Eyes Sits Playing, from Acis and Galatea (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: All We Like Sheep (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Behold the Lamb of God (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Glory to God (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Hallelujah (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: He Trusted in God (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: His Yoke Is Easy (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Let All the Angels of God (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Lift Up Your Heads (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Since by Man Came Death (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Surely He Has Borne Our Griefs (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Their Sound Is Gone Out (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: Worthy Is the Lamb ... Amen (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: and He Shall Purify (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: and the Glory of the Lord (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: and with His Stripes (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

How Vain Is Man, from Judas Maccabaeus (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Messiah, HWV 56 (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Overture (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part III (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Pastoral Symphony (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Sound an Alarm, from Judas Maccabaeus (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Waft Her, Angels, from Jeptha (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Where E'er You Walk, from Semele (Georg Friedrich Händel – Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Highlights from Messiah (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, 348565The Royal Choral SocietyRoyal Choral Society, Royal Philharmonic OrchestraThe Royal Philharmonic Orchestra, Sir Malcolm Sargent)

All We Like Sheep (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Amen (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

And He Shall Purify (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

And Suddenly (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

And the Glory Thus Saith the Lord (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Behold the Lamb of God (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Behold, a Virgin (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

But Who May Abide (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Comfort Ye (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Ev'ry Valley (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

For Unto Us (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

For, Behold (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Glory to God (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Hallelujah Chorus (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

He Was Despised (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

His Yoke Is Easy (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Overture (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

Rejoice Greatly (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

The People That Walked (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

The Trumpet Shall Sound (Georg Friedrich Händel, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk, the Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent)

For Unto Us a Child Is Born (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

Hallelujah (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

He Was Despised (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

How Beautiful Are the Feet (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

Messiah—Highlights (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

Why Do the Nations So Furiously Rage Together? (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

Worthy Is the Lamb That Was Slain . . . Amen (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

e Glory of the Lord (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

ll Feed His Flock (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

to God in the Highest (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

umpet Shall Sound (Georg Friedrich Händel, Jennifer Vyvyan • Norma Procter • George Maran • Owen Brannigan, Sir Adrian Boult, London Philharmonic Choir and London Philharmonic Orchestra)

And Lo! the Angel of the Lord (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

And Suddenly There Was with the Angel (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

And the Angel Said Unto Them (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Comfort Ye My People (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Every Valley (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

For Unto Us a Child Is Born (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Glory to God (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Hallelujah (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

He Shall Feed His Flock (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

He Was Despised (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

How Beautiful Are the Feet (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

The Trumpet Shall Sound (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Then Shall the Eyes of the Blind Be Opened (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

There Were Shepherds Abiding in the Field (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Why Do the Nations So Furiously Rage Together (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Worthy Is the Lamb (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Comfort Ye My People - Every Valley (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

For Unto Us a Child Is Born (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Hallelujah Chorus (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

He Was Despised (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

How Beautiful Are the Feet (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

The Shall the Eyes of the Blind Be Opened - He Shall Feed His Flock (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

The Trumpet Shal Sound (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

There Were Shepherds - and Lo! the Angel of the Lord - and the Angel Said Unto Them - and Suddenly There Was with the Angel - Glory to God (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Why Do the Nations? (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Worthy Is the Lamb (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

1ere Partie - N° 1 a 7 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

1ere Partie N° 8 a 18 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

1ère partie: Nos 8 à 18 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

1ère partie: Nos. 1 à 7 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

2eme Partie : N° 25 a 36 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

2eme Partie N° 22 a 24 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

2ème partie: Nos 22 à 24 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

2ème partie: Nos 25 à 36 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

3eme Partie : N° 45 Et 46 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

3ème partie: Nos 45 et 46 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir Et London Philharmonic Orchestra, Sir Adrian Boult)

Part One (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Part Three (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Part Two (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir and London Philharmonic Orchestra, Sir Adrian Boult)

Part 3: Conclusión: Nos. 47 Al 53 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 1-Conclusión: Nos. 19 Al 21 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 1: Nos. 1 Al 7 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 1: Nos. 8 Al 18 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 2-Conclusión: Nos. 37 Al 44 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 2: Nos. 22 Al 24 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 2: Nos. 25 Al 36 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Parte 3: Nos. 45 Al 46 (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

Alle Tale Macht Hoch Erhaben (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Dann Wird Das Auge Des Blinden Sich Auftun (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Denn Es Ist Uns Ein Kind Geboren (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Der Messias. Arien Und Chöre (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Ehre Sei Gott (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Er Ward Verschmähet (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Er Weidet Seine Herde (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Es Waren Hirten Beisammen (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Hallelujah (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Ich Weiß, Daß Mein Erlöser Lebet (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Sie Erschallt, Die Trompet' (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Tröste Dich Mein Volk (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Und Alsobald Ward Da Bei Dem Engel (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Und Der Engel Sprach Zu Ihnen (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Und Siehe, Der Engel Des Herrn (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Warum Denn Rasen (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Wie Lieblich Ist Der Boten Schritt (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

Würdig Ist Das Lamm (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Orchestra Und London Philharmonic Choir, Sir Adrian Boult)

And Lo! the Angel of the Lord (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

And Suddenly There Was with the Angel (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

And the Angel Said Unto Them (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Comfort Ye My People (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Every Valley (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

For Unto Us a Child Is Born (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Glory to God (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Hallelujah (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

He Shall Feed His Flock (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

He Was Despised (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

How Beautiful Are the Feet (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

The Trumpet Shall Sound (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Then Shall the Eyes of the Blind Be Opened (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

There Were Shepherds Abiding in the Field (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Why Do the Nations So Furiously Rage Together (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Worthy Is the Lamb (Georg Friedrich Händel, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Sir Adrian Boult Conducting London Philharmonic Choir and London Philharmonic Orchestra)

Arias (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: All We Like Sheep (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Behold the Lamb of God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Glory to God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Hallelujah (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: He Trusted in God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: His Yoke Is Easy (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Let All the Angels of God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Lift Up Your Heads (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Since by Man Came Death (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Surely He Has Borne Our Griefs (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Their Sound Is Gone Out (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: Worthy Is the Lamb (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: and He Shall Purify (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: and the Glory of the Lord (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: and with His Stripes (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Messiah - Part III (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Messiah - Part II (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Messiah - Part I (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Messiah (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Overture (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Pastoral Symphony (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra Conducted by Sir Adrian Boult)

Handel Arias (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Messiah (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Chorus: Glory to God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Chorus: His Yoke Is Easy (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Chorus: and He Shall Purify (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Chorus: and the Glory of the Lord (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Chorus: for Unto Us a Child Is Born (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Overture (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part I: Pastoral Symphony (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: All We Like Sheep (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Behold the Lamb of God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Hallelujah (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: He Trusted in God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Let All the Angels of God (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Let Us Break Their Bonds Asunder (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Lift Up Your Heads (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Surely He Has Borne Our Griefs (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: Their Sound Is Gone Out (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part II: Chorus: and with His Stripes (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part III: Chorus: Since by Man Came Death (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Part III: Chorus: Worthy Is the Lamb (Georg Friedrich Händel, Kenneth McKellar / Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Amen (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

And the Glory of the Lord (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Ev'ry Valley Shall Be Exalted (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Hallelujah (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Overture (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Pastoral Symphony (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Since by Man Came Death (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Then Shall the Eyes of the Blind Be Opened...He Shall Feed His Flock (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Thy Rebuke Hath Broken His Heart...Behold, and See If There Be Any Sorrow. He Was Cut Off...But Thou Didst Not Leave (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Why Do the Nations? (Georg Friedrich Händel, Leopold Stokowski Conducting London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, John Alldis, Charles Spinks, 877523Philip Ledger)

Chor - Amen (Georg Friedrich Händel, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, London Symphony Orchestra Und London Symphony Chorus, Leopold Stokowski)

Chor - Denn Die Herrlichkeit Gottes (Georg Friedrich Händel, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, London Symphony Orchestra Und London Symphony Chorus, Leopold Stokowski)

Chor - Hallelujah (Georg Friedrich Händel, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, London Symphony Orchestra Und London Symphony Chorus, Leopold Stokowski)

Chor - Wie Durch Einen Der Tod (Georg Friedrich Händel, Sheila Armstrong, Norma Procter, Kenneth Bowen, John Cameron, London Symphony Orchestra Und London Symphony Chorus, Leopold Stokowski)

And Lo! the Angel of the Lord (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

And Suddenly There Was with the Angel (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

And the Angel Said Unto Them (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Comfort Ye My People (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Every Valley (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

For Unto Us a Child Is Born (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Glory to God (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Hallelujah (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

He Shall Feed His Flock (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

He Was Despised (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

How Beautiful Are the Feet (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

I Know That My Redeemer Liveth (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

The Trumpet Shall Sound (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Then Shall the Eyes of the Blind Be Opened (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

There Were Shepherds Abiding in the Field (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Why Do the Nations So Furiously Rage Together (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Worthy Is the Lamb (Georg Friedrich Händel, Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra)

Das Klagende Lied _ Pt. 1 - 'Ach Spielmann, lieber Spielmann mein!' (Groot Omroepkoor, Heather Harper, Werner Hollweg, Norma Procter, Royal Concertgebouw Orchestra, Bernard Haitink)

Das Klagende Lied _ Pt. 1 - 'Beim Weidenbaum, im kuhlen Tann' (Groot Omroepkoor, Heather Harper, Werner Hollweg, Norma Procter, Royal Concertgebouw Orchestra, Bernard Haitink)

Das Klagende Lied _ Pt. 2 - 'Ach Bruder, lieber Bruder mein!' (Groot Omroepkoor, Heather Harper, Werner Hollweg, Norma Procter, Royal Concertgebouw Orchestra, Bernard Haitink)

Das Klagende Lied _ Pt. 2 - 'Ach Spielmann, lieber Spielmann mein!' (Groot Omroepkoor, Heather Harper, Werner Hollweg, Norma Procter, Royal Concertgebouw Orchestra, Bernard Haitink)

(1. Teil): Im Tempo Des Scherzos. Wild Herausfarend - Allegro Energico (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Et Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Et Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Et Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

In Ruhig Fließender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Et Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Symphonie No. 2 "Resurrection" En Ut Mineur (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Et Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

(1. Tiel): Im Tempo Des Scherzos. Wild Herausfarend - Allegro Energico (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

1. Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

1. Satz: Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

2. Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

2. Satz: Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

3. Satz: in Ruhig Fliessender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

3. in Ruhig Fließender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

5. Satz: Im Tempo Des Scherzos. Wild Herausfahrend — Allegro Energico (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

In Ruhig Fließender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks Und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

1. Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

2. Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

3. in Ruhig Fliessender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Symphony No. 2 in C Minor "Resurrection" (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks und Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

1. Satz: Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

1st Movement: Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

2. Satz: Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

2nd Movement: Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

3. Satz: in Ruhig Fliessender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

3rd Movement: Quiet and Flowing (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

4th Movement: Very Solemn, but Simple (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

5. Satz: Im Tempo Des Scherzos. Wild Herausfahrend — Allegro Energico (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

SIDE ONE (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

SIDE TWO (Gustav Mahler - Edith Mathis, Norma Procter, Chor Des Bayerischen Rundfunks, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

(1. Tiel): Im Tempo Des Scherzos. Wild Herausfarend - Allegro Energico (Gustav Mahler - Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

In Ruhig Fließender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Symphonie No. 2 »Resurrection« (Gustav Mahler - Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

1. Allegro Maestoso (Gustav Mahler - Edith Mathis, Norma Procter, Дирижер Rafael Kubelik)

2. Andante Moderato (Gustav Mahler - Edith Mathis, Norma Procter, Дирижер Rafael Kubelik)

3. in Ruhig Fliessender Bewegung (Gustav Mahler - Edith Mathis, Norma Procter, Дирижер Rafael Kubelik)

5. Im Tempo Des Scherzos. Wild Herausfahrend. Allegro Energico (Gustav Mahler - Edith Mathis, Norma Procter, Дирижер Rafael Kubelik)

Симфония № 2 До Минор (Gustav Mahler - Edith Mathis, Norma Procter, Дирижер Rafael Kubelik)

Das Klagende Lied (Gustav Mahler - Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

Part II (Gustav Mahler - Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

Part I (Gustav Mahler - Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

Primera Parte (Gustav Mahler - Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

Segunda Parte (Gustav Mahler - Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

Das Klagende Lied (Gustav Mahler / Heather Harper, Norma Procter, Werner Hollweg - Concertgebouworkest, Bernard Haitink)

I. Teil • Part I (Gustav Mahler / Heather Harper, Norma Procter, Werner Hollweg - Concertgebouworkest, Bernard Haitink)

II. Teil • Part II (Gustav Mahler / Heather Harper, Norma Procter, Werner Hollweg - Concertgebouworkest, Bernard Haitink)

Das Klagende Lied (Gustav Mahler – Heather Harper, Norma Procter, Werner Hollweg, 754894Concertgebouworkest, 832917Bernard Haitink)

Das Klagende Lied (Gustav Mahler – Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

I. Teil (Gustav Mahler – Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

II. Teil (Gustav Mahler – Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

I. Allegro Maestoso (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

II. Andante Moderato (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

IV. "Urlicht". Sehr Feierlich, Aber Schlicht (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Langsam. Misterioso (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Symphonie No. 2 in C Minor, "Resurrection" (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Symphonie Nr. 2 C-Moll "Auferstehungs-Symphonie" / Symphony No. 2 in C Minor "Resurrection" (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

V. Im Tempo Des Scherzo. Wild Herausfahrend (Gustav Mahler, Edith Mathis, Norma Procter, Symphonie-Orchester Des Bayerischen Rundfunks, Rafael Kubelik)

Das Klagende Lied (Gustav Mahler, Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

I. Teil (Gustav Mahler, Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

II. Teil (Gustav Mahler, Heather Harper, Norma Procter, Werner Hollweg, Concertgebouworkest, Bernard Haitink)

No. 1 Kraeftig. Entschieden (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 2 Tempo Di Menuetto. Sehr Maessig (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 3 Comodo. Scherzando. Ohne Hast. (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 4 Sehr Langsam. Misterioso (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 5 Lustig Im Tempo Und Keck Im Ausdruck (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 6 Langsam. Ruhevoll. Empfunden (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

1st Mov. Kräftig, Entschieden (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir)

2nd Mov. Tempo Di Menuetto: Sehr Mässig (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir)

3rd Mov. Comodo, Scherzando (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir)

4th Mov. Sehr Langsam, Misterloso (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir)

5th Mov. Lusitg Im Tempo Und Keck Im Ausdruck (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir)

6th Mov. Langsam. Ruhevoll. Empfunden (Gustav Mahler, Jascha Horenstein, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir)

I. Kräftig. Entschieden (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

II. Tempo di Menuetto. Sehr Mäßig (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

III. Comodo. Scherzando. Ohne Hast (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

IV. Sehr Langsam. Misterioso (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

Symphony No. 3 (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

V. Lustig Im Tempo Und Keck Im Ausdruck (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

VI. Langsam. Ruhevoll. Empfunden (Gustav Mahler, Jascha Horenstein, Norma Procter, London Symphony Orchestra)

Fifth Movement - Lustig Im Tempo Und Keck Im Ausdruck. (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

First Movement - Kräftig.Entschieden. (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

Fourth Movement - Sehr Langsam. Misterioso. (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

Second Movement - Tempo Di Minuetto. Sehr Mässig. (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

Sixth Movement - Langsam. Ruhevoll. Empfunden. (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

Symphony N°3 in D Minor (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

Third Movement - Comodo. Scherzando. Ohne Hast. (Gustav Mahler, Jascha Horenstein, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, London Symphony Orchestra)

No. 1 Kraftig. Entschieden.(concl.) (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 1 Kraftig. Entschieden. (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 2 Tempo Di Menuetto. Sehr Massig. (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 3 Comodo. Scherzando. Ohne Hast. (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 4 Sehr Langsam. Misterioso. (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 5 Lustig ImTempo Und Keck Im Ausdruck. (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 6 Langsam. Ruhevoll. Empfunden. (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

Part II (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

Part I (Gustav Mahler, London Symphony Orchestra, Jascha Horenstein, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess)

No. 1. Kräftig. Entschieden. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

No. 2. Tempo Di Menuetto. Sehr Mässig. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

No. 3. Comodo, Scherzando. Ohne Hast. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

No. 4. Sehr Langsam. Misterioso. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

No. 5. Lusitg Im Tempo Und Keck Im Ausdruck. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

No. 6. Langsam. Ruhevoll. Empfunden. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

Part II (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

Part I (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, John McCarthy, Wandsworth School Boys' Choir, Russell Burgess, Jascha Horenstein)

Comodo. Scherzando. Ohne Hast. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Langsam. Ruhevoil. Empfunden. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Lustig Im Tempo Und Keck Im Ausdruck. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Part One: Kräftig, Entschieden (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Part Two, cont'd: Sehr Iangsam. Misterioso. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Part Two: Tempo Di Menuetto, Sehr Mässig. (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Symphony 3 (Gustav Mahler, London Symphony Orchestra, Norma Procter, the Ambrosian Singers, Wandsworth School Boys' Choir, Jascha Horenstein)

Das klagende Lied: Erster Teil, I. "Beim Weidenbaum, im kühlen Tann" (Heather Harper, Werner Hollweg, Norma Procter, Concertgebouworkest, Bernard Haitink)

A Melancholy Song (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Bobby Shaftoe (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Cherry Ripe (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Fairest Isle (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Foxgloves (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Gavotte (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

How Deep in Love Am I (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

I Will Give My Love an Apple (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

I'm Seventeen Come Sunday (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Jan (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Lord Rendal (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Love's Philosophy (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Lye Still My Deare (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Now Is the Month of Maying (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Nymphs and Shepherds (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

O Can Ye Sew Cushions? (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

O No John (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

O Ravishing Delight (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Soldier, Soldier (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Sweet Polly Oliver (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

The New Ghost (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

The Spring of Thyme (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

Where the Bee Sucks (Henry Purcell, Thomas Morley, Thomas Arne, Herbert Howells, Roger Quilter, Ralph Vaughan Williams, Jennifer Vyvyan, Norma Procter)

I Allegro moderato (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

I Kyrie: Assai sostenuto. Mit Andacht (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

II Andante con moto (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

II Gloria: Allegro vivace (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

III Credo: Allegro ma non troppo (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

IV Sanctus: Adagio. Mit Andacht - Benedictus: Andante molto cantabile e non troppo mosso (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

Missa Solemnis in D major, Op. 123 (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

Symphony No. 8 in B minor, D759 "Unfinished" (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

V Agnus Dei: Adagio (Jascha Horenstein, Teresa Stich-Randall, Norma Procter, Richard Lewis, Kim Borg, BBC Chorus, BBC Symphony Orchestra, BBC Northern Symphony Orchestra)

A Melancholy Song (Jennifer Vyvyan, Norma Procter)

Bobby Shaftoe (Jennifer Vyvyan, Norma Procter)

Cherry Ripe (Jennifer Vyvyan, Norma Procter)

Fairest Isle (Jennifer Vyvyan, Norma Procter)

Foxgloves (Jennifer Vyvyan, Norma Procter)

Gavotte (Jennifer Vyvyan, Norma Procter)

How Deep in Love Am I (Jennifer Vyvyan, Norma Procter)

I Will Give My Love an Apple (Jennifer Vyvyan, Norma Procter)

I'm Seventeen Come Sunday (Jennifer Vyvyan, Norma Procter)

Jan (Jennifer Vyvyan, Norma Procter)

Lord Rendal (Jennifer Vyvyan, Norma Procter)

Love's Philosophy (Jennifer Vyvyan, Norma Procter)

Lye Still My Deare (Jennifer Vyvyan, Norma Procter)

Now Is the Month of Maying (Jennifer Vyvyan, Norma Procter)

Nymphs and Shepherds (Jennifer Vyvyan, Norma Procter)

O Can Ye Sew Cushions (Jennifer Vyvyan, Norma Procter)

O No John! (Jennifer Vyvyan, Norma Procter)

O Ravishing Delight (Jennifer Vyvyan, Norma Procter)

Soldier, Soldier (Jennifer Vyvyan, Norma Procter)

Songs of England (Jennifer Vyvyan, Norma Procter)

Sweet Polly Oliver (Jennifer Vyvyan, Norma Procter)

The New Ghost (Jennifer Vyvyan, Norma Procter)

The Sprig of Thyme (Jennifer Vyvyan, Norma Procter)

Where the Bee Sucks (Jennifer Vyvyan, Norma Procter)

Comfort Ye, My People- Every Valley (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

For Unto Us a Child Is Born (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

Hallelujah Chorus (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

He Was Despised (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

How Beautiful Are the Feet (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

I Know That My Redeemer Liveth (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

The Trumpet Shall Sound (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

Then Shall the Eyes of the Blind Be Opened - He Shall Feed His Flock (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

There Were Shepherds - and Lo! the Angel of the Lord - and the Angel Said Unto Them - and Suddenly There Was with the Angel - Glory to God (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

Why Do the Nations? (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

Worthy Is the Lamb (Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan)

Alto Aria (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Alto Recitative (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Bass Aria (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Bass Arioso (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Bass Recitative (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Chorale (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Chorus (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45 (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Es Ist Ein Trotzig Und Verzagt Ding BWV 176 (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Soprano Aria (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Tenor Aria (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Tenor Recitative (Johann Sebastian Bach - Sheila Armstrong, Norma Procter, Kurt Equiluz, Erich Wenk, Gächinger Kantorei Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling)

Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45 (Johann Sebastian Bach, Sheila Armstrong, Gächinger Kantorei Stuttgart, Norma Procter, Bachcollegium Stuttgart, Kurt Equiluz, Helmuth Rilling, Erich Wenk)

Es Ist Ein Trotzig Und Verzagt Ding BWV 176 (Johann Sebastian Bach, Sheila Armstrong, Gächinger Kantorei Stuttgart, Norma Procter, Bachcollegium Stuttgart, Kurt Equiluz, Helmuth Rilling, Erich Wenk)

Air: Every Valley Shall Be Exalted (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Air: He Was Despised and Rejected of Men (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Air: I Know That My Redeemer Liveth (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Air: the Trumpet Shall Sound (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

And He Shall Purify (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

And the Glory of the Lord Shall Be Revealed (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Behold the Lamb of God (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Chorus: Hallelujah (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Come Unto Him (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Comfort Ye My People (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

For Unto Us a Child Is Born (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

He Shall Feed His Flock (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Pastoral Symphony (London Philharmonic Orchestra, London Philharmonic Choir, Heather Harper, Norma Procter, Richard Lewis)

Jerusalem (London Philharmonic Orchestra, the Royal Choral Society, Norma Procter, Andrew Davis)

Rule, Britannia (London Philharmonic Orchestra, the Royal Choral Society, Norma Procter, Andrew Davis)

1st Mov. Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus, Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

2nd Mov. Molto Vivace (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus, Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

3rd Mov. Adagio Molto E Cantabile - Andante Moderato - Andante (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus, Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

4th Mov. Allegro Ma Non Troppo - Allegro Assai (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus, Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

1st Mov. Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

2nd Mov. Molto Vivace (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

3rd Mov. Adagio Molto E Cantabile - Andante Moderato - Andante (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

4th Mov. Allegro Ma Non Troppo - Allegro Assai (Ludwig Van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

1st Mov.: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven - Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2nd Mov.: Molto Vivace (Ludwig van Beethoven - Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4th Mov.: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven - Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1st Mov: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven / Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2nd Mov: Molto Vivace (Ludwig van Beethoven / Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4th Movt: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven / Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Symphonie Nr. IX D-moll, Op. 125 Mit Schlußchor Über Schillers "Ode an Die Freude" Für Orchester, Vier Solostimmen Und Chor (Ludwig van Beethoven / Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1st Mov.: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet Conducting L'Orchestre De La Suisse Romande, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2nd Mov.: Molto Vivace (Ludwig van Beethoven, Ernest Ansermet Conducting L'Orchestre De La Suisse Romande, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4th Mov.: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet Conducting L'Orchestre De La Suisse Romande, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Symphony No. 9 in D Minor (Op. 125) (Ludwig van Beethoven, Ernest Ansermet Conducting L'Orchestre De La Suisse Romande, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1. Satz: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1er Mouvement : Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1er Mov.: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1er. Mov.: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

1st Mov.: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2. Satz: Molto Vivace (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2do Mov.: Molto Vivace (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2e Mouvement : Molto Vivace (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2nd Mov.: Molto Vivace (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2º Mov.: Molto Vivace (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

3. Satz: 1. Teil Adagio Molto E Cantabile - Andante Moderato - Andante (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

3. Satz: Schluss - Adagio (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4. Satz: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4e Mouvement : Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4th Mov.: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4th Movement: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4to Mov.: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4º Mov.: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

First Movement: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Lenore Overture No. 2 (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Second Movement: Molto Vivace (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Sinfonia Nº 9 En "Re" Menor, Op. 125 "Coral" (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Symphony No 9 En Ré Mineur - Opus 125 "Avec Choeurs" (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Symphony No. 9 in D Minor (Op. 125) (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Symphony Nr. IX. in D Minor, Op. 125 (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Third Movement: Adagio Molto E Cantabile - Andante Moderato - Andante - Adagio (Ludwig van Beethoven, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

Satz: Adagio Molto E Cantabile - Andante Moderato - Andante - Adagio (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus und Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Satz: Allegro Ma Non Troppo, Un Poco Maestro (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus und Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Satz: Molto vivace (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus und Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Satz: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus und Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Symphonie Nr. IX D-Moll, Op. 125 (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, Chorale Du Brassus und Chœur Des Jeunes De L'Église National Vaudoise, L'Orchestre De La Suisse Romande, Ernest Ansermet)

1. Satz: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

1er Mouvement : Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

2. Satz: Molto Vivace (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

2e Mouvement : Molto Vivace (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

3. Satz: Adagio Molto E Cantabile - Andante Moderato - Andante (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

4. Satz: Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

4e Mouvement : Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

9e Symphonie En Ré Mineur, Opus 125, Avec Choeurs (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Fidelio Overture, Op. 72c (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Gross Fuge in B Flat Major, Op. 133 (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Leonore Overture No. 2, Op. 72a (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Leonore Overture No. 3, Op. 72b (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Molto Vivace (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Presto - Allegro Ma Non Troppo - Allegro Assai (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

Symphony No. 9 in D Minor, Op. 125 (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

The Creatures of Prometheus Overture, Op. 43 (Ludwig van Beethoven, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill, L'Orchestre De La Suisse Romande, Ernest Ansermet)

1st Movt: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, L'Orchestre De La Suisse Romande, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

2nd Movt: Molto Vivace (Ludwig van Beethoven, L'Orchestre De La Suisse Romande, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

4th Movt: Presto-Allegro Ma Non Troppo-Allegro Assai (Ludwig van Beethoven, L'Orchestre De La Suisse Romande, Ernest Ansermet, Joan Sutherland, Norma Procter, Anton Dermota, Arnold van Mill)

How Deep in Love Am I (Norma Procter, Alec Redshaw)

I'm Seventeen Come Sunday (Norma Procter, Alec Redshaw)

Jan (Norma Procter, Alec Redshaw)

O Can Ye Sew Cushions? (Norma Procter, Alec Redshaw)

O, No John! (Norma Procter, Alec Redshaw)

Soldier, Soldier (Norma Procter, Alec Redshaw)

I Know My Love (Norma Procter, John McCarthy Chorus)

I Will Walk with My Love (Norma Procter, John McCarthy Chorus)

Abide with Me (Norma Procter, Paul Hamburger)

An Eine Äolsharfe Op. 19 No. 5 (Norma Procter, Paul Hamburger)

Big Lady Moon (Norma Procter, Paul Hamburger)

Cherry Ripe (Norma Procter, Paul Hamburger)

Der Tod, Das Ist Die Kühle Nacht Op. 96 No. 1 (Norma Procter, Paul Hamburger)

Home, Sweet Home (Norma Procter, Paul Hamburger)

Ich Bin Der Welt Abhanden Gekommen (Norma Procter, Paul Hamburger)

Love's Old Sweet Song (Norma Procter, Paul Hamburger)

Meine Liebe Ist Grün Op. 63 No. 5 (Norma Procter, Paul Hamburger)

O Wüsst Ich Doch Den Weg Zurück Op. 63 No. 8 (Norma Procter, Paul Hamburger)

Still As the Night (Norma Procter, Paul Hamburger)

The Lost Chord (Norma Procter, Paul Hamburger)

The Rosary (Norma Procter, Paul Hamburger)

Verzagen Op. 72 No. 4 (Norma Procter, Paul Hamburger)

Canticle II: Abraham and Isaac, op. 51 (Norma Procter, Peter Pears, Benjamin Britten)

Canticle II, Abraham and Isaac, op. 51 (Peter Pears, Norma Procter, Benjamin Britten)

And He Shall Purify (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

And the Glory of the Lord Shall Be Revealed (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

Behold the Lamb of God (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

For Behold, Darkness Shall Cover the Earth (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

For Unto Us a Child Is Born (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

Hallelujah Chorus (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

He Shall Feed His Flock - Come Unto Him (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

His Yoke Is Easy (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

O Thou That Tellest Good Tidings to Zion (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

Overture (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

Rejoice Greatly, O Daughter of Zion (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

The People That Walked in Darkness (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

The Time Life Treasury of Christmas Traditions (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

Valley Shall Be Exalted (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

o May Abide the Day of His Coming? (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

to God in the Highest (Royal Philharmonic Orchestra, the Royal Choral Society, Elizabeth Harwood, Norma Procter, John Shirley-Quirk, Alexander Young, Sir Malcolm Sargent)

And Lo! the Angel of the Lord (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

And Suddenly There Was with the Angel (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

And the Angel Said Unto Them (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Comfort Ye My People (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Every Valley (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

For Unto Us a Child Is Born (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Glory to God (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Hallelujah (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

He Shall Feed His Flock (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

He Was Despised (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

How Beautiful Are the Feet (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

I Know That My Redeemer Liveth (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

The Trumpet Shall Sound (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Then Shall the Eyes of the Blind Be Opened (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

There Were Shepherds Abiding in the Field (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Why Do the Nations So Furiously Rage Together (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Worthy Is the Lamb (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan with the London Philharmonic Choir & London Philharmonic Orchestra, Georg Friedrich Händel)

Bach, J S: Bist du bei mir, BWV508 (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bach, J S: Mass in B Minor, BWV 232: Agnus Dei (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bach, J S: Mass in B minor, BWV232: Qui sedes ad dexteram Patris (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bach, J S: Sheep May Safely Graze, from Cantata BWV208 (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bach, J S: St John Passion, BWV245: Es ist vollbracht (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bach, J S: St Matthew Passion, BWV 244: Erbarme dich (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bach, J S: St Matthew Passion, BWV244: Break in Grief (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Bortnyansky: Jubilate (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Clarke, Jeremiah: Trumpet Voluntary 'Prince of Denmark's March' (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Gruber, F: Silent Night (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Acis and Galatea (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Jephtha: Waft her, angels, through the skies (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Judas Maccabaeus: Father of Heaven (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Judas Maccabaeus: Sound an alarm! (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Judas Maccabaeus: Thanks to my brethren…How vain is man (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Messiah: Comfort ye my people and Ev'ry valley shall be exalted (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Messiah: He was despised (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Messiah: I know that my Redeemer liveth (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Messiah: O thou that tellest good tidings to Zion (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Messiah (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Praise ye the Lord (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Handel: Samson: Return, O God of hosts (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Mendelssohn: Hear My Prayer (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Mendelssohn: Jerusalem, thou that killest the prophets, from Paulus, Op. 36 (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Monk, W H: Abide with me (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Parry: Jerusalem (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Wade, J F: O come, all ye faithful (Sir Adrian Boult, Jennifer Vyvyan, Norma Procter, George Maran, Owen Brannigan, Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Peter Pears, David Galliver, St. Anthony Singers, 850224Philomusica of London, 855061Orchestra of the Royal Opera House, Covent Garden)

Adagio from Symphony No.10 (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

I. Bedächtig, Nicht Eilen (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

I. Der Spielmann (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

II. Hochzeitsstück (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

II. in Gemächlicher Bewegung, Ohne Hast (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

III. Ruhevoll, Poco Adagio (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

IV. Sehr Behaglich (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

Interview: Alfred Friese (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

Interview: Leopold Stokowski (Teresa Stich-Randall, Joan Sutherland, Norma Procter, Peter Pears, Goldsmith's Choral Union, BBC Symphony Orchestra, Hermann Scherchen, London Symphony Orchestra, Walter Goehr, Gustav Mahler)

Bless This House (The Romantic Strings, Norma Procter, John McCarthy Chorus)

Amen (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

And the Glory of the Lord (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

Behold! a Virgin Shall Conceive (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

Comfort Ye' (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

Ev'ry Valley (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

For Unto Us a Child Is Born (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

Hallelujah Chorus (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

He Was Despised (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

Highlights from "Messiah" (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

I Know That My Redemmer Leveth (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

O Thou That Tellest (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

Overture (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

The Trumpet Shall Sound (The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent, Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley-Quirk)

How Deep in Love Am I (Traditional & Norma Procter & Alec Redshaw)

I'm Seventeen Come Sunday (Traditional & Norma Procter & Alec Redshaw)

Jan (Traditional & Norma Procter & Alec Redshaw)

Soldier, Soldier (Traditional & Norma Procter & Alec Redshaw)

(Andante) (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

(Vivace) (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Agnus Dei (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Allegro (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Ave Verum Corpus KV 618: Adagio (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Benedictus (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Credo (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Gloria (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Kyrie (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Messe C-Dur KV 317 »Krönungsmesse« (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Sanctus - Benedictus (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Sanctus (Wolfgang Amadeus Mozart, Edith Mathis, Norma Procter, Tatiana Troyanos, Donald Grobe, Horst R. Laubenthal, John Shirley-Quirk, Kieth Engen, Rafael Kubelik, Bernhard Klee)

Songs

Blow the Wind Southerly

I Know My Love

I Know Where I'm Going

Rule, Britannia!