Deus Ex Machina (The Soundtrack Panic Heat Vengeance)
Isabelle Eberhardt (The Oblivion Seeker)
Second Site: 27°37'35" N 77°13'05" E
The Annihilating Angel (Or, the Surface of the World)
The Annihilating Angel: Or, the Surface of the World
The Mosaic of Starlight Slips Back Like the Lid of an Opening Eye
Vermillion Sands (Lol Coxhill & Paul Schütze)
Vermillion Sands (Lol Coxhill + Paul Schütze)
After the Knives (Paul Schütze & Andrew Hulme)
Dead Language (Paul Schütze & Andrew Hulme)
Fallen (Paul Schütze & Andrew Hulme)
God Box (Paul Schütze & Andrew Hulme)
Ioascan Incision (Paul Schütze & Andrew Hulme)
Rain of Rust (Paul Schütze & Andrew Hulme)
Red Riding 1975 Pt 1 (Paul Schütze & Andrew Hulme)
Red Riding 1975 Pt 2 (Paul Schütze & Andrew Hulme)
Red Riding 1975 Pt 3 (Paul Schütze & Andrew Hulme)
Red Riding 1975 Pt 4 (Paul Schütze & Andrew Hulme)
The Prayer (Paul Schütze & Andrew Hulme)
A Further Thirsting Eye (Paul Schütze & Simon Hopkins)
Beaded Skin, Beaded Sky (Paul Schütze & Simon Hopkins)
Filles En Aiguilles (Paul Schütze & Simon Hopkins)
Nameless River - Endless Flight (Paul Schütze & Simon Hopkins)
Stairway to Learven (Paul Schütze & Simon Hopkins)
The Birth of NAPE (Paul Schütze & Simon Hopkins)
The Dissolving Child (Paul Schütze & Simon Hopkins)
The Surface Forgets (Paul Schütze & Simon Hopkins)
The Ulm Concert (Paul Schütze & Simon Hopkins)
Water Blade Retina (Paul Schütze & Simon Hopkins)
An Early Mutation (Paul Schütze + Phantom City)
Blue Like Petrol (Paul Schütze + Phantom City)
Eight Legs Out of Limbo (Paul Schütze + Phantom City)
Future Nights (Paul Schütze + Phantom City)
Inflammable Shadow (Paul Schütze + Phantom City)
Ten Acre Ghost (Paul Schütze + Phantom City)
The Big God Blows In (Paul Schütze + Phantom City)
A Further Thirsting Eye (Paul Schütze + Simon Hopkins)
Beaded Skin, Beaded Sky (Paul Schütze + Simon Hopkins)
Hamburg Tamiflu Re-edit (Paul Schütze + Simon Hopkins)
Live in Europe (Paul Schütze + Simon Hopkins)
Live in Hamburg (Paul Schütze + Simon Hopkins)
Nameless River, Endless Flight (Paul Schütze + Simon Hopkins)
The Birth of NAPE (Paul Schütze + Simon Hopkins)
The Dissolving Child (Paul Schütze + Simon Hopkins)
The Surface Forgets (Paul Schütze + Simon Hopkins)
Water Blade Retina (Paul Schütze + Simon Hopkins)
Partial Site (Paul Schütze, Clive Bell, Simon Hopkins)
A Further Series of Steps Is Only Visible During the Vernal Equinox
A Night Dissolved in the Lakes of Heaven
A Pointer Indicates on Three Arms: West, North and East
A Shadow Is Cast to the East After Noon
A Shadow Is Cast to the West Before Noon
A further series of steps is only visible during the vernal equinox.
A pointer indicates on three arms: West, North and East.
A shadow is cast to the East after noon.
A shadow is cast to the West before noon.
Access by Observers to Each Engine Is Gained by an Imperfection Which Differs from One to Another
Access by observers to each engine is gained by an imperfection which differs from one to another.
Access to Any Part of the Engine Is by Steps Which Offer Vantage Points for Various Readings
Access to any part of the engine is by steps which offer vantage points for various readings.
All the Gardens Will Concur. Here Is the Mixed Engine
All the Lead Calibrations Are Warm to the Touch
All the gardens will concur. Here is the mixed engine.
All the lead calibrations are warm to the touch.
And the Light Falls on the Circular Arcs
And the light falls on the circular arcs.
Another Flight of Observation Steps and the Sense of Quiet Rotation As I Ascend
Another Slope with Stars for the Reading of Figures
Another flight of observation steps and the sense of quiet rotation as I ascend.
Another slope with stars for the reading of figures.
At One Moment in the Year the Sun Shines Through a Hole in the Wall on to a Calibrated Arc
At one moment in the year the sun shines through a hole in the wall on to a calibrated arc.
Beneath This Circle Is an Arc of Masonry Steps for the Convenience of Observes
Beneath this circle is an arc of masonry steps for the convenience of observers.
Days and Nights Are Measured Here, and in the Measuring Seem Longer, Suspended Somehow
Days and nights are measured here, and in the measuring seem longer, suspended somehow.
Deus Ex Machina - The Soundtrack
Engine of Amplitude Has a Function Which Is No Longer Known
Every Day at Noon the Sun Shines Through These Apertures for the Space of About a Minute
Every day at noon the sun shines through these apertures for the space of about a minute.
Hallucinations (In Memory of Reinaldo Arenas)
Here I Find a Central Iron Pole with Hooks Facing to the North, South, East and West
Here I find a central iron pole with hooks facing to the North, South, East and West.
Here Is a Huge Vertical Right-Angled Triangle Made of Stone
Here Is a Room to Divide the Sun Like an Orange
Here Is an Immense Brass Circle Suspended Vertically from Stone Supports
Here is a huge vertical right-angled triangle made of stone.
Here is a room to divide the sun like an orange.
Here is an immense brass circle suspended vertically from stone supports.
Hold the Machine in the Vertical Plane
Hold the machine in the vertical plane.
I - The Head, the Soles of the Feet, an Arm
I - The Skin of the Face and Neck
I Have Observed and Measured for Seven Years
I Have Seen Charts Sent from Portugal but They Are Flawed and Full of Error
I Study the Vaults of a Shell in Which We Float
I Will Build Other Gardens, Other Engines
I have observed and measured for seven years.
I have seen charts sent from Portugal but they are flawed and full of error.
I study the vaults of a shell in which we float.
I will build other gardens, other engines.
II - The Head, the Soles of the Feet, an Arm
II - The Skin of the Face and Neck
Isabelle Eberhardt: the Oblivion Seeker
It Is Inscribed with Concentric Circles, at the Centre of Which Lies a Pointer
It is inscribed with concentric circles, at the centre of which lies a pointer.
Near the Bottom of the Wall Facing the South Side of the Eastern Hemisphere There Is a Hole
Near the bottom of the wall facing the South side of the eastern hemisphere there is a hole.
Nine Songs from the Garden of Welcome Lies (Improvisations for Organ & Percussion)
On the East Face Are Inscribed Two Quadrants of Twenty-feet Radius
On the East face are inscribed two quadrants of twenty-feet radius.
On the West Face Is Described a Semicircle of Nineteen-Feet, Ten-Inch Radius
On the West face is described a semicircle of nineteen-feet, ten-inch radius.
Originally Cross Wires Stretched Across Each Hemisphere, East to West and North to South
Originally cross wires stretched across each hemisphere, East to West and North to South.
Pointing Towards the Pole an Iron Pin Is Fixed at Right Angles to the Centre of a Dial
Pointing towards the pole an iron pin is fixed at right angles to the centre of a dial.
Second Site: 27º 37' 35'' N 77º 13' 05'' E''
Seven of the Eight Rings Indicate Signs
Seven of the eight rings indicate signs.
Sighting Bars Were Placed in the Slots Within the Chamber, but None Remain Now
Sighting bars were placed in the slots within the chamber, but none remain now.
Sites of Rapture on the Lungs of God
Some Steps Ascend Past Markings to a Platform
Some of the Calibrations Are Now Submerged Beneath the Ground and Cannot Be Read
Some of the calibrations are now submerged beneath the ground and cannot be read.
Some steps ascend past markings to a platform.
Suspended in the Hum of History
Suspended in the hum of history.
The Calibrated Parts Are Raised on Three-foot Pillars
The Central Pillars Are Five Feet Three Inches in Diameter
The Chamber Is No Longer Accessible to Visitors
The Complete Extreme Recordings 1989-1992
The Dial Is Only Visible by Starlight
The Floor and Walls Are Calibrated to Read Altitude and Azimuth
The Head, the Soles of the Feet, an Arm
The Head, the Soles of the Feet, and Arm
The Lead Calibrations Are Poisonous to the Touch
The Mosaic of Starlight Slips Back Like the Lid of an Opening Eye Part II
The Mosaic of Starlight Slips Back Like the Lid of an Opening Eye Part I
The Mosaic of Starlight Slips Back Like the Lid of an Opening Eye
The Movement of the Engines Produces a Scent
The Pink Masonry Charges the Twilight with a Faint Sound
The Plants Will Steal This Engine When We Have Gone
The Positions and Altitudes of Heavenly Bodies Maybe Gauged with This Engine
The Ramped Stair to the North of the Two Drums Vanishes at Thirty-two Feet
The Rim of Each Hemisphere Is a Horizon Divided into Degrees and Minutes
The Roofs of the Enclosed Drums Are Implied by Shadows
The Shadow Can Fall in the Vacant Sector of a Drum
The Shadow Is Cast North/South at Noon by an Iron Pin
The Sound of Insects Here Studs the Night Like a Thousand Fizzing Stars
The Stars Are Ranged Across the Inner Shell of a Vast Hollow Sphere in Which Hung the Earth
The Stone Dish Is Slotted with Figures and Shadow
The calibrated parts are raised on three-foot pillars.
The central pillars are five feet three inches in diameter.
The chamber is no longer accessible to visitors.
The dial is only visible by starlight.
The engine of amplitude has a function which is no longer known.
The floor and walls are calibrated to read altitude and azimuth.
The lead calibrations are poisonous to the touch.
The mosaic of starlight slips back like the lid of an opening eye.
The movement of the engines produces a scent.
The pink masonry charges the twilight with a faint sound.
The plants will steal this engine when we have gone.
The positions and altitudes of heavenly bodies maybe gauged with this engine.
The ramped stair to the North of the two drums vanishes at thirty-two feet.
The rim of each hemisphere is a horizon divided into degrees and minutes.
The roofs of the enclosed drums are implied by shadows.
The shadow can fall in the vacant sector of a drum.
The shadow is cast North/South at noon by an iron pin.
The sky has shaped this place.
The sound of insects here studs the night like a thousand fizzing stars.
The stars are ranged across the inner shell of a vast hollow sphere in which hung the earth.
The stone dish is slotted with figures and shadow.
There Are Arcs Made of Marble Which Are Calibrated with Inlaid Lead in Degrees and Minutes
There Are Four of These Arcs, Two in Each Chamber
There Are Pillars at the Centre of Each Circular Wall Each Open to the Sky
There Is a Huge Calibrated Sundial on Each of Its Sides
There are arcs made of marble which are calibrated with inlaid lead in degrees and minutes.
There are four of these arcs, two in each chamber.
There are pillars at the centre of each circular wall each open to the sky.
There is a huge calibrated sundial on each of its sides.
These Arcs Are Also Accessible by Numerous Flights of Stairs
These Are Instruments Fuelled by Shadow, and Engines Propelled by the Sliding of the Skies
These Are the Cool Engines of Celestial Map-making
These Calibrations Are No Longer Clearly Visible
These Steps Are Worn to a Ramp and Lead Nowhere
These Steps Enable the Observer to See All Aspects of the Brass Calibration Below
These Structures Are Made in Receipt of Starlight
These arcs are also accessible by numerous flights of stairs.
These are instruments fuelled by shadow, and engines propelled by the sliding of the skies.
These are the cool engines of celestial map-making.
These calibrations are no longer clearly visible.
These steps are worn to a ramp and lead nowhere.
These steps enable the observer to see all aspects of the brass calibration below.
These structures are made in receipt of starlight.
This Chamber Is Filled with Garden Tools and Broken Furniture
This Engine Is Now Only Visible in Twilight
This Engine Is a Rectangular Brass Plate
This Is the North Pointer Engine
This Wall Describes Accurately the North/South Meridian
This chamber is filled with garden tools and broken furniture.
This engine is a rectangular brass plate.
This engine is now only visible in twilight.
This is the North pointer engine.
This wall describes accurately the North/South meridian.
Threads Can Be Pegged to the Centre of Each Quadrant and Semicircle to Enable Observation
Threads can be pegged to the centre of each quadrant and semicircle to enable observation.
To Move Through These Structures Is to Set Them in Motion
To move through these structures is to set them in motion.
Twenty-seven Degrees, Thirty-seven Seconds
Twenty-seven degrees, thirty-seven seconds.
Two Hemispheres Representing the Sphere of Heaven Comprise the Two Halves of This Engine
Two hemispheres representing the sphere of heaven comprise the two halves of this engine.