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Robert Tear

Songs in corporation with

Ballad of Heroes (Alison Hargan, Mary King, Robert Tear, Willard White, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Praise We Great Men (Alison Hargan, Mary King, Robert Tear, Willard White, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Cantata 'Salutatio Angelica' (Anthony Milner, Alfreda Hodgson, Felicity Palmer, Robert Tear, London Sinfonietta and London Sinfonietta Chorus Conducted by David Atherton)

Movt. II Moderato Flessibile (Anthony Milner, Alfreda Hodgson, Felicity Palmer, Robert Tear, London Sinfonietta and London Sinfonietta Chorus Conducted by David Atherton)

Movt. III (Anthony Milner, Alfreda Hodgson, Felicity Palmer, Robert Tear, London Sinfonietta and London Sinfonietta Chorus Conducted by David Atherton)

Movt. I (Anthony Milner, Alfreda Hodgson, Felicity Palmer, Robert Tear, London Sinfonietta and London Sinfonietta Chorus Conducted by David Atherton)

Roman Spring (Anthony Milner, Alfreda Hodgson, Felicity Palmer, Robert Tear, London Sinfonietta and London Sinfonietta Chorus Conducted by David Atherton)

Agnus Dei (Anton Bruckner - Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus & New Philharmonia Orchestra, Daniel Barenboim)

Benedictus (Anton Bruckner - Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus & New Philharmonia Orchestra, Daniel Barenboim)

Gloria (Anton Bruckner - Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus & New Philharmonia Orchestra, Daniel Barenboim)

Kyrie (Anton Bruckner - Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus & New Philharmonia Orchestra, Daniel Barenboim)

Sanctus (Anton Bruckner - Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus & New Philharmonia Orchestra, Daniel Barenboim)

Agnus Dei (Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus and New Philharmonia Orchestra, Daniel Barenboim)

Benedictus (Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus and New Philharmonia Orchestra, Daniel Barenboim)

Gloria (Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus and New Philharmonia Orchestra, Daniel Barenboim)

Kyrie (Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus and New Philharmonia Orchestra, Daniel Barenboim)

Sanctus (Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, Marius Rintzler, New Philharmonia Chorus and New Philharmonia Orchestra, Daniel Barenboim)

Antonio Vivaldi (Antonio Vivaldi, Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Carl Philipp Emanuel Bach (Antonio Vivaldi, Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Johann Sebastian Bach (Antonio Vivaldi, Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Magnificat, Bwv 243a (Antonio Vivaldi, Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Magnificat, Wq 215 (Antonio Vivaldi, Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Magnificat (Antonio Vivaldi, Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Act II (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Act I (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Prologue (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Theme. Scene 1: the Journey (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Turn of the Screw, Chamber Opera, Op. 54 (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.II. Sc.3: the Letter (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.III. Sc.4: the Tower (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.IV. Sc.5: the Window (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.IX. Sc.2: the Bells (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.V. Sc.6: the Lesson (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.VI. Sc.7: the Lake (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.VII. Sc.8: at Night (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.VIII. Sc.1: Colloquy and Soliloquy (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.X. Sc.3: Miss Jessel (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.XI. Sc.4: the Bedroom (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.XII. Sc.5: Quint (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.XIII. Sc.6: the Piano (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.XIV. Sc.7: Flora (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Var.XV. Sc.8: MIles (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Variation I. Sc.2: the Welcome (Benjamin Britten - Helen Donath · Heather Harper · Robert Tear · Ava June · Orchestra of the Royal Opera House, Covent Garden · Sir Colin Davis)

Concl. by the Royal Decree of the King of Kings (Benjamin Britten - Peter Pears, Bryan Drake, John Shirley-Quirk, Robert Tear, Stafford Dean, Peter Leeming, the English Opera Group, Viola Tunnard)

Part 1. Salus Aeterna Indeficiens Mundi Vita (Benjamin Britten - Peter Pears, Bryan Drake, John Shirley-Quirk, Robert Tear, Stafford Dean, Peter Leeming, the English Opera Group, Viola Tunnard)

Teil 1 (Benjamin Britten / Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Teil 2 (Benjamin Britten / Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Teil 3 (Benjamin Britten / Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Teil 4 (Benjamin Britten / Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Fair and Fair (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Finale: London, to Thee I Do Present (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Introduction (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Out on the Lawn I Lie in Bed (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part II. (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part III (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part IV (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part I (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring, the Sweet Spring (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

The Driving Boy (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

The Merry Cuckoo (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

The Morning Star (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Waters Above (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Welcome, Maids of Honour (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

When Will My May Come? (Benjamin Britten : Sheila Armstrong • Janet Baker • Robert Tear, London Symphony Chorus & London Symphony Orchestra, St. Clement Danes Grammar School Boys' Choir, André Previn)

Morning Heroes (Benjamin Britten, Arthur Bliss - Elisabeth Söderström • Robert Tear • Thomas Allen • City of Birmingham Symphony Orchestra Chorus & City of Birmingham Symphony Orchestra • Sir Simon Rattle • John Westbrook • Royal Liverpool Philharmonic Choir & 973597Royal Liverpool Philharmonic Orchestra • 868334Sir Charles Groves)

The Heroes: Now Trumpeter for Thy Close (Benjamin Britten, Arthur Bliss - Elisabeth Söderström • Robert Tear • Thomas Allen • City of Birmingham Symphony Orchestra Chorus & City of Birmingham Symphony Orchestra • Sir Simon Rattle • John Westbrook • Royal Liverpool Philharmonic Choir & 973597Royal Liverpool Philharmonic Orchestra • 868334Sir Charles Groves)

War Requiem Op. 66 (Benjamin Britten, Arthur Bliss - Elisabeth Söderström • Robert Tear • Thomas Allen • City of Birmingham Symphony Orchestra Chorus & City of Birmingham Symphony Orchestra • Sir Simon Rattle • John Westbrook • Royal Liverpool Philharmonic Choir & 973597Royal Liverpool Philharmonic Orchestra • 868334Sir Charles Groves)

I Requiem Aeternam (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

II Dies Irae (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

III Offertorium (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

IV Sanctus (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

V Agnus Dei (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

VI Libera Me (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

War Requiem Opus 66 (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

I Requiem Aeternam (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

I Requiem aeternam (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

II Dies irae (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

III Offertorium (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

IV Sanctus (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

V Agnus Dei (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

VI Libera Me (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

VI Libera me (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

War Requiem Opus 66 (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra Chorus, the Choir of Christ Church Cathedral, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

I Requiem Aeternam (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

III Offertorium (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

IV Sanctus (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

V Agnus Dei (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

VI Libera Me (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

War Requiem Opus 66 (Benjamin Britten, Elisabeth Söderström, Robert Tear, Thomas Allen, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

CD 1 (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

CD 2 (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Four Sea Interludes (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Les Illuminations (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Nocturne (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Serenade for Tenor, Horn & Strings (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Simple Symphony (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Sinfonia Da Requiem (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

The Young Person's Guide to the Orchestra (Benjamin Britten, Jill Gomez, Endymion Ensemble, John Whitfield, Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford, Robert Tear, English Chamber Orchestra, 659953Jeffrey Tate, 255709Christopher Warren-Green, 973597Royal Liverpool Philharmonic Orchestra, 857842Libor Pešek)

Jam Lucis Orto Sinere (Benjamin Britten, Peter Pears • Bryan Drake, John Shirley-Quirk • Robert Tear, the English Opera Group, Viola Tunnard)

The Prodigal Son, Op. 81 (Benjamin Britten, Peter Pears • Bryan Drake, John Shirley-Quirk • Robert Tear, the English Opera Group, Viola Tunnard)

You Are Tired from a Long Journey (Benjamin Britten, Peter Pears • Bryan Drake, John Shirley-Quirk • Robert Tear, the English Opera Group, Viola Tunnard)

Jam Lucis Orto Sidero (Benjamin Britten, Peter Pears, John Shirley-Quirk, Bryan Drake, Robert Tear)

The Ceremony (Benjamin Britten, Peter Pears, John Shirley-Quirk, Bryan Drake, Robert Tear)

You Are Tired from a Long Journey (Benjamin Britten, Peter Pears, John Shirley-Quirk, Bryan Drake, Robert Tear)

Antique. Allegretto, Un Poco Mosso (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Being Beauteous. Lento Ma Comodo (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Dirge. Alla Marcia Grave (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Départ. Largo Mesto – Largamente (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Elegy. Andante Appassionato (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Epilogue. Andante (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Fanfare. Maestoso – Largamente (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Fugue. Allegro Molto (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Hymn. Presto E Leggiero (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Interlude. Moderato Ma Comodo (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Les Illuminations (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Marine. Allegro Con Brio (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Nocturne. Maestoso (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Parade. Alla Marcia – Sempre Ritmico, Quasi Senza Espressione – Animato – Poco Largamente – a Tempo Vivace (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Pastoral. Lento (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Phrase. Lento Ed Estatico (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Prologue. Andante (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Royauté. Allegro Maestoso (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Serenade for Tenor Solo, Horn and Strings, Op. 31 (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Sonnet. Adagio (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

The Young Person's Guide to the Orchestra, Op. 34 (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Theme. Allegro Maestoso E Largamente (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. B. Lento (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. C. Moderato (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. D. Allegro Alla Marcia (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. E. Brillante - Alla Polacca (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. F. Meno Mosso (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. G. No Tempo Marking (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. H. Cominciando Lento Ma Poco a Poco Accelerando (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. I. Maestoso (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. J. L'Istesso Tempo (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. K. Vivace (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. L. Allegro pomposo (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Var. M. Moderato (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Variation A. Presto (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

Villes. Allegro Energico (Benjamin Britten, Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel)

I. Fanfare. Maestoso – Largamente "J'ai Seul La Clef De Cette Parade" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

I. Prologue. Andante (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

II. Pastoral. Lento "The Day's Grown Old" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

II. Villes. Allegro Energico "Ce Sont Des Villes!" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

III. A. Phrase. Lento Ed Estatico "J'ai Tendu Des Cordes De Clocher À Clocher" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

III. B. Antique. Allegretto, Un Poco Mosso "Gracieux Fils De Plan!" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

III. Nocturne. Maestoso "The Splendour Falls on Castle Walls" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

IV. Elegy. Andante Appassionato "O Rose, Thou Art Sick" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

IV. Royauté. Allegro Maestoso "Un Beau Matin, Chez Un Peuple Fort Doux" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

IX. Départ. Largo Mesto – Largamente "Assez Vu. La Vision C'est Rencontrée À Tous Les Airs" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

Les Illuminations Pour Ténor Et Orchestre À Cordes, Op. 18 = Für Tenor Und Streichorchester Op. 18 = for Tenor and String Orchestra, Op. 18 = Per Tenore E Orchestra D'Archi, Op. 18 (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

Serenade for Tenor Solo, Horn and Strings, Op. 31 = Serenade Für Tenor, Horn Und Streicher, Op. 31 = Sérénade Pour Ténor, Cor Et Cordes, Op. 31 = Serenata Per Tenore, Corno E Archi, Op. 31 (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

V. Dirge. Alla Marcia Grave "This Ae Nighte, Every Nighte" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

V. Marine. Allegro Con Brio "Les Chars D'argent Et De Cuivre" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

VI. Hymn. Presto E Leggiero "Queen and Huntress, Chaste and Fair" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

VI. Interlude. Moderato Ma Comodo "J'ai Seul La Clef De Cette Parade" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

VII. Being Beauteous. Lento Ma Comodo "Devant Une Neige, Un Etre De Beauté De Haute Taille" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

VII. Sonnet. Adagio "O Soft Embalmer of the Still Midnight" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

VIII. Epilogue. Andante (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

VIII. Parade. Alla Marcia – Sempre Ritmico, Quasi Senza Espressione – Animato – Poco Largamente – a Tempo Vivace "Des Drôles Très Solides" (Benjamin Britten, Robert Tear · Dale Clevenger, Chicago Symphony Orchestra / Philharmonia Orchestra, Carlo Maria Giulini)

No. 1 Introduction (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 2 the Birth of Nicholas (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 3 Nicholas Devotes Himself to God (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 4 He Journeys to Palestine (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 5 Nicholas Comes to Myra and Is Chosen Bishop (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 6 Nicholas from Prison (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 7 Nicholas and the Pickled Boys (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 8 His Piety and Marvellous Works (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 9 the Death of Nicholas (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

Saint Nicholas, Op. 42 (Benjamin Britten, Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 1 Introduction (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 2 the Birth of Nicolas (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 3 Nicolas Devotes Himself to God (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 4 He Journeys to Palestine (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 5 Nicolas Comes to Myra and Is Chosen Bishop (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 6 Nicolas from Prison (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 7 Nicolas and the Pickled Boys (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 8 His Piety and Marvellous Works (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 9 the Death of Nicolas (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

Saint Nicolas (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 1 Introduction (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 2 the Birth of Nicolas (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 3 Nicolas Devotes Himself to God (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 4 He Journeys to Palestine (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 5 Nicolas Comes to Myra and Is Chosen Bishop (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 6 Nicolas from Prison (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 7 Nicolas and the Pickled Boys (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 8 His Piety and Marvellous Works (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

No. 9 the Death of Nicolas (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

Saint Nicolas (Benjamin Britten, Robert Tear, Bruce Russell, the King's College Choir of Cambridge, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner, David Willcocks)

1. Pastoral (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

2. Nocturne (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

3. Elegy (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

4. Dirge (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

5. Hymn (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

6. Sonnet (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Below the Thunders of the Upper Deep (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

But That Night When on My Bed I Lay (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Encinctured with a Twine of Leaves (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Epilogue (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

I. Fanfare (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

II. Villes (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

IIIa. Phrase (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

IIIb. Antique (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

IV. Royaute (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

IX. Depart (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Les Illuminations. for High Voice and String Orchestra Op.18 (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Midnight's Bell Goes Ting, Ting, Ting, Ting, Ting (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Nocturne. for Tenor Solo, Seven Obbligato Instruments and String Orchestra Op.60* (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

On a Poet's Lips I Slept- (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Prologue (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

Serenade. for Tenor, Horn and Strings Op.31 (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

She Sleeps on Soft, Last Breaths (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

V. Marine (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

VI. Interlude (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

VII. Being Beauteous (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

VIII. Parade (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

What Is More Gentle Than a Wind in Summer? (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

When Most I Wink, Then Do Mine Eyes Best See (Benjamin Britten, Robert Tear, Heather Harper, the Northern Sinfonia Orchestra, Sir Neville Marriner, English Chamber Orchestra, Jeffrey Tate)

1. at Day-Close in November (Benjamin Britten, Robert Tear, Philip Ledger)

4. the Little Old Table (Benjamin Britten, Robert Tear, Philip Ledger)

8. Before Life and After (Benjamin Britten, Robert Tear, Philip Ledger)

As It Is, Plenty (Benjamin Britten, Robert Tear, Philip Ledger)

By Yeats) (Benjamin Britten, Robert Tear, Philip Ledger)

Folk Song Arrangements (Benjamin Britten, Robert Tear, Philip Ledger)

La Belle Est Au Jardin D'Amour (Benjamin Britten, Robert Tear, Philip Ledger)

Le Roi S'En Va-T'En Chasse (Benjamin Britten, Robert Tear, Philip Ledger)

Let the Florid Music Praise! (Benjamin Britten, Robert Tear, Philip Ledger)

Nocturne (Benjamin Britten, Robert Tear, Philip Ledger)

Now the Leaves Are Falling Fast (Benjamin Britten, Robert Tear, Philip Ledger)

On This Island Op.11 (Benjamin Britten, Robert Tear, Philip Ledger)

Quand J'Étais Chez Mon Père (Benjamin Britten, Robert Tear, Philip Ledger)

Seascape (Benjamin Britten, Robert Tear, Philip Ledger)

Seven Sonnets of Michelangelo Op.22 (Benjamin Britten, Robert Tear, Philip Ledger)

Winter Words Op.52 (Benjamin Britten, Robert Tear, Philip Ledger)

Winter Words, on This Island, Seven Sonnets of Michelangelo, Folksong Arrangements, Canticles I-III (Benjamin Britten, Robert Tear, Philip Ledger)

h) (Benjamin Britten, Robert Tear, Philip Ledger)

s Irish Melodies) (Benjamin Britten, Robert Tear, Philip Ledger)

- (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Dawn (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Fair and Fair (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Finale: London, to Thee I Do Present (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Four Sea Interludes Op.33a from 'Peter Grimes' (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Introduction: Shine Out (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Moonlight (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Out on the Lawn I Lie in Bed (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Part III (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Part II (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Part IV (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Part I (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Sound the Flute! (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Spring Symphony Op. 44 (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Spring, the Sweet Spring (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Storm (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Sunday Morning (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

The Driving Boy (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

The Merry Cuckoo (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

The Morning Star (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Waters Above! (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

Welcome, Maids of Honour (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

When Will My May Come (Benjamin Britten, Sheila Armstrong • Janet Baker • Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus & London Symphony Orchestra, André Previn)

3th Century) (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Benjamin Britten - Spring Symphony Etc (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Benjamin Britten - Spring Symphony (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Dawn (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Four Sea Interludes Op.33a (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Moonlight (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part 1. (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part 2. (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part 3. (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part 4. (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part II. (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part III (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part IV (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony Op. 44 Part I (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Spring Symphony: Four Sea Interludes from "Peter Grimes" (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Storm (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Sunday Morning (Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

(Benjamin Britten, Sheila Armstrong, Janet Baker, Robert Tear, London Symphony Orchestra & London Symphony Chorus, St. Clement Danes Grammar School Boys' Choir, André Previn)

Billy Budd, op. 50, Act 1: Come along kid! Come along! (Benjamin Luxon, Robert Tear, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten)

Annabelle Lee (Benjamin Luxon, Robert Tear, André Previn)

Cigarette (Benjamin Luxon, Robert Tear, André Previn)

Come into the Garden, Maud (Benjamin Luxon, Robert Tear, André Previn)

Excelsior (Benjamin Luxon, Robert Tear, André Previn)

Home! Sweet Home! (Benjamin Luxon, Robert Tear, André Previn)

I'll Sing Thee Songs of Araby (Benjamin Luxon, Robert Tear, André Previn)

My Snowy-breasted Pearl (Benjamin Luxon, Robert Tear, André Previn)

Saved from the Deep (Benjamin Luxon, Robert Tear, André Previn)

The Arab's Farewell to His Favourite Steed (Benjamin Luxon, Robert Tear, André Previn)

The Death of Nelson (Benjamin Luxon, Robert Tear, André Previn)

The Dicky Bird and the Owl (Benjamin Luxon, Robert Tear, André Previn)

The Gendarmes' Duet (Benjamin Luxon, Robert Tear, André Previn)

The Lark Now Leaves His Wat'ry Nest (Benjamin Luxon, Robert Tear, André Previn)

The Moon Has Raised Her Lamp Above (Benjamin Luxon, Robert Tear, André Previn)

The Tumpeter (Benjamin Luxon, Robert Tear, André Previn)

The Wee Cooper O' Fife (Benjamin Luxon, Robert Tear, André Previn)

Tom Bowling (Benjamin Luxon, Robert Tear, André Previn)

Watchman, What of the Night (Benjamin Luxon, Robert Tear, André Previn)

Anna Bolena: Atto II, Scena 1 (Beverly Sills, Shirley Verrett, Robert Tear)

Abacus (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Alphabet Song (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Ambition (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Balloons (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Bang Bang (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Bell Song (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Cuckoo Clock (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Down at the Station (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Dress Sense (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Fishing (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Food for Thought (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Left Hand / Right Hand (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Overhauls (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Plus and Minus (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Rain Stops Play (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Road Sense (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Round Pond (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Skin Deep (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Skittles (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Weather Forecast (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Windmill (Brian Cant, Benjamin Luxon, Robert Tear, the Nash Ensemble)

Deposuit Potentes (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Et Misericordia Ejus (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Et Misericordia (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Fecit Potentiam (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Gloria Patri (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Gloria (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Magnificat (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Quia Fecit (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Quia Respexit (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Sicut Erat (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Suscepit Israel (Carl Philipp Emanuel Bach, Felicity Palmer, Robert Tear, Helen Watts, Stephen Roberts, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields Directed by Philip Ledger)

Façade 2 (Cathy Berberian, Sir William Walton, James Blades, Robert Tear, Steuart Bedford)

Façade Entertainment 1 (Cathy Berberian, Sir William Walton, James Blades, Robert Tear, Steuart Bedford)

Façade Entertainment 2 (Cathy Berberian, Sir William Walton, James Blades, Robert Tear, Steuart Bedford)

Christmas Oratorio, BWV 248, Sung in English: "And There Were Shepherds in the Same Country, Abiding in the Field" (Choir of King's College, Cambridge, Anthony Seddon, Robert Tear, Simon Preston, Sir David Willcocks)

Antique Allegretto, Un Poco Mosso (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Being Beauteous Lento Ma Comodo (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Depart Largo Mesto - Largamente (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Dirge Alla Marcia Grave (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Elegy Andante Appassionato (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Epilogue Andante (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Fanfare Maestoso - Largamente (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Hymn Presto E Leggiero (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Interlude Moderato Ma Comodo (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

La Mer Trois Esquisses Symphoniques (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Marine Allegro Con Brio (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Nocturne Maestoso (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Parade Alla Marcia - Sempre Ritmico, Quasi Senza Espressione - Animato - Poco (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Pastoral Lento (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Phrase Lento Ed Estatico (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Prologue Andante (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Royaute Allegro Maestoso (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Sonnet Adagio (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Villes Allegro Energico (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

第1曲: De L'Aube a Midi Sur La Mer Tres Lent (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

第2曲: Jeux De Vagues Allegro (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

第3曲: Dialogue Du Vent Et De La Mer Anime Et Tumultueux (Claude Debussy, Benjamin Britten, Robert Tear, Dale Clevenger, Los Angeles Philharmonic Orchestra, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini)

Glories of Venice: Music of Monteverdi (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, 862698Christopher Keyte, English Chamber Orchestra / 841441Raymond Leppard)

Bel Pastor (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Della Belleza Le Dovute Lodi (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Della Bellezza Le Dovute Lodi (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Dolci Miei Sospiri (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Fugge Il Verno Dei Dolori (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Gira Il Nemico Insidioso (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

La Pastorella Mia Spietata (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Lamento Della Ninfa (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Lidia Spina Del Mio Core (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Non Così Tosto Io Miro (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Non Cosí Tosto Io Miro (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

O Rosetta Che Rosetta (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

O Rosettai Che Rosetta (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Ohime Ch'Io Cado (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Ohime Ch'io Cado (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

Si Dolce E Il Tormento (Claudio Monteverdi — Ilse Wolf, Robert Tear, Gerald English, Christopher Keyte, English Chamber Orchestra / Raymond Leppard)

I. Magnificat Anima Mea (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

II. Et Exultavit (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

II. Psalmus 109: Dixit Dominus (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

III. Concerto: Nigra Sum (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

III. Quia Respexit (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IV. Psalmus 112: Laudate Pueri (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IV. Quia Fecit Mihi Magna (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IX. Concerto: Audi Coelum (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IX. Suspecit Israel (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

V. Concerto: Pulchra Es (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

V. Et Misericordia (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VI. Fecit Potentiam (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VI. Psalm 121: Laetatus Sum (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VII. Concerto: Duo Seraphim (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VII. Deposuit Potentes De Sede (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VIII. Esurientes Implevit Bonis (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VIII. Psalmus 126: Nisi Dominus (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

X. Psalm 147: Lauda Jerusalem (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

X. Sicut Locutus Est (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XI. Gloria Patri (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XI. Sonata Sopra: Sancta Maria, Ora Pro Nobis (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XII. Hymnus: Ave Maris Stella (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XII. Sicut Erat in Principio (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XIII. Magnificat (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir and the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

I. Magnificat Anima Mea (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

II. Et Exultavit (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

II. Psalmus 109: Dixit Dominus (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

III. Concerto: Nigra Sum (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

III. Quia Respexit (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IV. Psalmus 112: Laudate Pueri (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IV. Quia Fecit Mihi Magna (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IX. Concerto: Audi Coelum (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

IX. Suspecit Israel (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

V. Concerto: Pulchra Es (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

V. Et Misericordia (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VI. Fecit Potentiam (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VI. Psalm 121: Laetatus Sum (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VII. Concerto: Duo Seraphim (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VII. Deposuit Potentes De Sede (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VIII. Esurientes Implevit Bonis (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

VIII. Psalmus 126: Nisi Dominus (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

X. Psalm 147: Lauda Jerusalem (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

X. Sicut Iocutus Est (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XI. Gloria Patri (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XI. Sonata Sopra: Sancta Maria, Ora Pro Nobis (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XII. Hymnus: Ave Maris Stella (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XII. Sicut Erat in Principio (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

XIII. Magnificat (Claudio Monteverdi, Jill Gomez, Felicity Palmer, James Bowman, Robert Tear, Philip Langridge, John Shirley-Quirk, Michael Rippon, the Monteverdi Choir, the Monteverdi Orchestra, 2551856Salisbury Cathedral Boys' Choir, 835731Philip Jones Brass Ensemble, 2551854David Munrow Recorder Ensemble, 833722John Eliot Gardiner)

"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 1. Arioso & Recitative: "Sehet, wir gehn hinauf gen Jerusalem" (Dame Janet Baker, John Shirley-Quirk, St. Anthony Singers, Robert Tear, Philip Ledger, Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner)

"Sehet, wir gehn hinauf gen Jerusalem", BWV 159: 5. Chorale: "Jesu, deine Passion ist mir lauter Freude" (Dame Janet Baker, John Shirley-Quirk, St. Anthony Singers, Robert Tear, Philip Ledger, Roger Lord, Academy of St Martin in the Fields, Sir Neville Marriner)

And God said, Let the waters (David Willcocks, Joseph Haydn, the King's College Choir of Cambridge, Heather Harper, Robert Tear, John Shirley-Quirk)

Part I: Now Vanish Before the Holy Beams (David Willcocks, Joseph Haydn, the King's College Choir of Cambridge, Heather Harper, Robert Tear, John Shirley-Quirk)

The Marv'llous Work Behold Amazed (David Willcocks, Joseph Haydn, the King's College Choir of Cambridge, Heather Harper, Robert Tear, John Shirley-Quirk)

Entracte (Dmitri Shostakovich, Galina Vishnevskaya, Nicolai Gedda, Dimiter Petkov, Birgit Finnilä, Aage Haugland, Werner Krenn, Alexander Malta, Leonard Mróz, Robert Tear, 591041Taru Valjakka, 841590The Ambrosian Opera Chorus, London Philharmonic Orchestra, 834577Mstislav Rostropovich)

Scène 2 (Dmitri Shostakovich, Galina Vishnevskaya, Nicolai Gedda, Dimiter Petkov, Birgit Finnilä, Aage Haugland, Werner Krenn, Alexander Malta, Leonard Mróz, Robert Tear, 591041Taru Valjakka, 841590The Ambrosian Opera Chorus, London Philharmonic Orchestra, 834577Mstislav Rostropovich)

Scène I (Dmitri Shostakovich, Galina Vishnevskaya, Nicolai Gedda, Dimiter Petkov, Birgit Finnilä, Aage Haugland, Werner Krenn, Alexander Malta, Leonard Mróz, Robert Tear, 591041Taru Valjakka, 841590The Ambrosian Opera Chorus, London Philharmonic Orchestra, 834577Mstislav Rostropovich)

Christmas Oratorio, BWV 248, Cantata 6 (Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau)

ST. Paul Ouverture Op.36 (Felix Mendelssohn-Bartholdy, Francesco D'Avalos, Philharmonia Orchestra, Edith Wiens, Judith Howarth, Robert Tear, the Bach Choir)

Symphony No.2 Op.52 (Felix Mendelssohn-Bartholdy, Francesco D'Avalos, Philharmonia Orchestra, Edith Wiens, Judith Howarth, Robert Tear, the Bach Choir)

Christ Ist Erstanden (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Der Gondelfahrer (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Gebet (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Gott Im Ungewitter (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Gott Meine Zuversicht (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Gott in Der Natur (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Junglingswonne (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Nachthelle (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Standchen (Franz Schubert - Helen Watts, Robert Tear, the Elizabethan Singers Directed by Louis Halsey)

Messe As-dur Für Soli D. 678, Für Soli, Chor Und Orchester (Franz Schubert - Josef Protschka • Helen Donath • Brigitte Fassbaender • Dietrich Fischer-Dieskau • Lucia Popp • Robert Tear • Francisco Araiza • Wolfgang Sawallisch, Chor Des Bayerischen Rundfunks, 604396Symphonie-Orchester Des Bayerischen Rundfunks, Maria Venuti)

Salve Regina : C-dur D. 811 : für vier Männerstimmen (Franz Schubert - Josef Protschka • Helen Donath • Brigitte Fassbaender • Dietrich Fischer-Dieskau • Lucia Popp • Robert Tear • Francisco Araiza • Wolfgang Sawallisch, Chor Des Bayerischen Rundfunks, 604396Symphonie-Orchester Des Bayerischen Rundfunks, Maria Venuti)

Stabat Mater : F-moll D. 383 : Für Soli, Chor Und Orchester (Franz Schubert - Josef Protschka • Helen Donath • Brigitte Fassbaender • Dietrich Fischer-Dieskau • Lucia Popp • Robert Tear • Francisco Araiza • Wolfgang Sawallisch, Chor Des Bayerischen Rundfunks, 604396Symphonie-Orchester Des Bayerischen Rundfunks, Maria Venuti)

Das Geistliche Chorwerk (Franz Schubert, Helen Donath, Lucia Popp, Hildegard Behrens, Brigitte Fassbaender, Francisco Araiza, Adolf Dallapozza, Josef Protschka, Peter Schreier, Robert Tear, Dietrich Fischer-Dieskau, 2498711Capella Bavariae, 617404Chor Des Bayerischen Rundfunks, 604396Symphonie-Orchester Des Bayerischen Rundfunks, Wolfgang Sawallisch)

Das Weltliche Chorwerk (Franz Schubert, Helen Donath, Lucia Popp, Hildegard Behrens, Brigitte Fassbaender, Francisco Araiza, Adolf Dallapozza, Josef Protschka, Peter Schreier, Robert Tear, Dietrich Fischer-Dieskau, 2498711Capella Bavariae, 617404Chor Des Bayerischen Rundfunks, 604396Symphonie-Orchester Des Bayerischen Rundfunks, Wolfgang Sawallisch)

Auf Dem Flusse (Franz Schubert, Robert Tear, Philip Ledger)

Das Wirtshaus (Franz Schubert, Robert Tear, Philip Ledger)

Der Greise Kopf (Franz Schubert, Robert Tear, Philip Ledger)

Der Leiermann (Franz Schubert, Robert Tear, Philip Ledger)

Der Lindenbaum (Franz Schubert, Robert Tear, Philip Ledger)

Der Stürmische Morgen (Franz Schubert, Robert Tear, Philip Ledger)

Der Wegweiser (Franz Schubert, Robert Tear, Philip Ledger)

Die Krähe (Franz Schubert, Robert Tear, Philip Ledger)

Die Nebensonnen (Franz Schubert, Robert Tear, Philip Ledger)

Die Post (Franz Schubert, Robert Tear, Philip Ledger)

Die Wetterfahne (Franz Schubert, Robert Tear, Philip Ledger)

Die Winterreise (Franz Schubert, Robert Tear, Philip Ledger)

Einsamkeit (Franz Schubert, Robert Tear, Philip Ledger)

Erstarrung (Franz Schubert, Robert Tear, Philip Ledger)

Frühlingsstraum (Franz Schubert, Robert Tear, Philip Ledger)

Gefror'ne Tränen (Franz Schubert, Robert Tear, Philip Ledger)

Gute Nacht (Franz Schubert, Robert Tear, Philip Ledger)

Im Dorfe (Franz Schubert, Robert Tear, Philip Ledger)

Irrlicht (Franz Schubert, Robert Tear, Philip Ledger)

Letzte Hoffnung (Franz Schubert, Robert Tear, Philip Ledger)

Mut (Franz Schubert, Robert Tear, Philip Ledger)

Rast (Franz Schubert, Robert Tear, Philip Ledger)

Rückblick (Franz Schubert, Robert Tear, Philip Ledger)

Täuschung (Franz Schubert, Robert Tear, Philip Ledger)

Wasserflut (Franz Schubert, Robert Tear, Philip Ledger)

A Village Romeo & Juliet (Frederick Delius - Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 1 (Frederick Delius - Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 5 (Frederick Delius - Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 6 (Frederick Delius - Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

A Mass of Life (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 1 Invocation (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 1 on the Mountains (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 2 the Song of Laughter (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 2 the Song of the Lyre (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 3 the Dance-Song (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 3 the Song of Life (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 4 at Noon in the Meadows / No. 5 the Song of Rapture / No. 6 the Paean to Joy (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 4 the Riddle (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

No. 5 the Night-Song (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

Part One (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

Part Two (Frederick Delius - Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra, Sir Charles Groves)

'Tis Such a Shame to Let Good Land Lie Waste (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Allegro Ma Non Troppo, Con Vigore) Straight On, My Plough, Straight On! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Con Moto) (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Lento Molto) (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Lento) (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Moderato) Vagabonds and Comrades! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Molto Lento) Shameless Hussy! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Poco Meno) (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Sehr Langsam) We Two Will Be the Only Bidders for That Land (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

(Tranquilo) Sali! ... Vrenchen! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Ah, 'Twas All a Dream! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Ah, the Darkness Has Come (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Come with Us ... Live in Freedom! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Come, My Vrenchen (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Come, Vrenchen, Come! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Dance and Sing, All Day Long! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Halleo! Halleo! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

How Strange the Song of the Wind (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

If Only We Two Always Stand Together (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Listen, My Children, You Need Have No Fear! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

O Sali, I Should Have Died (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

O Sali, I'm Afraid (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Oh, Sali, Look at Those Lovely, Lovely Things! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Passing Strangers, Drifting By (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 1: September. a Piece of Land on a Hill (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 2: Six Years Later. Outside Marti's House (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 3: the Wildland (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 4: Interior of Marti's House (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 5: the Fair (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 6: the Paradise Garden (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

See, Our Marriage Bed Awaits Us! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

See, the Silver Moonlight Kisses the Woods (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

So I Must Tell You (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

The Children Are Nearby (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

The Dream of Sali and Vrenchen (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

The Twilight Closes Round the Garden (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

The Walk to the Paradise Gardens (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Vrenchen! ... Sali! (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Well, Well! What Do I See? (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

What Will You Do? Where Will You Go? (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

You Here? I'm Not Surprised (Frederick Delius / Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

A Mass of Life - Excerpt from Final Chorus (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

A Talk by Eric Fenby (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Appalachia - Excerpt (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Arabesque - Excerpt (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Cello Concerto - Excerpt (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Cynara - Excerpt (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Florida Suite - Excerpt from 3rd Movement, "Sunset" (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Florida Suite - Second Excerpt from 3rd Movement, "Sunset" (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

In a Summer Garden - Excerpt (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 1 (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 2 & Scene 3 (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 4 (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 5 (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

Scene 6 (Frederick Delius, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir, Royal Philharmonic Orchestra, Meredith Davies)

'La la la' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

A Mass of Life (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

A song of the setting sun (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

An Arabesque (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

Auf den Bergen (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

By the sad waters of separation (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

Cease smiling, Dear (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

Exceeding sorrow consumeth my sad heart! (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

First Part (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

I was not sorrowful (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

I. 'Herauf! nun herauf' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

I. 'O Du mein Wille' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

II. 'Erhebt eure Herzen' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

II. 'Süsse Leier' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

III. 'In deine Auge schaute ich jüngst' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

IV. 'Heisser Mittag schläft' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

IV. 'Wehe mir!' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

Pale amber sunlight falls (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

Second Part (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

See how the trees (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

Songs Og Sunset (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

They are not long (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

V. 'Gottes Weh ist tiefer' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

V. 'Nacht ist es' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

VI. 'Kommt! Lasst uns jetzo wandein!' (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir & London Philharmonic Orchestra / Janet Baker / John Shirley-Quirk, Royal Liverpool Philharmonic Choir, 973597Royal Liverpool Philharmonic Orchestra, 868334Sir Charles Groves)

At Noon in the Meadows (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

Invocation (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

On the Mountains (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Dance-Song (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Night-Song (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Paean to Joy (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Riddle (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Song of Laughter (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Song of Life (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Song of Rapture (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

The Song of the Lyre (Frederick Delius, Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, London Philharmonic Choir, London Philharmonic Orchestra, Sir Charles Groves)

Scene 1 (Frederick Delius, Meredith Davies, Royal Philharmonic Orchestra, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir)

Scene 5 (Frederick Delius, Meredith Davies, Royal Philharmonic Orchestra, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir)

Scene 6 (Frederick Delius, Meredith Davies, Royal Philharmonic Orchestra, Elizabeth Harwood, Robert Tear, John Shirley-Quirk, John Alldis Choir)

1. Akt Anfang (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

1. Akt Fortsetzung (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

1. Akt Schluß (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

2. Akt Anfang (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

2. Akt Schluß 3. Akt Anfang (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

3. Akt Schluß (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

Saul - Oratorium in Drei Akten (Georg Friedrich Händel - English Chamber Orchestra, Philip Ledger, the King's College Choir of Cambridge, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess)

Das Alexander-Fest (Georg Friedrich Händel - Helen Donath, Robert Tear, Thomas Allen, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acte III (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Acte II (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Acte I (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «Glorious Hero» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «Hear, Jacob's God» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «Let Their Celstial Concerts All Unite» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «Of First Created Beam» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «Then Round About the Starry Throne» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «Then Shall They Know» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «To Dust His Glory They Would Tread» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «To Man God's Universal Law» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Israelites: «With Thunder Arm'd» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Philistines: «Awake the Trumpet's Lofty Sound» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Philistines: «To Song and Dance» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Chorus of Virgins: «Her Faith and Truth» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Dead March (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Double Chorus of Israelites and Philistines: «Fix'd in His Everlasting Seat» (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Scene 1 (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Scene 2 (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Scene 3 (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Scene 4 (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

Sinfonia (Georg Friedrich Händel - Janet Baker, Helen Watts, Robert Tear, John Shirley-Quirk, Benjamin Luxon, Felicity Lott, Norma Burrowes, Philip Langridge, Alexander Oliver, 493464London Voices / 441322Terry Edwards, English Chamber Orchestra, 841441Raymond Leppard)

No.1 - Chorus with Solos: Dixit Dominus (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.2 - Aria: Virgam Virtutis Tuae (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.3 - Aria: Tecum Principium in Die Virtutis (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.4 - Chorus: Juravit Dominus (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.5 - Chorus: Secundum Ordinem Melchisedech (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.6 - Solos with Chorus: Dominus a Dextris Tuis (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.7 - Solos with Chorus: De Torrente in Via Bibet (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

No.8 - Chorus: Gloria Patri Et Filio Et Spiritui Sancto (Georg Friedrich Händel - Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, the King's College Choir of Cambridge, English Chamber Orchestra Conducted by David Willcocks)

1. Comfort Ye (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

10. for Behold, Darkness Shall Come (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

11. the People That Walked (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

12. for Unto Us a Child Is Born (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

13. Pastoral Symphony (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

14. There Were Shepherds (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

15. Glory to God (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

16. Rejoice Greatly (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

17. Then Shall the Eyes (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

18. He Shall Feed His Flock (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

19. His Yoke Is Easy (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

2. Ev'ry Valley (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

20. Behold the Lamb of God (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

21. He Was Despised (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

22. Surely He Hath Borne Our Gifts (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

23. and with His Stripes (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

24. and We Like Sheep (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

25. and They That See Him (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

26. He Trusted in God (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

27. Thy Rebuke (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

28. Behold, and See (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

29. He Was Cut Off (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

3. and the Glory of the Lord (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

30. but Thou Didst Not Leave (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

31. Lift Up Your Heads (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

32. Unto Which of the Angels (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

33. Let All the Angels of God (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

34. Thou Art Gone Up High (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

35. the Lord Gave the Word (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

36. How Beautiful Are the Feet (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

37. Their Sound Is Gone Out (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

38. Why Do the Nations (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

39. Let Us Break Their Bonds (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

4. Thus Saith the Lord (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

40. He That Dwelleth in Heaven (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

41. Thou Shalt Break Them (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

42. Hallelujah (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

43. I Know That My Redeemer Liveth (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

44. Since by Man (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

45. Behold, I Tell You a Mystery (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

46. the Trumpet Shall Sound (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

47. Then Shall Be Brought to Pass (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

48. O Death, Where Is Thy Sting (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

49. but Thanks Be to God (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

5. but Who May Abide (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

50. If God Be for Us (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

51. Worthy Is the Lamb (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

52. Amen (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

6. and He Shall Purify (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

7. Behold, a Virgin (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

8. O Thou That Tellest (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

9. O Thou That Tellest (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

Part One: God's Prophecy (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

Part Three: Christ Triumphant (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

Part Two: Christ's Sacrifice and Rejection (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

Sinfony (Georg Friedrich Händel - The King's College Choir of Cambridge with James Bowman, Robert Tear, Benjamin Luxon and the The Academy of St. Martin-in-the-Fields, David Willcocks)

Act III (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Act II (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Act I (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Juno, Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Juno, Somnus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Juno (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Jupiter (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Semele, Chorus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Semele, Jupiter (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Aria Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Chorus of Loves and Zephyrs (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Chorus of Priests (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Chorus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Duet Semele & Ino (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Overture (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Apollo, Chorus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Cadmus, Athamas, Ino (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Iris, Juno, Somnus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Juno, Iris, Somnus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Juno, Iris (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Juno, Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Jupiter, Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Semele, Ino (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative Cadmus, Athamas, Semele, Chorus of Priests (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative Cadmus, Chorus of Priests and Augurs (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative Ino, Chorus (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative Priest (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Recitative, Duet Cadmus, Athamas (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 1 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 2 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 3 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 4 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 5 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 6 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 7 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene 8 (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Scene the Last (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Sinfonia (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

emele, Chorus of Loves and Zephyrs (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

tt, Cadmus, Ino, Athamas, Semele (Georg Friedrich Händel / Justino Diaz, Sheila Armstrong, Helen Watts, Robert Tear, Felicity Palmer, English Chamber Orchestra, Johannes Somary)

Act III (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Act II (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Act I (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Juno, Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Juno, Somnus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Juno (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Jupiter (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Semele, Chorus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Semele, Jupiter (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Aria Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Chorus of Loves and Zephyrs (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Chorus of Priests (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Chorus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Duet Semele & Ino (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Overture (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Apollo, Chorus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Cadmus, Athamas, Ino (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Iris, Juno, Somnus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Juno, Iris, Somnus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Juno, Iris (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Juno, Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Jupiter, Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Semele, Ino (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative & Aria Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative Cadmus, Athamas, Semele, Chorus of Priests (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative Cadmus, Chorus of Priests and Augurs (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative Ino, Chorus (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative Priest (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Recitative, Duet Cadmus, Athamas (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 1 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 2 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 3 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 4 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 5 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 6 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 7 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene 8 (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Scene the Last (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Sinfonia (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

emele, Chorus of Loves and Zephyrs (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

tt, Cadmus, Ino, Athamas, Semele (Georg Friedrich Händel / Sheila Armstrong, Helen Watts, Robert Tear, Justino Diaz, Felicity Palmer, Mark Deller, English Chamber Orchestra, Johannes Somary)

Dritter Teil (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Erstel Teil (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 1 - 6 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 16 - 19 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 20 - 21 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 22 - 34 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 35 - 42 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 43 - 44 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 45 - 52 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Nr. 7 - 15 (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Zweiter Teil (Georg Friedrich Händel, James Bowman, Robert Tear, Benjamin Luxon, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Acis and Galatea - Act One (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Acis and Galatea - Act Two (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria and Chorus: Must I My Acis Still Bemoan (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Ah, Theseus, Theseus Stay! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: As When the Dove Laments Her Love (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Cease to Beauty to Be Suing (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Cease, Lovely Nymph, to Weep (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Consider, Fond Shepherd (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Heart, the Seat of Soft Delight (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: How Engaging, How Endearing (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Hush, Ye Pretty Warbling Quire! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Learn Hence Ye Fond Maidens (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Love Sounds Th'alarm (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: O Ruddier Than the Cherry (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Shepherd, What Art Thou Pursuing? (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Sweet Accents All Your Numbers Grace (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Where Shall I Seek the Charming Fair? (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: Would You Gain the Tender Creature (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Aria: to All the S- Deceitful (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Bacchus and Ariadne (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Chorus: Galatea, Dry Thy Tears (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Chorus: Mourn, All Ye Muses! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Chorus: Oh the Pleasure of the Plains! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Chorus: Wretched Lovers! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Duet & Chorus: Happy We! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Fair Caelia Love Pretended (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Il Pastor Fido - Hunting Scene (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Look Down, Harmonious Saint (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Meine Seele Hört Im Sehen (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: 'Tis Done: Thus I Exert My Pow'r Divine (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Cease, Oh Cease, Thou Gentle Youth (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Fair Caelia Love Pretended (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Help, Galatea! Help, Ye Parent Gods! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: His Hideous Love Provokes My Rage (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: I Rage - I Melt - I Burn! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Lo! Here My Love! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Look Down, Look Down (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Love in Her Eyes Sits Playing (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Oh! Didst Thou Know the Pains (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Stay, Shepherd, Stay! (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Whither, Fairest, Art Thou Running (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: Ye Verdant Plains (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: but Caelia Now Repenting (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: the Faithless Theseus (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: the Jolly God Who Rules (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Recitative: with Soft Reluctance (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Sinfonia (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Song of Momus to Mars (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Süße Stille (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

The Lass of Richmond Hill (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Trio: the Flocks Shall Leave the Mountains (Georg Friedrich Händel, Jill Gomez, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Act I. Scene 1 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act I. Scene 2 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act I. Scene 3 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act I. Scene 4 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act I. Scene 5 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act I. Scene 6 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 1 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 2 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 3 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 4 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 5 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 6 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 7 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 8 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act II. Scene 9 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act III. Scene 1 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act III. Scene 2 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act III. Scene 3 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act III. Scene 4 (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Act III. Scene 5. Dead March. (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Symphony (Georg Friedrich Händel, Philip Ledger, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra)

Acte III (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Acte II (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Acte I (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Air "Myself I shall Adore" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Air "O Sleep, Why Dost Thou Leave Me" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Air "Where'er You Walk" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Choeur "Avert These Omens" - Air "Endless Pleasure" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Choeur "O Terror and Astonishement" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

La Mort De Semele (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Récitatif "Awake Saturnia" Et Air "Hence, Iris" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Récitatif Et Air "O Jove, in Pity Teach Me" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Symphonie - Air "Leave Me, Loathsome Light" (Georg Friedrich Händel, Sheila Armstrong, Helen Watts, Felicity Palmer, Robert Tear, Mark Deller, Justino Diaz, English Chamber Orchestra, Amor Artis Chorale)

Alleluja! (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Aria: Tecum Principium in Die Virtutis (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Aria: Virgam Virtutis Tuae (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Chorus with Solos: Dixit Dominus (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Chorus: Gloria Patri Et Filio Et Spiritui Sancto (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Chorus: Juravit Dominus (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Chorus: Secundum Ordinem Melchisedech (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Exceeding Glad Shall He Be (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Glory and Great Worship (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

King's Daughters (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Kings Shall Be Thy Nursing Fathers (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Let Justice and Judgement (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Let Thy Hand Be Strengthened (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

My Heart Is Inditing (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Solos with Chorus: De Terrente in Via Bibit (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Solos with Chorus: Dominus a Dextris Tuis (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

The King Shall Rejoice (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Thou Hast Prevented Him (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Upon Thy Right Hand (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

Zadok the Priest (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Martin Lane, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger, David Willcocks)

De Torrente in Via Bibet (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Dixit Dominus (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Doninus a Dextris Tuis (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Gloria Patri Et Filio Et Spiritui Sancto (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Juravit Dominus (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Secundum Ordinem Melchesedech (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Tecum Principium in Die Virtutus (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Virgam Virtutus Tuae (Georg Friedrich Händel, Teresa Żylis-Gara, Janet Baker, Robert Tear, Martin Lane, John Shirley-Quirk, the King's College Choir of Cambridge, English Chamber Orchestra, John Langdon, Andrew Davis, 527161David Willcocks)

Acto 1. Escena 1 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 1. Escena 4 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 1. Escena 5 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 1. Escena 6 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 1.Escena 2 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 1.Escena 3 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2, Escena 2 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 3 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 4 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 5 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 6 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 7 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 8 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena 9 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 2. Escena1 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 3. Escena 1 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 3. Escena 2 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 3. Escena 3 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Acto 3. Escena 4 (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Marcha Funebre (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

Sinfonia (Georg Friedrich Händel, Thomas Allen, Robert Tear, Margaret Marshall, Paul Esswood, Sally Burgess, the King's College Choir of Cambridge, English Chamber Orchestra, Philip Ledger)

No.1: Chorus with Solos - Dixit Dominus (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.2: Aria - Virgam Virtutis Tuae (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.3: Aria - Tecum Principium in Die Virtutis (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.4: Chorus - Juravit Dominus (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.5: Chorus - Secundum Ordinem Melchisedech (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.6: Solos with Chorus - Dominus a Dextris Tuis (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.7: Solos with Chorus - De Torrente in Via Bibet (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

No.8: Chorus - Gloria Patri Et Filio Et Spiritui Sancto (Georg Friedrich Händel, the King's College Choir of Cambridge, Teresa Żylis-Gara, Janet Baker, Robert Tear, John Shirley-Quirk, English Chamber Orchestra Conducted by David Willcocks)

Amabel (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

At Middle-Field Gate in February (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

At a Lunar Eclipse (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Before and After Summer (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Before and After the Summer - for Baritone and Piano, Op 16 (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Channel Firing (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Childhood Among the Ferns (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Epeisodia (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

For Life I Had Never Cared Greatly (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

He Abjures Love (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

I Look into My Glass (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

I Need Not Go (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

I Said to - Love for Baritone and Piano, Op 19b (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

I Said to Love (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

In Years Defaced (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

In the Mind's Eye (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

It Never Looks Like Summer (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Let Me Enjoy the Earth (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Life Laughs Onward (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Overlooking the River (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

The Market-Girl (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

The Self-unseeing (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

The too Short Time (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Till Earth Outwears - Song Cycle for Tenor and Piano, Op. 19 (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Till Earth Outwears (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

Two Lips (Gerald Finzi, John Carol Case, Robert Tear, Howard Ferguson)

A100 Units 13 and 14 (Gerald Hendrie, Robert Tear)

A100 Units 15 and 16 (Gerald Hendrie, Robert Tear)

Form and Meaning - A 100, Units 15 and 16 (Gerald Hendrie, Robert Tear)

Form and Meaning (Gerald Hendrie, Robert Tear)

In Dulci Jubilo (Gerald Hendrie, Robert Tear)

Introduction to Music - A 100, Units 13 and 14 (Gerald Hendrie, Robert Tear)

Introduction to Music (Gerald Hendrie, Robert Tear)

Sonata 8, 1st Movement (Gerald Hendrie, Robert Tear)

Variations: Up Tails All (Gerald Hendrie, Robert Tear)

Atto 1º - Parte 1ª (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus & New Philharmonia Orchestra, Direttore Bruno Bartoletti)

Atto 2º - Parte 1a (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus & New Philharmonia Orchestra, Direttore Bruno Bartoletti)

Atto 4º (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus & New Philharmonia Orchestra, Direttore Bruno Bartoletti)

Intermezzo (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus & New Philharmonia Orchestra, Direttore Bruno Bartoletti)

Act 1 (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Act 2 (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Act 3 (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Act 4 (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Ah! Manon, Mi Tradisce (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Ah! Non V'Avvicinate!...Come Io Piango Ed Imploro (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Ah!...Aff Madamigella (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

All'Armi! All'Armi! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Ansia, Eterna, Crudel (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Ave, Sera Gentile (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Cavalli Pronti Avete- (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Che Ceffi Son Costor- (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Cortese Damigella, Il Priego Mio Accettate (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Discendono, Vediam! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Dispettosetto Questo Riccio! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Donna Non Vidi Mai (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

E Nulla! Nulla! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Il Passo M'Aprite (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

In Quelle Trine Morbide (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Intermezzo (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

La Tua Proserpina Di Resisterti (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

La Tua Ventura Ci Rassicura (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Lescaut!...Tu Qui? (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Ma Bravo! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Manon Lescaut, Opera (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Manon!...Des Grieux! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Manon, Senti, Amor Mio!...Vedi, Son Io Che Piango (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Oh, Sarò La Più Bella! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Paga Costor! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Poiche Tu Vuoi Saper (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Presto Il Fila! Marciate! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Rosetta! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Sei Splendida E Lucente! (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Sola, Perduta, Abbandonata (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Tra Voi, Belle, Brune E Bionde (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Tutta Su Me Ti Posa (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Un Libertino Audace (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Vedete- Io Son Fedele Alla Parola Mia (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Vi Prego, Signorina (Giacomo Puccini - Montserrat Caballé, Placido Domingo, Vicente Sardinero, Noel Mangin, Robert Tear, the Ambrosian Opera Chorus, New Philharmonia Orchestra, Bruno Bartoletti)

Deità Silvane (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

I I Fauni (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

I Kyrie Eleison – Christe Eleison (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

I La Primavera (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

II Egle (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

II Gloria in Excelsis Deo (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

II L'adorazione Dei Magi (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

III Gratias Agimus Tibi (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

III La Nascita Di Venere (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

III Musica in Horto (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

IV Acqua (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

IV Domine Deus (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

IX Crucifixus Etiam Pro Nobis (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Lauda Per La Natività Del Signore (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

O Car Dolce Mio Figlio (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Pastor, Voie Che Vegghiate (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Petite Messe Solennelle (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Segnor, Puoie Ch'hai Degnato (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Segnor, Tu Sei Desceso (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Trittico Botticelliano (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

V Crepusculo (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

V Qui Tollis Peccata Mundi (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

VI Quoniam Tu Solus Sanctus (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

VII Cum Sancto Spiritu (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

VIII Credo in Unum Deum (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

Voglio Ve Consolare (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

X Et Resurrexit (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

XI Preludio Religioso (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

XII Sanctus (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

XIII O Salutaris Hostia (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

XIV Agnus Dei (Gioacchino Rossini / Ottorino Respighi - Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, the London Chamber Choir, Laszlo Heltay)

(Choral Hymns) from the Rig Veda (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Hymn of the Travellers (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Hymn to Vena (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Hymn to the Dawn (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Hymn to the Waters (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Part 1 (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Part 2 (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Part II (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Part I (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Savitri Op. 25 (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Savitri (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

The Dawn (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

The Travellers (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

The Vena (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

The Water (Gustav Holst - English Chamber Orchestra, Purcell Singers Conducted by Imogen Holst with Janet Baker, Thomas Hemsley, Robert Tear)

Sávitri. an Episode from the Mahábhárata, Op. 25 (Gustav Holst - Imogen Holst, English Chamber Orchestra, Janet Baker, Robert Tear)

The Wandering Scholar, Op. 50 (Gustav Holst - Imogen Holst, English Chamber Orchestra, Janet Baker, Robert Tear)

A Fugal Concerto, Op. 40, No. 2 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

A Moorside Suite (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Choral Hymns from the Rig Veda, Op. 26 No. 3 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Egdon Heath, Op. 47 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

I Hymn to the Dawn (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

I Introduction - Dance of Spirits of Earth (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

I Jig: Vivace (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

I Moderato (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

I Say, Who Is This? (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

II Adagio (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

II Dance of Spirits of Water (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

II Hymn to the Waters (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

II O Love, I Complain (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

II Ostinato: Presto (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

III Allegro (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

III Angel Spirits of Sleep (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

III Dance of Spirits of Fire (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

III Hymn to Vena (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

III Intermezzo: Andante Con Moto (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

IV Hymn of the Travellers (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

IV When First We Met (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Like a Spectre of the Forest (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Loneliness and Pain Are Ended (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Savitri! Savitri! I Am Death (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Savitri, Op. 25 - A Chamber Opera in One Act (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Seven Partsongs, Op. 44 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

St. Paul's Suite, Op. 29, No. 2 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

The Evening Watch, Op. 43 No. 1 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

The Hymn of Jesus, Op. 37 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

The Perfect Fool - Ballet Music, Op. 39 (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Then Enter, Lord: Dwell with Me (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

V Sorrow and Joy (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

VI Love on My Heart from Heaven Fell (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

VII Assemble, All Ye Maidens (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Osian Ellis, Imogen Holst, Christopher Hogwood, Sir Adrian Boult, Elgar Howarth, the Purcell Singers, 381176The Grimethorpe Colliery Band, English Chamber Orchestra, London Philharmonic Orchestra, 289522BBC Symphony Orchestra & 569577BBC Symphony Chorus)

Hymn to Vena (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst)

Hymn to the Dawn (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst)

Hymn to the Travellers (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst)

Hymn to the Waters (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst)

Part II (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst)

Part I (Gustav Holst - Janet Baker, Robert Tear, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst)

Choral Hymns from the Rig Veda, 3rd Group, Op 26 (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Hymn of the Travellers (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Hymn to Dawn (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Hymn to Vena (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Hymn to the Waters (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Part II (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Part I (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Savitri, Op 25 (Gustav Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst)

Das Klagende Lied, Cantata for Soloists, Chorus & Orchestra (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Das Klagende Lied (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Der Spielmann (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Hochzeitsstück (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

I. Waldmärchen (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

II. Der Spielmann (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

III. Hochzeitsstück (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Waldmärchen (Gustav Mahler - Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Below the Thunders of the Upper Deep (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

But That Night When on My Bed I Lay (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Encinctured with a Twine of Leaves (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

I Wenn Mein Schatz Hochzeit Macht (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

II Ging Heut' Morgens Übers Feld (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III Ich Hab Ein Glühend Messer (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

IV Die Zwei Blauen Augen Von Meinem Schatz (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Lieder Eines Fahrenden Gesellen (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Midnight's Bell Goes Ting, Ting (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Nocturne Op. 60 (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

On a Poet's Lips I Slept (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

She Sleeps on Soft, Last Breaths (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

What Is More Gentle Than a Wind in Summer (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

When Most I Wink, Then Do Mine Eyes Best See (Gustav Mahler / Benjamin Britten, Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Das Lied Von Der Erde (Gustav Mahler ∙ Arnold Schoenberg, Jean Rigby, Robert Tear, 5063091The Premiere Ensemble, 834078Mark Wigglesworth)

Das Lied Von Der Erde = the Song of the Earth = Le Chant De La Terre (Gustav Mahler ∙ Arnold Schoenberg, Jean Rigby, Robert Tear, the Premiere Ensemble, Mark Wigglesworth)

Below the Thunders of the Upper Deep (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Blicke Mir Nicht in Die Lieder (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

But That Night When on My Bed I Lay (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Die Zwei Blauen Augen Vom Meinem Schatz (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Encinctured with a Twine of Leaves (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Ging Heut' Morgen Übers Feld (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Ich Atmet' Einen Linden Duft (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Ich Bin Der Welt Abhanden Gekommen (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Ich Hab' Ein Glühend Messer (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Lieder Eines Fahrenden Gesellen (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Midnight's Bell Goes Ting, Ting, Ting, Ting, Ting, Ting (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Nocturne Op. 60 for Tenor Solo, Seven Obbligato Instruments and String Orchestra (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

On a Poet's Lips I Slept (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

She Sleeps on Soft, Last Breaths (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Three Lieder to Poems by Friedrich Rückert (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Wenn Mein Schatz Hochzeit Macht (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

What Is More Gentle Than a Wind in Summer? (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

When Most I Wink, Then Do Mine Eyes Best See (Gustav Mahler, Benjamin Britten - Thomas Allen, Robert Tear, English Chamber Orchestra, Jeffrey Tate)

カンタータ「嘆きの歌」全曲 = Das Klagende Lied (Gustav Mahler, Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

第1部: Waldmärchen (Gustav Mahler, Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

第2部: Der Spielmann (Gustav Mahler, Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

第3部: Hochzeitsstück (Gustav Mahler, Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle)

Das Lied von Der Erde / the Song of the Earth/ Le Chante de Laterre (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

Das Trinklied Vom Jammer Der Erde/ the Drinking Song of Earth's Sorrow (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

Der Abschied/ the Farewell (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

Der Einsame Im Herbst/ the Lonely One in Autumn (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

Der Trunkene Im Fruhling/ Drunkard in Spring (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

von Der Jugend/ Youth (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

von Der Schonheit/ Beauty (Gustav Mahler, Jean Rigby, Robert Tear, the Premiere Ensemble)

Das Klagende Lied (Gustav Mahler, Teresa Cahill, Janet Baker, Robert Tear, Gwynne Howell, 283125Gennadi Rozhdestvensky)

(Heftig Bewegt) Hochzeitstück (Gustav Mahler, Teresa Cahill, Janet Baker, Robert Tear, Gwynne Howell, Gennadi Rozhdestvensky)

(Sehr Gehalten) Der Spielmann (Gustav Mahler, Teresa Cahill, Janet Baker, Robert Tear, Gwynne Howell, Gennadi Rozhdestvensky)

Das Klagende Lied (Gustav Mahler, Teresa Cahill, Janet Baker, Robert Tear, Gwynne Howell, Gennadi Rozhdestvensky)

Waldmärchen (Gustav Mahler, Teresa Cahill, Janet Baker, Robert Tear, Gwynne Howell, Gennadi Rozhdestvensky)

A Mass of Life, Part 2: La la la (Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves)

Agnus Dei (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Dies Irae - Prosa (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Hostias (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Lacrymosa (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 1 Requiem & Kyrie - Introitus (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 10 Agnus Dei (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 2 Dies Irae - Prosa (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 3 Quid Sum Miser (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 4 Rex Tremendae Majestatis (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 5 Quaderems Me (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 6 Lacrymosa (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 7 Offertorium (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 8 Hostias (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

No. 9 Sanctus (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Offertorium (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Quaerens Me (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Quid Sum Miser (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Requiem & Kyrie - Introitus (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Requiem Op.5 (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Rex Tremendae Majestatis (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Sanctus (Hector Berlioz - André Previn, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra)

Air: Pauvres Enfants Que Je Pleure / Mais Notre Sang Rougit Leur Glaive (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Convoi Funèbre De Juliette - Jetez Des Fleurs (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Grande Fête Chez Les Capulets (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Introduction: Combats, Tumulte, Intervention Du Prince (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Ohé! Capulets! Bonsoir, Bonsoir! (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Part I = 1. Teil = 1ère Partie (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Part II = 2. Teil = 2ème Partie (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Part III = 3. Teil = 3ème Partie : Nuit Sereine - Le Jardin De Capulet Silencieux Et Désert. Les Jeunes Capulets Sortant de la Fête, Passent En Chantant Des Reminiscences De La Musique Du Bal (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Part IV = 4. Teil = 4ème Partie (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Prologue: D'Anciennes Haines Endormies (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Quoi! Roméo Retour / Récitatif: Je Vais Dévoiler Le Mystére (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Roméo Et Juliette = Romeo and Juliette = Romeo Und Julia, Op. 17 (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Roméo Et Juliette (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Roméo Seul - Tristesse - Concert Et Bal (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Récitatif Et Scherzetto: Bientôt De Roméo - Mab! La Messagère - Bientôt la Mort Est Souveraine (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Scene D'Amour (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Scherzo: La Reine Mab, Ou La Fée Des Songes (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Serment De Réconciliation: Jurez Donc Par L'auguste Symbole (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Strophes: Heureux Enfants Aux Coeurs De Flamme (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

Strophes: Premiers Transport Que Nul N'oublie (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

res Angoisses Et Mort Des Deux Amants. / Final: Lafoule Accourt Au Cimietière - Rixe Des Capulets Et Des Montagus (Hector Berlioz - Patricia Kern · Robert Tear · John Shirley-Quirk / John Alldis Choir, London Symphony Orchestra & London Symphony Chorus, Sir Colin Davis)

1ère Partie (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

2ème Partie (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

3ème Partie (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

4ème Partie (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Convoi Funèbre De Juliette (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Fairy Queen Mab:Scherzo,Juliet's Funeral Procession,Romeo at Capulets' Tomb (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Final (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Introduction,Prologue,Strophes,Scherzetto (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Introduction (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

La Reine Mab, Ou La Fée Des Songes : Scherzo (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Prologue (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Recitative and Aria of Friar Laurence,Vow of Reconciliation (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Romeo Alone,Melancholy,Concert & Ball,Festivities at the Capulets (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Roméo Au Tombeau Des Capulets (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Roméo Seul - Tristesse - Concert Et Bal - Grande Fête Chez Les Capulets (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Récitatif Et Air Du Père Laurence (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Scherzetto (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Scène D'amour (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Serment De Réconciliation (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Strophes (Hector Berlioz - Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

'Depuis Trois Jours, Malgré L'Ardeur Du Vent' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

'Eh Bien! Par Le Fer Qu'ils Périssent!' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

'O Mon Âme' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

'Pour Bien Finir Cette Soirée' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

'Qui Vient?' - 'Rome.' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

'Vous Pleurez, Jeune Mère . . .' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

(Doppio Movimento) - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

(Largo - Andante) - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

(Largo) (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Dans La Crèche, En Ce Temps, Jésus Venait De Naître (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

De Profundis - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Est Ist Ein Reis Enstsprungen/Il Est Né/Gloria in Excelsis Deo (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Freu Dich, Freu Dich, O Israel! - Ne Craignez Point - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Gloria in Excelsis Deo - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Hodie Christus Natus Est (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

I. Herod's Dream (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

II. the Flight into Egypt (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

III. the Arrival at Saïs (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

L'enfance Du Christ - Sacred Trilogy, Op. 25 (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Laudate Dominum Omnest Gentes - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

O Du Fröliche/Stille Nacht/Il Est Né/Von Himmel Hoch - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

O Magnum Mysterium (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

O Viens, Ô Viens Emmanuel! - Freu Dich, Freu Dich, O Israel! (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Ouverture (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Quatre Motets Pour Le Temps De Noël (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Quem Vidistis Pastores (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 1. Duet. Dans cette ville immense (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 1. Nocturnal March (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 2. 'Entrez, Entrez, Pauvres Hébreux' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 3. 'Seigneur!' - 'Lâches, Tremblez!' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 3. Epilogue. 'Ce Fut Ainsi Que, Par Un Infidèle' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 4. 'Les Sages De Judée, Ô Roi!' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene 6. 'Joseph! Marie!' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scene II. Song of Herod. 'Toujours ce rêve! encore cet enfant' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Scène 5: Duet. 'Ô mon cher fils, donne cette herbe tendre' (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

The Holy Family Rests (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

The Shepherds' Farewell (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Une Cantate De Noël (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Videntes Stellam (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

Von Himmel Hoch - (Hector Berlioz / Arthur Honegger / Francis Poulenc / Ann Murray, Robert Tear, Thomas Allen, David Wilson-Johnson, the King's College Choir of Cambridge, Royal Philharmonic Orchestra, Stephen Cleobury, 415721Winchester Cathedral Choir, 456699Martin Neary)

1. Le Coucher Du Soleil (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

3. Chant Guerrier (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

4. La Belle Voyageuse (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

5. Chanson À Boire (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

6. Chant Sacré (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

7. L'Origine De La Harpe (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

8. Adieu Bessy (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

9. Élégie (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

Chant De La Fête De Pâques (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

La Mort D'Ophélie (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

Le Trébuchet, Op. 13 (Hector Berlioz : April Cantelo, Helen Watts, Robert Tear, Viola Tunnard, the Monteverdi Choir · John Eliot Gardiner)

Agnus Dei (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Hostias (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Lacrymosa (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Offertorium (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Quaerens Me (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Quid Sum Miser (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Requiem and Kyrie - Introitus (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Requiem and Kyrie (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Rex Tremendae (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Sanctus (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

irum (Hector Berlioz, City of Birmingham Symphony Orchestra Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Louis Frémaux)

Fairy Queen Mab: Scherzo (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Finale (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Introduction (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Juliet's Funeral Procession (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Love Scene (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Part III (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Part II (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Part IV (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Part I (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Prologue (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Recitative & Aria of Friar Laurence - Vow of Reconciliation (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Romeo Alone - Melancholy - Concert & Ball - Festivities at the Capulets (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Romeo Et Juliette, Op. 17 (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Romeo at Capulets' Tomb (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Scherzetto (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

Strophes (Hector Berlioz, Patricia Kern, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, Sir Colin Davis)

I: Requiem Et Kyrie- Introitus (Hector Berlioz, Robert Tear, André Previn)

I: Reveries - Passions (Hector Berlioz, Robert Tear, André Previn)

II: Dies Irae- Prosa (Hector Berlioz, Robert Tear, André Previn)

II: Un Bal (Hector Berlioz, Robert Tear, André Previn)

III: Quid Sum Miser (Hector Berlioz, Robert Tear, André Previn)

III: Scène Aux Champs (Hector Berlioz, Robert Tear, André Previn)

IV: Marche Au Supplice (Hector Berlioz, Robert Tear, André Previn)

IV: Rex Tremendae (Hector Berlioz, Robert Tear, André Previn)

IX: Sanctus (Hector Berlioz, Robert Tear, André Previn)

Symphonie Fantastique, Op.14 (Hector Berlioz, Robert Tear, André Previn)

V: Quaerens Me (Hector Berlioz, Robert Tear, André Previn)

V: Songe D'une Nuit Du Sabbat (Hector Berlioz, Robert Tear, André Previn)

VI: Lacrymosa (Hector Berlioz, Robert Tear, André Previn)

VII: Offertorium (Hector Berlioz, Robert Tear, André Previn)

VIII: Hostias (Hector Berlioz, Robert Tear, André Previn)

X: Agnus Dei (Hector Berlioz, Robert Tear, André Previn)

I: Requiem Et Kyrie- Introitus (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

I: Rêveries - Passions (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

II: Dies Irae- Prosa (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

II: Un Bal (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

III: Quid Sum Miser (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

III: Scène Aux Champs (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

IV: Marche Au Supplice (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

IV: Rex Tremendae (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

IX: Sanctus (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

Symphonie Fantastique, Op.14 (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

V: Quaerens Me (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

V: Songe D'une Nuit Du Sabbat (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

VI: Lacrymosa (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

VII: Offertorium (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

VIII: Hostias (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

X: Agnus Dei (Hector Berlioz, Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, London Symphony Orchestra, André Previn)

Beginn Bis "Bis Auf Den Heutigen Tag" (Heinrich Schütz - Peter Pears, Robert Tear, John Shirley-Quirk, the Schütz Choir of London, Roger Norrington)

Beginning to "Bis Auf Den Heutigen Tag" (Heinrich Schütz - Peter Pears, Robert Tear, John Shirley-Quirk, the Schütz Choir of London, Roger Norrington)

Historia Der Auferstehung Jesu Christi (Heinrich Schütz - Peter Pears, Robert Tear, John Shirley-Quirk, the Schütz Choir of London, Roger Norrington)

Und Siche, Zweene Ans Ihnen Gingen Bis Ende (Heinrich Schütz - Peter Pears, Robert Tear, John Shirley-Quirk, the Schütz Choir of London, Roger Norrington)

Und Siche, Zweene Ans Ihnen Gingen to End (Heinrich Schütz - Peter Pears, Robert Tear, John Shirley-Quirk, the Schütz Choir of London, Roger Norrington)

Und Siehe, Zweene Aus Ihnen Gingen to End (Heinrich Schütz - Peter Pears, Robert Tear, John Shirley-Quirk, the Schütz Choir of London, Roger Norrington)

Act 2: Begone, Curst Friends of Hell (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: I Come to Sing Great Zempoalla's Story (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: I Fly from the Place Where Flattery Reigns (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: Scorn'd Envy, Here's Nothing That Thou Canst Blast (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: Symphony (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: What Flattering Noise Is This (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Ah, How Happy Are We! (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: I Attempt from Love's Sickness to Fly in Vain (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Seek Not to Know What Must Not Be Reveal'd (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Symphony (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Third Act Tune (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Trumpet Overture (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Warlike Dance (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: We the Spirits of the Air (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Ye Twice Ten Hundred Deities ... by the Croaking of the Toad (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: All Dismal Sounds Thus on These Off'rings Wait (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: All Is Done (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: All's Prepared (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: Let All Unhallow'd Souls Begone (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: Now in Procession Walk Along (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: While Thus We Bow Before the Shrine (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: You Who at the Altar Stand (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

First Music (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Overture (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: If So Your Goodness May Your Power Express (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: If These Be They We Welcome Them Our Doom. (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Their Looks Are Such That Mercy Flows from Hence (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Their Looks Are Such Thet Mercy Flows from Hence, (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Their looks are such thet mercy flows from hence, (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Wake, Quivera, Wake, Our Soft Rest Must Cease (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Why Should Men Quarrel Here? (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: by Ancient Prophecies We Have Been Told (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Second Music (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

The Indian Queen (Henry Purcell - Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Band 1 Act II (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Band 1 Act I (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Band 2 Act III (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Band 2 (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Overture Scene I: the Palace (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Scene - The Groove (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Scene - The Ships (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

Scene 2 - The Cave (Henry Purcell : Victoria De Los Angeles, Peter Glossop, Heather Harper, Patricia Johnson, Elizabeth Robson, Clare Walmesley, Sybil Michelow, Robert Tear, the Ambrosian Singers, English Chamber Orchestra, 841441Raymond Leppard, 561054Sir John Barbirolli)

1. Akt (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear)

3. Akt (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear)

Dido and Aeneas (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear)

Ouverture (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear)

1. Akt (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear, Honor Sheppard, Ellen Dales)

3. Akt (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear, Honor Sheppard, Ellen Dales)

Dido and Aeneas (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear, Honor Sheppard, Ellen Dales)

Ouverture (Henry Purcell, London Oriana Choir & Oriana Concert Orchestra, Alfred Deller, Mary Thomas, Maurice Bevan, Helen Watts, Robert Tear, Honor Sheppard, Ellen Dales)

Act 2: Begone, Curst Friends of Hell (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: I Come to Sing Great Zempoalla's Story (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: I Fly from the Place Where Flattery Reigns (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: Scorn'd Envy, Here's Nothing That Thou Canst Blast (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: Symphony (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 2: What Flattering Noise Is This (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Ah, How Happy Are We! (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: I Attempt from Love's Sickness to Fly in Vain (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Seek Not to Know What Must Not Be Reveal'd (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Symphony (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Third Act Tune (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Trumpet Overture (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Warlike Dance (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: We the Spirits of the Air (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 3: Ye Twice Ten Hundred Deities ... by the Croaking of the Toad (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: All Dismal Sounds Thus on These Off'rings Wait (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: All Is Done (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: All's Prepared (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: Let All Unhallow'd Souls Begone (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: Now in Procession Walk Along (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: While Thus We Bow Before the Shrine (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Act 5: You Who at the Altar Stand (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

First Music (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Overture (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: If So Your Goodness May Your Power Express (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: If These Be They We Welcome Them Our Doom. (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Their looks are such thet mercy flows from hence, (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Wake, Quivera, Wake, Our Soft Rest Must Cease (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: Why Should Men Quarrel Here? (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Prologue: by Ancient Prophecies We Have Been Told (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Second Music (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

The Indian Queen (Henry Purcell, Wilfred Brown, April Cantelo, Robert Tear, Christopher Keyte, Ian Partridge, St. Anthony Singers, English Chamber Orchestra, Sir Charles Mackerras)

Hymnus Paradisi (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

I. Preludio (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

II. Requiem Aeternam (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

III. the Lord Is My Shepherd (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

IV. Sanctus - I Will Lift Up Mine Eyes (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

V. I Heard a Voice from Heaven (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

VI. Holy Is the True Light (Herbert Howells - Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

Concerto for String Orchestra* (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

Hymnus Paradisi (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

I. Allegro, Assai Vivace-Lento, Doloroso-Vivo, Come Prima (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

I. Preludio- (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

II. Requiem Aeternam (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

III. the Lord is My Shepherd (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

IV. Sanctus/I Will Lift Up Mine Eyes (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

V. I Heard a Voice from Heaven (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

VI. Holy Is the True Light (Herbert Howells, Heather Harper, Robert Tear, the Bach Choir, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, London Philharmonic Orchestra, Sir Adrian Boult)

Herbert Howells: Hymnus Paradisi Gerald Finzi: Dies Natalis (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, 704150New Philharmonia Orchestra, 527161David Willcocks, 894188Gerald Finzi, Wilfred Brown, 3042186Christopher Finzi)

Hymnus Paradisi (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

Lift Up Mine Eyes (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

The Lord Is My Shepherd (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

V - I Heard a Voice from Heaven (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

VI - Holy Is the True Light (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks)

Dies Natalis (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

Hymnus Paradisi (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

I. Preludio (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

II - Requiem Aeturnum (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

III. the Lord Is My Shepherd (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

IV. Sanctus/I Will Lift Up Mine Eyes (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

V. I Heard a Voice from Heaven (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

VI. Holy Is the True Light (Herbert Howells, Heather Harper, Robert Tear, the King's College Choir of Cambridge, New Philharmonia Orchestra, David Willcocks, Gerald Finzi, Wilfred Brown, Christopher Finzi)

Part One (Howard Blake, Robert Tear, David Willcocks, the Bach Choir, Royal Philharmonic Orchestra, St. Paul's Cathedral Choir)

Part Three (Howard Blake, Robert Tear, David Willcocks, the Bach Choir, Royal Philharmonic Orchestra, St. Paul's Cathedral Choir)

Akahito (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Bai-Bai = Lullaby (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Chetyrye Pyesni = Four Songs (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Chicher-Yacher (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Deux Poèmes De Paul Verlaine = Two Poems by Paul Verlaine (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Dva Sitkhotvoryeniya Bal'monta = Two Poems by Konstantin Bal'mont (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Elegy for J.F.K. (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Full Fadom Five Thy... (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Golub' = the Dove (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Gusi Y Lyebyedi = Geese and Swans (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Herr, Was Trägt Der Boden Hier... = Lord, What Does the Ground Here Bear? (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

In Memoriam Dylan Thomas (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Kornilo = Uncle Pierre (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Koshachi Holybyelniye Pyesni = Cat's Cradle Songs (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Kot Na Pyechi = the Cat on the Stove (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

La Lune Blanche = the White Moon (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Mazatzumi (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Musick to Heare, ... (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Natashka = Natasha (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Nyezabudochka-Tsvyetochek = the Flower (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Polkovnik = the Colonel (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

PribaoutkI = PribaoutkI (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Sagesse = Wisdom (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Sorochenka = the Magpie (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Spi, Kot = Sleep, Pussy (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Spring (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Staryets I Zayats = the Old Man and the Hare (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Syektantskaya = a Russian Spiritual (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Sylezyen' = the Drake (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Three Japanese Lyrics (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Three Songs from William Shakespeare (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Tilim-Bom (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Tsaraiuki (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

U Kota, Kota = Father Cat Has... (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Vorona = the Rook (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

Wunden Trägst Du... = Thou Art Wounded... (Igor Stravinsky - Phyllis Bryn-Julson · Ann Murray · Robert Tear · John Shirley-Quirk, Ensemble InterContemporain · Pierre Boulez)

- (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Akahito (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Berceusus Du Chat (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Chanson De Paracha (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Chicher-Yacher (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Deux Poems De Konstantin Balmont (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Deux Poems De Paul Verlaine (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Droog Moi Mily (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Elegy for J.F.K. (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Four Cat's Cradle Songs (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Four Songs (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Full Fadom Five (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

In Memoriam Dylan Thomas (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Mazatzumi (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Musick to Heare (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Pastorale (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Pribaoutki (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Quatre Chants (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Three Japanese Lyrics (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Three Songs from William Shakespeare (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Tilim-Bom (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Tilimbom (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Trois Petites Chansons (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Trois Poesies De La Lyrique Japonaise (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Tsaraiuki (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Two Poems by Konstantin Bal'mont (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Two Poems by Paul Verlaine (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Zwei Geistliche Lieder Aus Dem Spanischen Liederbuch Von Hugo Wolf (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Zwei Geistliche Lieder (Igor Stravinsky - Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Akahito (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Bai-Bai (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Chicher-Yacher (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Elegy for J.F.K. (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Four Cat's Cradle Songs (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Four Songs (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Full Fadom Five (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Gdye V Lunnom Svyetye (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Golub' (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Gusi Y Lyebyedi (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

In Memoriam Dylan Thomas (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Kornilo (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Kot Na Pyechi (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Mazatzumi (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Mrachniye Sny (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Musick to Heare (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Natashka (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Nyezabudochka-Tsvyetochek (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Pastorale (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Polkovnik (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Sorochenka (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Spi, Kot (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Staryets I Zayats (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Syektantskaya (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Sylezyen' (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Three Japanese Lyrics (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Three Songs from William Shakespeare (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Tilim-Bom (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Tsaraiuki (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Two Poems by Konstantin Bal'mont (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Two Poems by Paul Verlaine (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Two Sacred Songs from the "Spanisches Liederbuch" (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

U Kota, Kota (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

Vorona (Igor Stravinsky / Phyllis Bryn-Julson, Ann Murray, Robert Tear, John Shirley-Quirk, Ensemble InterContemporain, Pierre Boulez)

obis Pacem (Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk)

5. Akt - Anhänge: Une Poupee Aux Yeux D'email... (Jacques Offenbach - Neil Shicoff • Jessye Norman • Rosalind Plowright • Luciana Serra • José van Dam • Ann Murray • Robert Tear • Orchestre Du Théâtre Royal De La Monnaie et Choeurs Du Théâtre Royal De La Monnaie, 579373Sylvain Cambreling)

Appendix I: Une Poupée Aux Yeux D'émail (Jacques Offenbach - Neil Shicoff • Jessye Norman • Rosalind Plowright • Luciana Serra • José van Dam • Ann Murray • Robert Tear • Orchestre Du Théâtre Royal De La Monnaie et Choeurs Du Théâtre Royal De La Monnaie, 579373Sylvain Cambreling)

Les Contes D'Hoffmann (Jacques Offenbach - Neil Shicoff • Jessye Norman • Rosalind Plowright • Luciana Serra • José van Dam • Ann Murray • Robert Tear • Orchestre Du Théâtre Royal De La Monnaie et Choeurs Du Théâtre Royal De La Monnaie, 579373Sylvain Cambreling)

Les Contes d'Hoffmann (Jacques Offenbach - Neil Shicoff • Jessye Norman • Rosalind Plowright • Luciana Serra • José van Dam • Ann Murray • Robert Tear • Orchestre Du Théâtre Royal De La Monnaie et Choeurs Du Théâtre Royal De La Monnaie, 579373Sylvain Cambreling)

By the Waters of Babylon (James Bowman, Robert Tear, Christopher Keyte, St. John's College Choir, Matheson Consort, Philomusica of London, George Guest)

Hear of Heav'ns (James Bowman, Robert Tear, Christopher Keyte, St. John's College Choir, Matheson Consort, Philomusica of London, George Guest)

O Give Thanks Unto the Lord (James Bowman, Robert Tear, Christopher Keyte, St. John's College Choir, Matheson Consort, Philomusica of London, George Guest)

Sing Unto the Lord, O Ye Saints (James Bowman, Robert Tear, Christopher Keyte, St. John's College Choir, Matheson Consort, Philomusica of London, George Guest)

The King Shall Rejoice (James Bowman, Robert Tear, Christopher Keyte, St. John's College Choir, Matheson Consort, Philomusica of London, George Guest)

When the Son of Man Sall Come in His Glory (James Bowman, Robert Tear, Christopher Keyte, St. John's College Choir, Matheson Consort, Philomusica of London, George Guest)

Canticle II: Abraham and Isaac, Op. 51 (James Bowman, Robert Tear, Philip Ledger)

A Finer Truth (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Agnus Dei (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Amen (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Blessings on You (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Come to the Wedding (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Come with Me (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Crown My Heart (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Gloria (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Glory to Thee (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Go So Gently (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Hodie (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

I Saw a Plant (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Introit (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Kyrie Meditation (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Kyrie (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Lava Me (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Of One That Is So Fair (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Pax Domini (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Sanctus & Benedictus (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Song of Hannah (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

The Wide World Sings (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

This Is My Commandment (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Venite (James Whitbourn, the Choir of Clare College, John Harle, Robert Tear, Timothy Brown)

Béatrice et Bénédict : Acte II. Ciel ! (Janet Baker, Robert Tear, London Symphony Orchestra, Colin Davis)

Almen Se Non Poss'io (Janet Coster, Robert Tear, James Lockhart)

Arietta, La Lontananza (Janet Coster, Robert Tear, James Lockhart)

Arietta, la Lontananza (Janet Coster, Robert Tear, James Lockhart)

Bolero, L'Invito (Janet Coster, Robert Tear, James Lockhart)

Canzoncina, La Farfalletta (Janet Coster, Robert Tear, James Lockhart)

Canzoncina, la Farfalletta (Janet Coster, Robert Tear, James Lockhart)

Dolente Immagine Di Fille Mia (Janet Coster, Robert Tear, James Lockhart)

Dolente Immagine di Fille Mia (Janet Coster, Robert Tear, James Lockhart)

Eterno Amore E Fe Ti Giuro Umile Al Pie (Janet Coster, Robert Tear, James Lockhart)

Il Barcaiuolo (Janet Coster, Robert Tear, James Lockhart)

Il Fervido Desiderio (Janet Coster, Robert Tear, James Lockhart)

Le Crepuscle (Janet Coster, Robert Tear, James Lockhart)

Per Pieta, Bell'idol Mio (Janet Coster, Robert Tear, James Lockhart)

Romanza, Sogo D'Infanzia (Janet Coster, Robert Tear, James Lockhart)

Vaga Luna, Che Inargenti (Janet Coster, Robert Tear, James Lockhart)

Vanne, O Rosa Fortunata (Janet Coster, Robert Tear, James Lockhart)

Acte III (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte II (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte IV (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte I (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte V (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Hippolyte Et Aricie (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 1 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 2 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 3 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 4 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 5 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 6 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 7 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 8 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 9 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Snene 3 (Jean-Philippe Rameau, Janet Baker · Angela Hickey · Robert Tear · John Shirley-Quirk, English Chamber Orchestra & St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte III (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte II (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte IV (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte I (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Acte V (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Hippolyte Et Aricie (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 1 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 2 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 3 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 4 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 5 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 6 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 7 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 8 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Scene 9 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Snene 3 (Jean-Philippe Rameau, Janet Baker · Robert Tear · John Shirley-Quirk, Angela Hickey · English Chamber Orchestra • St. Anthony Singers, Anthony Lewis, Thurston Dart)

Act I Scene 3 March - A Priestess: "Dieu D'amour" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act I Scene 6 Phedre: "Quoi! La Terre Et Le Ciel" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act II Scene 1 Thesee: "Laisse-moi Respirer" - Duo: "Contente-toi" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act II Scene 5 Pluton: "Vous, Qui De L'avenir" - Trio of Fates: "Quelle Soudaine Horreur" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act II Scene 5 Thesee: "Ah! Qu'on Daigne Du Moins" - "Puisque Pluton Est Inflexible" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act III Scene 1 Phedre: "Cruelle Mere Des Amours" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act III Scene 8 March - Sailors: "Que Ce Rivage" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act III Scene 9 Thesee: "Non, Non, Dans Un Fils Si Coupable" - "Puissant Maitre Des Flots" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act IV Scene 1 Hippolyte: "Ah! Faut-il, En Un Jour" - Aricie: "Dieux! Pourquoi Separer" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act IV Scene 3 1st Air - Scene 4 Phedre: "Quelle Plainte En Ces Lieux M'appelle?" (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Act V Scene 7 Flight of Zephyrs: Diane: "Tendres Amants" - Chaconne (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Overture (Jean-Philippe Rameau, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Anthony Lewis)

Hippolyte Et Aricie (Jean-Philippe Rameau, Robert Tear, Janet Baker, Angela Hickey, 426485Anthony Lewis)

Chaconne (Jean-Philippe Rameau, Robert Tear, Janet Baker, Angela Hickey, Anthony Lewis)

Ouverture / Scène I: Prélude (Jean-Philippe Rameau, Robert Tear, Janet Baker, Angela Hickey, Anthony Lewis)

1. Part One - Chorus: Sire, Lord and Master (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

10. Part One - Recitative: the Band Then, Together with the Captain (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

11. Part One - Contralto Aria: to Release Me from This Prison (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

12. Part One - Recitative: Simon Peter Also Followed Jesus from Far (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

13. Part One - Soprano Aria: I'll Follow Thee Also (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

14. Part One - Recitative: Now That Same Disciple Was Known Unto the High Priest (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

15. Part One - Chorale: Ah, Who Would Dare to Smite Thee? (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

16. Part One - Recitative: Now Annas Sent Him Bound (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

17. Part One - Recitative: Art Thou Not One of His Disciples? (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

18. Part One - Recitative: He Denied It and Said: 'I Am Not' (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

19. Part One - Tenor Aria: Ah! Take Flight (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

2. Part One - Recitative: Jesus Went with His Disciples (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

20. Part One - Chorale: Peter, Who Denied His Lord (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

21. Part Two - Chorale: Christ, Who Gave Us Life and Light (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

22. Part Two - Recitative: Then Led They Jesus from Caiaphas (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

23. Part Two - Chorus: If This Man Were Not a Malefactor (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

24. Part Two - Recitative: Then Pilate Said Unto Them (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

25. Part Two - Chorus: by Law We Cannot Kill Him (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

26. Part Two - Recitative: That the Saying of Jesus Might Be Fulfilled (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

27. Part Two - Chorale: Ah, King of Heaven (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

28. Part Two - Recitative: and Pilate Said Unto Him: 'Art thou Then Indeed a King' (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

29. Part Two - Chorus: Not This Man Here, but Barrabas! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

3. Part One - Chorus: Jesus of Nazareth! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

30. Part Two - Recitative: Now Barabbas Was a Robber (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

31. Part Two - Bass Arioso: Look Yonder, O My Soul (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

32. Part Two - Tenor Aria: Consider, How His Body (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

33. Part Two - Recitative: and When the Soldiers (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

34. Part Two - Chorus: See, We Greet Thee (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

35. Part Two - Recitative: and They Smote Him with Their Hands (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

36. Part Two - Chorus: Crucify Him! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

37. Part Two - Recitative: and Pilate Said to Them: 'Take Him Away and Crucify Him' (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

38. Part Two - Chorus: We Have an Ancient Law (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

39. Part Two - Recitative: and When Pilate Heard That Saying (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

4. Part One - Recitative: Jesus Saith Unto Them: 'I Am He' (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

40. Part Two - Chorale: Thy Bonds, O Christ, Have Set Us Free (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

41. Part Two - Recitative: but the Jews Cried Out and Said (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

42. Part Two - Chorus: If Thou Let This Man Go (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

43. Part Two - Recitative: and When Pilate Heard That Saying He Brought Jesus Forth (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

44. Part Two - Chorus: 'Way! 'Way with Him! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

45. Part Two - Recitative: Pilate Saith Unto Him (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

46. Part Two - Chorus: We Have No King but Caesar (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

47. Part Two - Recitative: Then Delivered He Him (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

48. Part Two - Bass Aria with Chorus: Haste, Ye Souls (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

49. Part Two - Recitative: and There Crucified They Him (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

5. Part One - Chorus: Jesus of Nazareth! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

50. Part Two - Chorus: Write Thou Not 'The King of Jewry' (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

51. Part Two - Recitative: but Pilate Made Answer (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

52. Part Two - Chorale: Within My Heart, O Saviour (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

53. Part Two - Recitative: and Then Did the Soldiers (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

54. Part Two - Chorus: Let Us Therefore Not Divide It (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

55. Part Two - Recitative: So That the Scripture Might Be Fulfilled (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

56. Part Two - Chorale: When His Life Had Reached Its End (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

57. Part Two - Recitative: and from That Hour (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

58. Part Two - Contralto Aria: the End Is Nigh! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

59. Part Two - Recitative: and He Bowed His Head (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

6. Part One - Recitative: Jesus Answered Them: 'I Told You but Now I Am He' (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

60. Part Two - Bass Aria with Chorale: Chorale: My Dearest Saviour (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

61. Part Two - Recitative: and Then, Behold (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

62. Part Two - Tenor Arioso: My Heart, Behold How All the World (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

63. Part Two - Soprano Aria: with Torrents of Weeping (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

64. Part Two - Recitative: the Jews, Therefore (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

65. Part Two - Chorale: Help Us, Son of God Most High (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

66. Part Two - Recitative: and After This, Joseph of Arimathea (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

67. Part Two - Chorus: Farewell, O Broken, Weary Body (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

68. Part Two - Chorale: Lord Jesus, When We Come to Die (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

7. Part One - Chorale: O Generous Love! (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

8. Part One - Recitative: So That the Word Might Be Fulfilled (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

9. Part One - Chorale: Thy Will Be Done, O God of Love (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

St. John Passion (Johann Sebastian Bach - Benjamin Britten, Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra)

Cantata No.1 "Jauchzet, frohlocket" (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Cantata No.2 "Und es waren Hirten in derselben Gegend" (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Cantata No.4 "Fallt mit Danken, fallt mit Loben" (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Cantata No.5 "Ehre sei Dir, Gott, gesungen" (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Cantata No.6 "Herr, wenn die stolzen Feinde schnauben" (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 1 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 10 Sinfonia (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 11 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 12 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 13 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 16 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 17 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 2 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 20 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 21 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 23 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 24 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 25 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 26 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 28 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 30 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 33 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 34 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 35 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 36 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 37 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 42 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 43 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 44 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 45 Chor Und Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 46 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 48 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 5 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 50 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 53 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 54 Chor (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 55 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 58 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 59 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 6 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 60 Rezitativ (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 64 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Nr. 9 Choral (Johann Sebastian Bach - Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

1. Chorus: Jauchzet, Frohlocket (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

10. Sinfonia (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

11. Recitative: Und Es Waren Hirten in Derselben Gegend (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

12. Chorale: Brich An, O Schönes Morgenlicht (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

13. Recitative: Und Der Engel Sprach Zu Ihnen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

14. Recitative: Was Gott Dem Abraham Verheißen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

15. Aria: Frohe Hirten, Eilt, Ach Eilet (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

16. Recitative: Und Das Habt Zum Zeichen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

17. Chorale: Schaut Hin, Dort Liegt Im Finstern Stall (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

18. Recitative: So Geht Denn Hin, Ihr Hirten Geht (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

19. Aria: Schlafe, Mein Liebster (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

2. Recitative: Es Begab Sich Aber Zu Der Zeit (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

20. Recitative: Und Alsobald War Da Bei Dem Engel (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

21. Chorus: Ehre Sei Gott in Der Höhe (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

22. Recitative: So Recht, Ihr Engel, Jauchzt Und Singet (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

23. Chorale: Wir Singen Dir in Deinem Heer (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

24. Chorus: Herrscher Des Himmels, Erhöre Das Lallen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

25. Recitative: Und Da Die Engel von Ihnen Gen Himmel Fuhren (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

26. Chorus: Lasset Uns Nun Gehen Gen Bethlehem (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

27. Recitative: Er Hat Sein Volk Getröst't (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

28. Chorale: Dies Hat Er Alles Uns Getan (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

29. Duet: Frohe Hirten, Eilt, Ach Eilt [i.e. Herr, Dein Mitleid] (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

3. Arioso: Nun Wird Mein Liebster Bräutigam (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

30. Recitative: Und Sie Kamen Eilend Und Fanden Beide (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

31. Aria: Schließe, Mein Herze, Dies Selige Wunder (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

32. Recitative: Ja, Ja! Mein Herz Soll Es Bewahren (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

33. Chorale: Ich Will Dich Mit Fleiß Bewahren (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

34. Recitative: Und Die Hirten Kehrten Wieder Um (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

35. Chorale: Seid Froh, Dieweil (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

36. Chorus: Fallt Mit Danken, Fallt Mit Loben (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

37. Recitative: Und Da Acht Tage Um Waren (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

38. Recitative and Arioso with Chorale: Immanuel, O Süßes Wort (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

39. Aria: Flößt, Mein Heiland (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

4. Aria: Bereite Dich, Zion (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

40. Recitative and Arioso: Wohlan! Dein Name Soll Allein (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

41. Aria: Ich Will Nur Dir Zu Ehren Leben (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

42. Chorale: Jesus Richte Mein Beginnen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

43. Chorus: Ehre Sei Dir, Gott, Gesungen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

44. Recitative: Da Jesus Geboren War Zu Bethlehem (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

45. Chorus and Recitative: Wo Ist Der Neugeborne König Der Jüden? (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

46. Chorale: Dein Glanz All Finsternis Verzehrt (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

47. Aria: Erleucht Auch Meine Finstre Sinnen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

48. Recitative: Da Das Der König Herodes Hörte (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

49. Recitative: Warum Wollt Ihr Erschrecken? (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

5. Chorale Wie Soll Ich Dich Empfangen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

5. Chorale: Wie Soll Ich Dich Empfangen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

50. Recitative: Und Ließ Versammeln Alle Hohenpriester (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

51. Trio: Ach! Wann Wird Die Zeit Erscheinen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

52. Recitative: Mein Liebster Herrschet Schon (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

53. Chorale: Zwar Ist Solche Herzensstube (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

54. Chorus: Herr, Wenn Die Stolzen Feinde Schnauben (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

55. Recitative: Da Berief Herodes Die Weisen Heimlich (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

56. Recitative: Du Falscher, Suche Nur Den Herrn Zu Fällen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

57. Aria: Nur Ein Wink von Seinen Händen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

58. Recitative: Als Sie Nun Den König Gehöret Hatten (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

59. Chorale: Ich Steh an Deiner Krippen Hier (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

6. Recitative: Und Sie Gebar Ihren Ersten Sohn (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

60. Recitative: Und Gott Befahl Ihnen Im Traum (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

61. Recitative: So Geht! Genug, Mein Schatz Geht Nicht von Hier (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

62. Aria: Nun Mögt Ihr Stolzen Feinde (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

63. Recitative: Was Will Der Hölle Schrecken Nun (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

63. Recitative: Was Will Der Höllen Schrecken (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

64. Chorale: Nun Seid Ihr Wohl Gerochen (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

7. Recitative: Er Ist Auf Erden Kommen Arm (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

8. Aria: Grosser Herr, O Starker König (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

9. Chorale: Ach Mein Herzliebes Jesulein! (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Kantate = Cantata = Cantate No. 1 "Jauchzet, Frohlocket" (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Kantate = Cantata = Cantate No. 2 "Und Es Waren Hirten in Derselben Gegend" (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Kantate = Cantata = Cantate No. 3 "Herrscher Des Himmels" (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Kantate = Cantata = Cantate No. 4 "Fallt Mit Danken, Fallt Mit Loben" (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Kantate = Cantata = Cantate No. 5 "Ehre Sei Dir, Gott, Gesungen" (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Kantate = Cantata = Cantate No. 6 "Herr, Wenn Die Stolzen Feinde Schnauben" (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Weihnachts-Oratorium, BWV 248 = Christmas Oratorio = Oratorio De Noël (Johann Sebastian Bach - Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, Philip Ledger)

Agnus Dei (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Benedictus (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Christe Eleison (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Confiteor (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Credo in Unum Deum (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Crucifixus (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Cum Sancto Spiritu (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Domine Deus (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Dona Nobis Pacem (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Et Expecto (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Et Incarnatus Est (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Et Resurrexit (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Et in Spiritum Sanctum (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Et in Terra Pax (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Et in Unum Dominum (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Gloria in Excelsis Deo (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Gratias Agimus Tibi (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

I. Missa (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

II. Symbolum Nicenum (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

III. Sanctus (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Iv. Osanna, Benedictus, Agnus Dei, Dona Nobis Pacem (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Kyrie Eleison (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Laudamus Te (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Osanna in Excelsis (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Patrem Omnipotentem (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Pleni Sunt Coeli (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Qui Sedes (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Qui Tollis Peccata Mundi (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Quoniam Tu Solus Sanctus (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Sanctus (Johann Sebastian Bach - Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Johannes Somary, English Chamber Orchestra)

Agnus Dei (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Benedictus (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Christe Eleison (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Confiteor (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Credo in Unum Deum (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Crucifixus (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Cum Sancto Spirito (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Domine Deus (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Dona Nobis Pacem (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Et Expecto (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Et Incarnatus Est (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Et Resurrexit (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Et in Spiritum Sactum Dominium (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Et in Terra (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Et in Unum Dominum (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Gloria in Excelsis Deo (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Gratius Agimus Tibi (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Kyrie Eleison (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Laudamus Te (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Osanna II (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Osanna I (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Patrem Omnipotentem (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Qui Sedes Ad Dextram Patris (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Qui Tellis (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Quoniam Tu Solus Sanctus (Johann Sebastian Bach - Johannes Somary, English Chamber Orchestra, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale)

Cantata 56: Ich Will Den Kreuzstab Gerne Tragen (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

I. Aria: Ich Will Den Kreuzstab Gerne Tragen (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

II. Recitative: Mein Wandel Auf Der Welt (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

III. Aria: Endlich, Endlich Wird Mein Joch (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

IV. Recitative: Ich Stehe Fertig Und Bereit (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Mass in B minor, BWV 232 (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Part I: Missa - Kyrie and Gloria (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Part II: Symbolum Nicenum - Credo (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Part III: Sanctus (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Part IV: Agnus Dei (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

V. Chorus: Komm, O Tod, Du Schlafes Bruder (Johann Sebastian Bach - John Shirley-Quirk, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Part I. Nos. 1-11 (Johann Sebastian Bach - Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra, Benjamin Britten)

Part II: Nos. 21-32 (Johann Sebastian Bach - Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra, Benjamin Britten)

Part II: Nos. 33-52 (Johann Sebastian Bach - Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra, Benjamin Britten)

Part II: Nos. 53-60 (Johann Sebastian Bach - Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra, Benjamin Britten)

St. John Passion (Johann Sebastian Bach - Peter Pears · Gwynne Howell · Heather Harper · Alfreda Hodgson · Robert Tear · John Shirley-Quirk, Wandsworth School Boys' Choir . English Chamber Orchestra, Benjamin Britten)

Cantata No.1, for the First Day of Christmas Nos. 1 to 9 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata No.2, for the Second Day of Christmas Nos. 10 to 23 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata No.3, for the Third Day of Christmas Nos. 24 to 36 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata No.4, for the Feast of Circumcision Nos. 36 to 42 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata No.5, for the Sunday After New Year Nos. 43 to 53 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata No.6, for the Feast of Epiphany Nos. 54 to 64 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Christmas Oratorio, BWV. 248 (Johann Sebastian Bach / Elly Ameling, Janet Baker, Robert Tear, Dietrich Fischer-Dieskau, the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

(Credo in Unum Deum) Patrem Omnipotentem, Factorem Coeli Et Terrae, Visibilium Omnium Et Invisibilium (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Agnus Dei, Qui Tollis Peccata Mundi, Miserere Nobis (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Agnus Dei (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Benedictus Qui Venit in Nomine Domini (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Christe Eleison (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Confiteor Unum Baptisma in Remissionem Peccatorum (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Credo in Unum Deum (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Credo (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Crucifixus Etiam Pro Nobis Sub Pontio Pilato, Passus Et Sepultus Est (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Cum Sancto Spiritu in Gloria Dei Patris. Amen (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Domine Deus, Rex Coelistis, Deus Pater Omnipotens. Domine Fili Unigenite, Jesu Christe, Altissime, Domine Deus, Agnus Dei, Filius Patris (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Dona Nobis Pacem (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Exspecto Resurrectionem, Mortuorum Et Vitam Venturi Saeculi. Amen (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Incarnatus Est De Spiritu Sancto Ex Maria Virgine, Et Homo Factus Est (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Resurrexit Tertia Die Secundem Scripturas, Et Ascendit in Coelum, Sedet Ad Dexteram Patris, Et Iterum Venturus Est Cum Gloria Judicare Vivos Et Mortuos, Cujus Regni Non Erit Finis (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Spiritum Sanctum, Dominum Et Vivificantem, Qui Ex Patre Filioque Procedit, Qui Cum Patre Et Filio Simul Adoratur Et Conglorificatur, Qui Locutus Est Per Prophetas. Et Unam Sanctam Catholicam Et Apostolicam Ecclesiam (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Terra Pax Hominibus Bonae Voluntatis (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Unum Dominum, Jesum Christum, Filium Dei Unigenitum, Et Ex Patre Natum Ante Omnia Saecula, Deum de Deo, Lumen De Lumine, Deum Verum De Deo Vero, Genitum, Non Factum, Consubstantialem Patri, Per Quem Omnia Facta Sunt, Qui Propter Nos Homines Et Propter Nostram Salutem Descendit De Coelis (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gloria in Excelsis Deo (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gloria (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gratias Agimus Tibi Propter Magnam Gloriam Tuam (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

I. Missa (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

II. Symbolum Nicenum (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

III. Sanctus (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

IV. Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Kyrie Eleison (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Kyrie (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Laudamus Te, Benedicimus Te, Adoramus Te, Glorificamus Te (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Osanna in Excelsis (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Pleni Sunt Coeli Et Terra Gloria Ejus (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Qui Sedes Ad Dextram Patris, Miserere Nobis (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Qui Tollis Peccata Mundi, Miserere Nobis. Qui Tollis Peccata Mundi, Suscipe Deprecationem Nostram (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Quoniam Tu Solus Sanctus, Tu Solus Dominus, Tu Solus Altissimus, Jesu Christe (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth (Johann Sebastian Bach / Margaret Marshall • Janet Baker • Robert Tear • Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

(Credo in Unum Deum) Patrem Omnipotentem, Factorem Coeli Et Terrae, Visibilium Omnium Et Invisibilium (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Agnus Dei, Qui Tollis Peccata Mundi, Miserere Nobis (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Agnus Dei (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Benedictus Qui Venit in Nomine Domini (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Benedictus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Christe Eleison (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Confiteor Unum Baptisma in Remissionem Peccatorum (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Confiteor Unum Baptisma (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Credo in Unum Deum (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Credo (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Crucifixus Etiam Pro Nobis Sub Pontio Pilato, Passus Et Sepultus Est (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Crucifixus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Cum Sancto Spiritu in Gloria Dei Patris. Amen (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Cum Sancto Spiritu (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Domine Deus, Rex Coelistis, Deus Pater Omnipotens. Domine Fili Unigenite, Jesu Christe, Altissime, Domine Deus, Agnus Dei, Filius Patris (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Domine Deus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Dona Nobis Pacem (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Expecto Resurrectionem (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Exspecto Resurrectionem, Mortuorum Et Vitam Venturi Saeculi. Amen (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Incarnatus Est de Spiritu Sancto Ex Maria Virgine, Et Homo Factus Est (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Incarnatus Est (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Resurrexit Tertia Die Secundem Scripturas, Et Ascendit in Coelum, Sedet Ad Dexteram Patris, Et Iterum Venturus Est Cum Gloria Judicare Vivos Et Mortuos, Cujus Regni Non Erit Finis (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et Resurrexit (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Spiritum Sactum (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Spiritum Sanctum, Dominum Et Vivificantem, Qui Ex Patre Filioque Procedit, Qui Cum Patre Et Filio Simul Adoratur Et Conglorificatur, Qui Locutus Est Per Prophetas. Et Unam Sanctam Catholicam Et Apostolicam Ecclesiam (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Terra Pax Hominibus Bonae Voluntatis (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Terra Pax (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Unum Dominum, Jesum Christum, Filium Dei Unigenitum, Et Ex Patre Natum Ante Omnia Saecula, Deum de Deo, Lumen de Lumine, Deum Verum de Deo Vero, Genitum, Non Factum, Consubstantialem Patri, Per Quem Omnia Facta Sunt, Qui Propter Nos Homines Et Propter Nostram Salutem Descendit de Coelis (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Et in Unum Dominum (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gloria in Excelsis Deo (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gloria (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gratias Agimus Tibi Propter Magnam Gloriam Tuam (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Gratias Agimus Tibi (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

I. Missa in B Minor, BWV 232 (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

I. Missa (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

II. Symbolum Nicenum (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

III. Sanctus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

IV. Osanna, Benedictus, Agnus Dei Et Dona Nobis Pacem (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Kyrie Eleison (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Kyrie (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Laudamus Te, Benedicimus Te, Adoramus Te, Glorificamus Te (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Laudamus Te (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Mass in B Minor, BWV 232 (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Osanna in Excelsis (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Patrem Omnipotentem (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Pleni Sunt Coeli Et Terra Gloria Ejus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Qui Sedes Ad Dextram Patris, Miserere Nobis. (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Qui Sedes Ad Dextram Patris, Miserere Nobis (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Qui Tollis Peccata Mundi, Miserere Nobis. Qui Tollis Peccata Mundi, Suscipe Deprecationem Nostram (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Qui Tollis Peccata Mundi (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Quoniam Tu Solus Sanctus, Tu Solus Dominus, Tu Solus Altissimus, Jesu Christe (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Quoniam Tu Solus Sanctus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Sanctus (Johann Sebastian Bach • Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, the Academy of St. Martin-in-the-Fields & Chorus of St Martin in the Fields, Sir Neville Marriner)

Bach: St. John Passion Highlights (Johann Sebastian Bach, Benjamin Britten, Peter Pears, Heather Harper, Russell Burgess, John Tobin, Robert Tear, John Shirley-Quirk, Gwynne Howell, Alfreda Hodgson, Wandsworth School Boys' Choir, English Chamber Orchestra)

N. 20 (Johann Sebastian Bach, Benjamin Britten, Peter Pears, Heather Harper, Russell Burgess, John Tobin, Robert Tear, John Shirley-Quirk, Gwynne Howell, Alfreda Hodgson, Wandsworth School Boys' Choir, English Chamber Orchestra)

N. 58 (Johann Sebastian Bach, Benjamin Britten, Peter Pears, Heather Harper, Russell Burgess, John Tobin, Robert Tear, John Shirley-Quirk, Gwynne Howell, Alfreda Hodgson, Wandsworth School Boys' Choir, English Chamber Orchestra)

N. 67 (Johann Sebastian Bach, Benjamin Britten, Peter Pears, Heather Harper, Russell Burgess, John Tobin, Robert Tear, John Shirley-Quirk, Gwynne Howell, Alfreda Hodgson, Wandsworth School Boys' Choir, English Chamber Orchestra)

Part 1, N. 1 (Johann Sebastian Bach, Benjamin Britten, Peter Pears, Heather Harper, Russell Burgess, John Tobin, Robert Tear, John Shirley-Quirk, Gwynne Howell, Alfreda Hodgson, Wandsworth School Boys' Choir, English Chamber Orchestra)

Magnificat Wq. 215 (Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer • Helen Watts • Robert Tear • Stephen Roberts • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Magnificat in D Major BWV 243 (Johann Sebastian Bach, Carl Philipp Emanuel Bach, Felicity Palmer • Helen Watts • Robert Tear • Stephen Roberts • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata I, the Nativity (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata II, Annunciation to the Shepherds (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata III, Adoration of the Shepherds (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata IV, the Naming of Jesus (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata V, King Herod (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Cantata VI, Adoration of the Magi (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Christmas Oratorio, BWV. 248 (Johann Sebastian Bach, Elly Ameling • Janet Baker • Robert Tear • Dietrich Fischer-Dieskau • the King's College Choir of Cambridge • the Academy of St. Martin-in-the-Fields • Philip Ledger)

Alto Aria (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Alto Recitative (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Aria for Bass and Soprano Choir (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Bass Recitative and Arioso (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Bass Recitative (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Cantata No. 80 Ein' Feste Burg Ist Unser Gott "A Mighty Fortress Is Our God" (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Chorale (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Chorus (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Duet for Alto and Tenor (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Soprano Aria (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Tenor Recitative (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Tenor and Bass Recitative (Johann Sebastian Bach, Felicity Palmer, Helen Watts, Robert Tear, Michael Rippon, Amor Artis Chorale, English Chamber Orchestra, Johannes Somary)

Cantata No. 159 "Sehet, Wir Gehn Hinauf Gen Jerusalem" (Johann Sebastian Bach, Janet Baker, Robert Tear, John Shirley-Quirk, Sir Neville Marriner, the Academy of St. Martin-in-the-Fields)

Cantata No. 170 "Vergnügte Ruh', Beliebte Seelenlust" (Johann Sebastian Bach, Janet Baker, Robert Tear, John Shirley-Quirk, Sir Neville Marriner, the Academy of St. Martin-in-the-Fields)

Sehet, Wir Gehn Hinauf Gen Jerusalem, BWV 159 (Johann Sebastian Bach, Janet Baker, Robert Tear, John Shirley-Quirk, Sir Neville Marriner, the Academy of St. Martin-in-the-Fields)

Vergnügte Ruh, Beliebte Seelenlust, BWV 170 (Johann Sebastian Bach, Janet Baker, Robert Tear, John Shirley-Quirk, Sir Neville Marriner, the Academy of St. Martin-in-the-Fields)

Agnus Dei (Johann Sebastian Bach, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, Chorus of St Martin in the Fields & The Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Credo (Johann Sebastian Bach, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, Chorus of St Martin in the Fields & The Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Gloria (Johann Sebastian Bach, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, Chorus of St Martin in the Fields & The Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Kyrie (Johann Sebastian Bach, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, Chorus of St Martin in the Fields & The Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Messe H-moll BWV 232 (Johann Sebastian Bach, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, Chorus of St Martin in the Fields & The Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Sanctus (Johann Sebastian Bach, Margaret Marshall, Janet Baker, Robert Tear, Samuel Ramey, Chorus of St Martin in the Fields & The Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

St John Passion, BWV 245 (Johann Sebastian Bach, Peter Pears · Gwynne Howell · Heather Harper, Alfreda Hodgson · Robert Tear, John Shirley-Quirk, Wandsworth School Boys' Choir, English Chamber Orchestra, Benjamin Britten)

Agnus Dei (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Benedictus (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Brahms: Ein Deutsches Requiem Op. 45 (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Bruckner: Mass No. 3 "Great" in F Minor (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Credo (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Denn Alles Fleisch Es Ist Wie Gras (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Denn Wir Haben Hie Keine Bleibende Statt (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Gloria (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Herr, Lehre Doch Mich (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Ihr Habt Nun Traurigkeit (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Kyrie (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Sanctus (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Selig Sind Die Toten (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Selig Sind, Die Da Leid Tragen (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Wie Lieblich Sind Deine Wohnungen (Johannes Brahms - Herbert von Karajan / Anna Tomowa-Sintow / José van Dam / Wiener Singverein / Berliner Philharmoniker, Anton Bruckner, Heather Harper, Anna Reynolds, Robert Tear, 899899Marius Rintzler, 704150New Philharmonia Orchestra, New Philharmonia Chorus, 424576Daniel Barenboim)

Chorus: God So Loved the World (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Litany of the Passion (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit, and Chorus: After This, Jesus Knowing All Things Were Now Accomplished (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: He Made Himself of No Reputation (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: Is It Nothing to You? (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: Jesus Said: Father, Forgive Them (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: When Jesus Therefore Saw His Mother (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: and As Moses Lifted Up the Serpent (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: and One of the Malefactors (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: and They Came to a Place Named Gethsemane (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Recit: and When They Were Come (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

So Thou Liftest Thy Divine Petition (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

The Adoration of the Crucified (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

The Mystery of the Intercession (John Stainer, Robert Tear, Benjamin Luxon, Westminster Singers & Congregation)

Agnus Dei (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Ave Regina (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Benedictus (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Credo (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Gloria (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Kyrie (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Paukenmesse (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Sanctus (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Agnus Dei (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Benedictus (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Creation Mass (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Credo (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Gloria (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Kyrie (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Sanctus (Joseph Haydn - April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Agnus Dei (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Aus "32 Stücke Für Flötenuhren Von 1772, 1792, 1793" (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Aus "32 Stücke Für Flötenuhren" Nr. 3, Nr. 6, Nr. 7, Nr. 8 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Benedictus (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Credo (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Gloria (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Kleine Orgelmesse (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Kyrie (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Mariazeller Messe, Hob. XXII Nr. 8 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Mariazeller Messe (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Mechanical Clock Pieces Nos. 3, 6, 7 and 8 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Missa Brevis Sancti Joannis De Deo "Kleine Orgelsolomesse", Hob. XVII Nr. 8 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Nr. 3 Andantino, Hob. XIX Nr. 3 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Nr. 6 Vivace "Der Kaffeeklatsch", Hob. XIX Nr. 6 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Nr. 7 Menuett, Hob. XIX Nr. 7 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Nr. 8 Menuett "Der Wachtelschlag", Hob. XIX Nr. 8 (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Sanctus (Joseph Haydn - Jennifer Smith • Helen Watts • Robert Tear • Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Agnus Dei (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Benedictus (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Credo (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Gloria (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Kyrie (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Sanctus (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Theresienmesse in B Flat Major (Joseph Haydn - Leonard Bernstein / London Symphony Orchestra and London Symphony Chorus, Lucia Popp, Rosalind Elias, Robert Tear, Paul Hudson)

Heiligmesse = Missa Sancti Bernardi De Offida (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

I Kyrie (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

II Gloria (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

III Credo (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

IV Sanctus (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

Mariazellermesse = Missa Cellensis (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

V Benedictus (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

VI Agnus Dei (Joseph Haydn, April Cantelo • Jennifer Smith • Helen Watts • Shirley Minty • Robert Tear • Ian Partridge • Benjamin Luxon • Christopher Keyte, St. John's College Choir, The Academy of St. Martin-in-the-Fields, 838972George Guest)

Agnus Dei (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Ave Regina (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Benedictus (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Credo (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Gloria (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Kyrie (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Missa in Tempore Belli »Paukenmesse« (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Sanctus (Joseph Haydn, April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, the Academy of St. Martin-in-the-Fields, St. John's College Choir, George Guest)

Air (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Aria with Chorus (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Aria (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Chorus and Trio (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Chorus with Solo (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Chorus (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Duet and Chorus (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Introduction (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Recitative with Chorus (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Recitative (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Trio (Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, the King's College Choir of Cambridge, the Academy of St. Martin-in-the-Fields, David Willcocks)

Agnus Dei (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Benedictus (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Credo (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Gloria (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Kyrie (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Mechanical Clock Pieces Nos. 3, 6, 7 and 8 (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Sanctus (Joseph Haydn, Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, St. John's College Choir, John Scott, the Academy of St. Martin-in-the-Fields, George Guest)

Ah! - Who's that out there screaming? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Can it be that I am lovely? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Come on then, don't be frightened (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Come on, old lady, and let's get the show started (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Fox Goldenstripe (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Going to be a storm soon (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Hey there, Harasta, how's it going? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Hey! but I can't see the Vixen there! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Home now? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

How many children do we have? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

I'm just the same too (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

If you had only seen what I saw just now (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

In my new parish things have got to be better! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

In the month of May (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Interlude (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Let me go! I am afraid of you! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Little foxes running fast (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Look at how big she's grown! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Look what we've got down 'ere (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Memnestho aner agathos einai (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Mummy! Mummy! What is that? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

O my God! He's so handsome! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Once long since, long ago (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

One dark night (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Pantomime (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Prelude (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Put it down fast! Harasra, Harasra! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Sisters! Comrades! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

So remember to be a good man! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Something is wrong with my equilibrium (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Spring is here at last (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Staccato! Flageoletti! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Tha-that wasn't me (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

That's how it is! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

The Cunning Little Vixen - Act III (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

The Cunning Little Vixen - Act II (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

The Cunning Little Vixen - Act I (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Well I'm damned! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

When evening arrives, I welcome the rays (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Where is old man Pásek? (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

You should take a lesson from me! (Leoš Janáček - Lillian Watson • Thomas Allen • Diana Montague • Gwynne Howell • Robert Tear • Orchestra of the Royal Opera House, Covent Garden and Chorus of the Royal Opera House, Covent Garden • Sir Simon Rattle)

Ah! - Who's that out there screaming? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Can it be that I am lovely? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Come on then, don't be frightened (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Come on, old lady, and let's get the show started (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Fox Goldenstripe (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Going to be a storm soon (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Hey there, Harasta, how's it going? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Hey! but I can't see the Vixen there! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Home now? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

How many children do we have? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

I'm just the same too (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

If you had only seen what I saw just now (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

In my new parish things have got to be better! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

In the month of May (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Interlude (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Let me go! I am afraid of you! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Little foxes running fast (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Look at how big she's grown! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Look what we've got down 'ere (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Memnestho aner agathos einai (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Mummy! Mummy! What is that? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

O my God! He's so handsome! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Once long since, long ago (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

One dark night (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Pantomime (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Prelude (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Put it down fast! Harasra, Harasra! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Sisters! Comrades! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

So remember to be a good man! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Something is wrong with my equilibrium (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Spring is here at last (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Staccato! Flageoletti! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Taras Bulba - Rhapsody for Orchestra (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Tha-that wasn't me (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

That's how it is! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

The Cunning Little Vixen - Act III (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

The Cunning Little Vixen - Act II (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

The Cunning Little Vixen - Act I (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

The Death of Andri (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

The Death of Ostap (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

The Prophecy and Death of Taras Bulba (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Well I'm damned! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

When evening arrives, I welcome the rays (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Where is old man Pásek? (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

You should take a lesson from me! (Leoš Janáček - Lillian Watson, Robert Tear, Thomas Allen, Diana Montague, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden & Chorus of the Royal Opera House, Covent Garden, Sir Simon Rattle)

Missa Solemnis / Mass in C (Ludwig van Beethoven - Anna Tomowa-Sintow, Patricia Payne, Robert Tear, 937077Robert Lloyd, 861689Christiane Eda-Pierre, 837498Kurt Moll, 839085London Symphony Chorus and London Symphony Orchestra, Sir Colin Davis)

Missa Solemnis • Messe En Ut (Ludwig van Beethoven - Anna Tomowa-Sintow, Patricia Payne, Robert Tear, 937077Robert Lloyd, 861689Christiane Eda-PierreEda-Pierre, 837498Kurt MollMoll, 839085London Symphony ChorusChoeurs Et London Symphony OrchestraOrchestre Symphonique De Londres, Sir Colin Davis)

Missa Solemnis • Mass in C (Ludwig van Beethoven - Anna Tomowa-Sintow, Patricia Payne, Robert Tear, 937077Robert Lloyd, 861689Christiane Eda-PierreEda-Pierre, 837498Kurt MollMoll, London Symphony Orchestra & 839085London Symphony ChorusChorus, Sir Colin Davis)

Missa Solemnis • Messe C-Dur (Ludwig van Beethoven - Anna Tomowa-Sintow, Patricia Payne, Robert Tear, 937077Robert Lloyd, 861689Christiane Eda-PierreEda-Pierre, 837498Kurt MollMoll, London Symphony Orchestra & 839085London Symphony ChorusChorus, Sir Colin Davis)

Missa Solemnis • Messe En Ut (Ludwig van Beethoven - Anna Tomowa-Sintow, Patricia Payne, Robert Tear, 937077Robert Lloyd, 861689Christiane Eda-PierreEda-Pierre, 837498Kurt MollMoll, London Symphony Orchestra & 839085London Symphony ChorusChorus, Sir Colin Davis)

Symphony No. 9 «Choral» in D Minor, Op. 125 (Ludwig van Beethoven - Brigitte Poschner-Klebel • Margareta Hintermeier • Robert Tear • 937077Robert Lloyd, 4152642Wiener Singakademie • 899691Chorus Viennensis, 696225Wiener Symphoniker, 940128Eliahu Inbal)

Agnus Dei (Ludwig van Beethoven - Christiane Eda-Pierre, Patricia Payne, Robert Tear, Kurt Moll, London Symphony Orchestra and London Symphony Chorus, Sir Colin Davis)

Credo (Ludwig van Beethoven - Christiane Eda-Pierre, Patricia Payne, Robert Tear, Kurt Moll, London Symphony Orchestra and London Symphony Chorus, Sir Colin Davis)

Gloria (Ludwig van Beethoven - Christiane Eda-Pierre, Patricia Payne, Robert Tear, Kurt Moll, London Symphony Orchestra and London Symphony Chorus, Sir Colin Davis)

Kyrie (Ludwig van Beethoven - Christiane Eda-Pierre, Patricia Payne, Robert Tear, Kurt Moll, London Symphony Orchestra and London Symphony Chorus, Sir Colin Davis)

Messe En Ut Majeur, Op. 86 (Ludwig van Beethoven - Christiane Eda-Pierre, Patricia Payne, Robert Tear, Kurt Moll, London Symphony Orchestra and London Symphony Chorus, Sir Colin Davis)

Sanctus (Ludwig van Beethoven - Christiane Eda-Pierre, Patricia Payne, Robert Tear, Kurt Moll, London Symphony Orchestra and London Symphony Chorus, Sir Colin Davis)

Agnus Dei (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Credo in Unum Deum (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Credo (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Dona Noblis Pacem (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Et Incarnatus Est (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Et Resurrexit (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Gloria in Excelsis Deo (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Gloria (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Kyrie (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Messe En Ut Majeur, Op. 86 (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Missa Solemnis En Ré Majeur, Op. 123 (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Qui Tollis (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Quoniam Tu Solus Sanctus (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Sanctus (Ludwig van Beethoven - Heather Harper • Janet Baker • Robert Tear • Hans Sotin, New Philharmonia Chorus & London Philharmonic Orchestra, Elly Ameling • Janet Baker • Theo Altmeyer • Marius Rintzler, 704150New Philharmonia Orchestra & New Philharmonia Chorus, Carlo Maria Giulini)

Agnus Dei (Ludwig van Beethoven - Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini)

Credo (Ludwig van Beethoven - Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini)

Gloria (Ludwig van Beethoven - Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini)

Kyrie (Ludwig van Beethoven - Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini)

Missa Solemnis, Op. 123 (Ludwig van Beethoven - Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini)

Sanctus (Ludwig van Beethoven - Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini)

I: Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven - Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus & London Symphony Orchestra, Carlo Maria Giulini)

II: Molto Vivace - Presto (Ludwig van Beethoven - Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus & London Symphony Orchestra, Carlo Maria Giulini)

III: Adagio Molto E Cantabile - Andante Moderato (Ludwig van Beethoven - Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus & London Symphony Orchestra, Carlo Maria Giulini)

IV: Presto - Allegro Assai - Alla Marcia - Andante Maestoso - Adagio Ma Non Troppo, Ma Divoto - Allegro Energico, Sempre Ben Marcato - Allegro Ma Non Tanto - Prestissimo (Ludwig van Beethoven - Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus & London Symphony Orchestra, Carlo Maria Giulini)

Symphony No. 9 in D Minor, Op. 125 'Choral' (Ludwig van Beethoven - Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus & London Symphony Orchestra, Carlo Maria Giulini)

1st Movement: Allegro Vivace E Con Brio (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

1st Movement: Allegro, Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

2nd Movement: Allegretto Scherzando (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

2nd Movement: Molto Vivace (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

3rd Movement: Adagio Molto E Cantabile - Andante Moderato (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

3rd Movement: Tempo Di Menuetto (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

4th Movement: Allegro Assai - Alla Marcia - Andante Maestoso - Adagio Ma Non Troppo, Ma Divoto - Allegro Energico, Sempre Ben Marcato - Allegro Ma Non Tanto - Prestissimo (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

4th Movement: Allegro Vivace (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

Symphony No. 8 in F Major, Op. 93 (Ludwig van Beethoven / Sheila Armstrong · Anna Reynolds, Robert Tear · John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, Carlo Maria Giulini)

1er Mouvement (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

2ème Mouvement (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

3ème Mouvement (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

4ème Mouvement (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Adagio Molto E Cantabile - Andante Moderato (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Allegretto Scherzando (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Allegro Assai - Alla Marcia - Andante Maestoso - Adagio Ma Non Troppo, Ma Divoto - Allegro Energico, Sempre Ben Marcato - Allegro Ma Non Tanto - Prestissimo (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Allegro Vivace E Con Brio (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Allegro Vivace (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Allegro, Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Molto Vivace (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Symphonie N° 8 En Fa Majeur, Opus 93 (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Symphonie N° 9 En Ré Mineur, Opus 125 "Avec Choeurs" (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Tempo Di Menuetto (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

1er Mouvement : Allegro Vivace E Con Brio (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

1er Mouvement : Allegro, Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

2ème Mouvement : Allegretto Scherzando (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

2ème Mouvement : Molto Vivace (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

3ème Mouvement : Adagio Molto E Cantabile - Andante Moderato (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

3ème Mouvement : Tempo Di Menuetto (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

4ème Mouvement : Allegro Assai - Alla Marcia - Andante Maestoso - Adagio Ma Non Troppo, Ma Divoto - Allegro Energico, Sempre Ben Marcato - Allegro Ma Non Tanto - Prestissimo (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

4ème Mouvement : Allegro Vivace (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

Symphonie N° 8 En Fa Majeur, Opus 93 (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

Symphonie N° 9 En Ré Mineur, Opus 125 "Avec Choeurs" (Ludwig van Beethoven / Sheila Armstrong • Anna Reynolds • Robert Tear • John Shirley-Quirk • London Symphony Orchestra and London Symphony Chorus, Carlo Maria Giulini)

I. Allegro Vivace E Con Brio (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

I. Allegro, Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

II. Allegretto Scherzando (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

II. Molto Vivace (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

III. Adagio Molto E Cantabile — Andante Moderato (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

III. Tempo di Menuetto (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

IV. Allegro Vivace (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

IV. Schiller's "Ode to Joy" (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

Symphony No. 8 in F (Ludwig van Beethoven, Carlo Maria Giulini, London Symphony Orchestra & London Symphony Chorus, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk)

1. I Kyrie (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

1. IV Sanctus (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

2. II Gloria (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

2. V Benedictus (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

3. III Credo (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

3. VI Agnus Dei (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

Mass in C Major, Op 86 (Ludwig van Beethoven, Felicity Palmer • Helen Watts • Robert Tear • Christopher Keyte, St. John's College Choir, the Academy of St. Martin-in-the-Fields, George Guest)

Agnus Dei (Ludwig van Beethoven, Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Walter Hagen-Groll, Carlo Maria Giulini)

Credo (Ludwig van Beethoven, Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Walter Hagen-Groll, Carlo Maria Giulini)

Gloria (Ludwig van Beethoven, Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Walter Hagen-Groll, Carlo Maria Giulini)

Kyrie (Ludwig van Beethoven, Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Walter Hagen-Groll, Carlo Maria Giulini)

Missa Solemnis, Op. 123 (Ludwig van Beethoven, Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Walter Hagen-Groll, Carlo Maria Giulini)

Sanctus (Ludwig van Beethoven, Heather Harper, Janet Baker, Robert Tear, Hans Sotin, New Philharmonia Chorus, London Philharmonic Orchestra, Walter Hagen-Groll, Carlo Maria Giulini)

Agnus Dei (Ludwig van Beethoven, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini, Heather Harper, Janet Baker, Robert Tear, Hans Sotin)

Credo (Ludwig van Beethoven, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini, Heather Harper, Janet Baker, Robert Tear, Hans Sotin)

Gloria (Ludwig van Beethoven, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini, Heather Harper, Janet Baker, Robert Tear, Hans Sotin)

Kyrie (Ludwig van Beethoven, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini, Heather Harper, Janet Baker, Robert Tear, Hans Sotin)

Missa Solemnis, Op. 123 (Ludwig van Beethoven, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini, Heather Harper, Janet Baker, Robert Tear, Hans Sotin)

Sanctus (Ludwig van Beethoven, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini, Heather Harper, Janet Baker, Robert Tear, Hans Sotin)

First Movement: Allegro Vivace E Con Brio (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

First Movement: Allegro, Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Fourth Movement: Allegro Vivace (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Fourth Movement: Presto - Allegro Ma Non Troppo - Vivace - Adagio Vantabile - Allegro - Allegro Moderato - Allegro (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Second Movement: Allegretto Scherzando (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Second Movement: Molto Vivace (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Symphony No. 8 in F, Op. 93 (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Symphony No. 9 in D Minor 'Choral', Op. 125 (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Third Movement: Adagio Molto E Cantabile - Andante Moderato (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Third Movement: Tempo Di Menuetto (Ludwig van Beethoven, Philharmonia Orchestra Conducted by Kurt Sanderling, Sheila Armstrong · Linda Finnie · Robert Tear · John Tomlinson · Philharmonia Chorus)

Adagio Molto E Cantabile - Andante Moderato (Ludwig van Beethoven, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Allegro Ma Non Troppo, Un Poco Maestoso (Ludwig van Beethoven, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Molto Vivace - Presto (Ludwig van Beethoven, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Presto - Allegro Assai - Alla Marcia - Andante Maestoso - Adagio Ma Non Tropo, Ma Divoto - Allegro Energico, Sempre Ben Marcato - Allegro Ma Non Tanto - Prestissimo (Ludwig van Beethoven, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

Symphonie No. 9 in D Minor, Op. 125 'Choral' - Symphonie Nr 9 D-moll, Op.125 - Symphonie N° 9 En Ré Mineur, Op. 125 "Avec Choeurs" (Ludwig van Beethoven, Sheila Armstrong, Anna Reynolds, Robert Tear, John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, Carlo Maria Giulini)

A Bay in Anglesey (Madeleine Dring, Robert Tear, Philip Ledger)

Blow, Blow, Thou Winter Wind (Madeleine Dring, Robert Tear, Philip Ledger)

Business Girls (Madeleine Dring, Robert Tear, Philip Ledger)

Come Away, Death (Madeleine Dring, Robert Tear, Philip Ledger)

Dedications (Madeleine Dring, Robert Tear, Philip Ledger)

Five Betjeman Songs (Madeleine Dring, Robert Tear, Philip Ledger)

Four Night Songs (Madeleine Dring, Robert Tear, Philip Ledger)

Frosty Night (Madeleine Dring, Robert Tear, Philip Ledger)

Holding the Night (Madeleine Dring, Robert Tear, Philip Ledger)

Melisande, the Far-Away Princess (Madeleine Dring, Robert Tear, Philip Ledger)

My Proper Bess / Dedications (Madeleine Dring, Robert Tear, Philip Ledger)

My Proper Bess (Madeleine Dring, Robert Tear, Philip Ledger)

Seperation (Madeleine Dring, Robert Tear, Philip Ledger)

Song of a Nightclub Proprietress (Madeleine Dring, Robert Tear, Philip Ledger)

Three Shakespeare Songs (Madeleine Dring, Robert Tear, Philip Ledger)

Through the Centuries (Madeleine Dring, Robert Tear, Philip Ledger)

To Daffodils (Madeleine Dring, Robert Tear, Philip Ledger)

To Music (Madeleine Dring, Robert Tear, Philip Ledger)

To Phillis (Madeleine Dring, Robert Tear, Philip Ledger)

To the Virgins (Madeleine Dring, Robert Tear, Philip Ledger)

To the Willow Tree (Madeleine Dring, Robert Tear, Philip Ledger)

Undenominational (Madeleine Dring, Robert Tear, Philip Ledger)

Under the Greenwood Tree (Madeleine Dring, Robert Tear, Philip Ledger)

Upper Lambourne / Four Night Songs (Madeleine Dring, Robert Tear, Philip Ledger)

Upper Lambourne (Madeleine Dring, Robert Tear, Philip Ledger)

Dido and Aeneas, Z. 626, Act 1: II. Ah Belinda, I am press'd (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: III. Grief increase, I am press'd with torment (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: IV. When monarchs unite, how happy their state (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: IX. If not for mine, for empire's sake (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: V. Whence could so much virtue spring (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: VI. Fear no danger to ensue (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: VII. See, your royal guest appears (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: VIII. Cupid only Throws the Dart (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: X. Pursue thy conquest, Love (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: XI. to the hills and vales (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 1: XII. the Triumphing Dance (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: I. Prelude for the witches (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: II. Wayward sisters, you that fright (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: III. Harm's our delight and mischief all our skill (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: IX. in our deep-vaulted cell (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: V. Ha, Ha, Ha (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: VI. Ruin'd ere we this perform (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: VI. the Queen of Carthage, whom we hate (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: VII. Ha, Ha, Ha (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: VIII. but Ere We This Perform (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: X. Echo Dance of Furies (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: XI. Ritornello (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: XII. Thanks to these lonesome vales (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: XIII. Off She Visits This Lov'D Mountain (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: XIV. Behold, upon my bending spear (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: XV. Haste, hast to town (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 2: XVI. Stay, Prince, and hear great love's command (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: I. Prelude for the sailors (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: II. Come away, fellow sailors (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: III. the Sailors Dance (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: IV. See the flags and streamers curling (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: IX. Great minds against themselves (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: V. Our next motion (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: VI. Destruction's our delight (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: VII. the Witches Brew (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: VIII. Your Counsel All is Urg'D in Vain (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: X. Thy hand, Belinda, darkness shades me (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: XI. When I am laid in earth (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act 3: XII. with drooping wings ye Cupids come (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626, Act. 1: I. Shake the cloud off your brow (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Dido and Aeneas, Z. 626: Overture (Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Oriana Concert Choir, Oriana Concert Orchestra & Alfred Deller)

Billy Budd, op. 50, Act 1: Come here. Remember your promise (Michael Langdon, Robert Tear, London Symphony Orchestra, Benjamin Britten)

A Custodia Matutina (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

De Profundis Clamavi Ad Te Domine (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

De Profundis, Psalm 130 for Solo Voices, Chorus, Organ and Orchestra (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Et Ipse Redime Israel – Requiem – Et Lux Perpetua (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Fiant Aures Tuae (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Quia Apud Dominum (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Quia Apud (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Si Inequitates (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Speravit Anima Mea (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

Sustinuit Anima Mea (Michel Richard Delalande - Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper)

1. De Profundis Clamavi Ad Te Domine (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

2. Fiant Aures Tuae (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

3. Si Iniquitates (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

4. Quia Apud (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

5. Sustinuit Anima Mea (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

6. Sustinuit Anima Mea (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

7. a Custodia Matutina (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

8. Quia Apud Dominum (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

9. Et Ipse Redimet - Requiem - Et Lux Perpetua (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

De Profundis (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

I. De Profundis Clamavi Ad Te Domine (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

II. Fiant Aures Tuae (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

III. Si Iniquitates (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

IV. Quia Apud (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

IX. Et Ipse Redimet - Requiem - Et Luz Perpetua (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

V. Sustinuit Anima Mea (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

VI. Sustinuit Anima Mea (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

VII. a Custodia Matutina (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

VIII. Quia Apud Dominum (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Orchester Der Wiener Staatsoper, Alfred Deller)

1. De Profundis Clamavi Ad Te Domine (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

2. Fiant Aures Tuae (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

3. Si Iniquitates (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

4. Quia Apud (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

5. Sustinuit Anima Mea (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

6. Sustinuit Anima Mea (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

7. a Custodia Matutina (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

8. Quia Apud Dominum (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

9. Et Ipse Redimet - Requiem - Et Lux Perpetua (Michel Richard Delalande, Honor Sheppard, Mary Thomas, Alfred Deller, Robert Tear, Maurice Bevan, Wiener Kammerchor, Wiener Volksopernorchester, Alfred Deller)

Hoffmanns Erzählungen - Highlights in französischer Sprache (Neil Shicoff, Ann Murray, Luciana Serra, Rosalind Plowright, Jessye Norman, José van Dam, Robert Tear, 835969Jocelyne Taillon, 5948431Marcel Vannaud, 2055681Dale Duesing, 3530061Thierry Dran)

Dido and Aeneas, Z. 626: Act III. "Come away, fellow sailors" (First Sailor, Chorus) (Oriana Concert Choir, Robert Tear, Harold Lester, Oriana Concert Orchestra, Alfred Deller)

Anna Bolena: Atto II, Scena 2. 'Stolta! non sai …' (Paul Plishka, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel)

A Cornish Christmas Carol (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

All the Flowers of the Spring (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

And Wilt Thous Leave Me Thus? (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

As Dewe in Aprylle (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Benedicamus Domino (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Bethlehem Down (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Call for the Robin Redbreast and the Wren (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Consider (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Hey Troly Loly Lo (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Lullaby (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Mockery (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Mourn No Moe (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

One More River (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Pretty Ring Time (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Rest, Sweet Nymphs (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Sleep (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Sweet and Twenty (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

The First Mercy (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

The Jolly Shepherd (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

The Lady's Birthday (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

The Lover's Maze (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Thou Gav'st Me Leave to Kiss (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

What Cheer? Good Cheer! (Peter Warlock, Robert Tear, Geoffrey Parsons, Wilfrid Parry, the Louis Halsey Singers, Louis Halsey)

Alexander's Feast, HWV 75, Pt. 2: Your voices tune and raise (Philip Ledger, Helen Donath, Robert Tear, Sally Burgess & English Chamber Orchestra)

Home, Sweet Home (Robert Tear & André Previn)

I'll Sing Thee Songs of Araby (Robert Tear & André Previn)

My Snowy-Breasted Pearl (Robert Tear & André Previn)

Once Again (Robert Tear & André Previn)

Yes! Let Me Like a Soldier Fall (Robert Tear & André Previn)

The Chester Carol (Robert Tear & Mair Jones)

Les Illuminations for Soprano and String Orchestra (Robert Tear, Alan Civil, Heather Harper, Sir Neville Marriner, Northern Sinfonia)

Serenade for Tenor, Horn and Strings (Robert Tear, Alan Civil, Heather Harper, Sir Neville Marriner, Northern Sinfonia)

Canticle III: Still falls the rain, Op. 55 (Robert Tear, Alan Civil, Philip Ledger)

Annabelle Lee (Robert Tear, André Previn)

Come into the Garden, Maud for voice & piano (Robert Tear, André Previn)

Come into the Garden, Maud (Robert Tear, André Previn)

The Death of Nelson (Robert Tear, André Previn)

The Lark Now Leaves His Wat'ry Nest (Robert Tear, André Previn)

Tom Bowling (Robert Tear, André Previn)

Annabelle Lee (Robert Tear, André Previn, Benjamin Luxon)

Cigarette (Robert Tear, André Previn, Benjamin Luxon)

Come into the Garden, Maude (Robert Tear, André Previn, Benjamin Luxon)

Come into the Garden, Maud (Robert Tear, André Previn, Benjamin Luxon)

Excelsior (Robert Tear, André Previn, Benjamin Luxon)

Home! Sweet Home! (Robert Tear, André Previn, Benjamin Luxon)

I'll Sing Thee Songs of Araby (Robert Tear, André Previn, Benjamin Luxon)

Saved from the Deep (Robert Tear, André Previn, Benjamin Luxon)

The Arab's Farewell to His Favourite Steed (Robert Tear, André Previn, Benjamin Luxon)

The Death of Nelson (Robert Tear, André Previn, Benjamin Luxon)

The Dicky Bird and the Owl (Robert Tear, André Previn, Benjamin Luxon)

The Gendarmes' Duet (Robert Tear, André Previn, Benjamin Luxon)

The Lark Now Leaves His Wat'ry Nest (Robert Tear, André Previn, Benjamin Luxon)

The Lark Now Leaves the Wat'ry Nest (Robert Tear, André Previn, Benjamin Luxon)

The Moon Has Raised Her Lamp Above (Robert Tear, André Previn, Benjamin Luxon)

The Snowy-Breasted Pearl (Robert Tear, André Previn, Benjamin Luxon)

The Trumpeter (Robert Tear, André Previn, Benjamin Luxon)

The Tumpeter (Robert Tear, André Previn, Benjamin Luxon)

The Wee Cooper O' Fife (Robert Tear, André Previn, Benjamin Luxon)

Tom Bowling (Robert Tear, André Previn, Benjamin Luxon)

Watchman! What of the Night? (Robert Tear, André Previn, Benjamin Luxon)

Creep-Mouse (Robert Tear, Benjamin Luxon, André Previn)

Excelsior! (Robert Tear, Benjamin Luxon, André Previn)

Flow Gently, Deva (Robert Tear, Benjamin Luxon, André Previn)

Gendarmes' Duet (Robert Tear, Benjamin Luxon, André Previn)

Home, Sweet Home (Robert Tear, Benjamin Luxon, André Previn)

I'll Sing Thee Songs of Araby (Robert Tear, Benjamin Luxon, André Previn)

List to the Convent Bells (Robert Tear, Benjamin Luxon, André Previn)

My Snowy-Breasted Pearl (Robert Tear, Benjamin Luxon, André Previn)

Once Again (Robert Tear, Benjamin Luxon, André Previn)

Pansy Faces (Robert Tear, Benjamin Luxon, André Previn)

The Dicky Bird & The Owl (Robert Tear, Benjamin Luxon, André Previn)

The Diver (Robert Tear, Benjamin Luxon, André Previn)

The Lute Player (Robert Tear, Benjamin Luxon, André Previn)

The Moon Hath Raised Her Lamp Above (Robert Tear, Benjamin Luxon, André Previn)

The Wee Cooper O'Fyfe (Robert Tear, Benjamin Luxon, André Previn)

The Wee Cooper o'Fyfe (Robert Tear, Benjamin Luxon, André Previn)

Watchman, What of the Night? (Robert Tear, Benjamin Luxon, André Previn)

Will-O'-The-Wisp (Robert Tear, Benjamin Luxon, André Previn)

Will-o'-the-Wisp (Robert Tear, Benjamin Luxon, André Previn)

Yes! Let Me Like a Soldier Fall (Robert Tear, Benjamin Luxon, André Previn)

A Hymn to the Virgin (Robert Tear, Bruce Russell, Andrew Davis, Ian Hare, Cambridge Girls' Choir, the Academy of St. Martin-in-the-Fields, David Willcocks)

No. 1 Introduction (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 2 the Birth of Nicholas (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 3 Nicholas Devotes Himself to God (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 4 He Journeys to Palestine (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 5 Nicholas Comes to Myra and Is Chosen Bishop (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 6 Nicholas from Prison (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 7 Nicholas and the Pickled Boys (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 8 His Piety and Marvellous Works (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

No. 9 the Death of Nicholas (Robert Tear, Bruce Russell, the Academy of St. Martin-in-the-Fields, the King's College Choir of Cambridge, David Willcocks)

Nocturne (Robert Tear, English Chamber Orchestra, Jeffrey Tate)

Nr. 33 Arioso Und Rezitativ / Nr. 36 Sinfonia Aus: Händel "Belshazzar" (Robert Tear, Felicity Palmer, Maureen Lehane, Paul Esswood, Peter van der Bilt, Stockholmer Kammerchor, Concentus Musicus Wien, 716084Nikolaus Harnoncourt)

0 Let the Solid Ground (Robert Tear, Gareth Morrell)

A Farewell (Robert Tear, Gareth Morrell)

A Persian Passion Poem (Robert Tear, Gareth Morrell)

And You (Robert Tear, Gareth Morrell)

As Through the Land (Robert Tear, Gareth Morrell)

Charles Augustus Fortescue (Robert Tear, Gareth Morrell)

Come Not When I Am Dead (Robert Tear, Gareth Morrell)

Edward Gray (Robert Tear, Gareth Morrell)

Henry King (Robert Tear, Gareth Morrell)

Home They Brought Her Warrior Dead (Robert Tear, Gareth Morrell)

Jim (Robert Tear, Gareth Morrell)

Matilda (Robert Tear, Gareth Morrell)

Rebecca (Robert Tear, Gareth Morrell)

Sweet and Low (Robert Tear, Gareth Morrell)

Tears, Idle Tears (Robert Tear, Gareth Morrell)

The Time Draws Near the Birth of Christ (Robert Tear, Gareth Morrell)

Béatrice et Bénédict : Acte I. Ah ! Je vais l'aimer (Robert Tear, London Symphony Orchestra, Colin Davis)

The Chester Carol (Robert Tear, Mair Jones)

Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd! (Robert Tear, Peter Glossop, London Symphony Orchestra, Benjamin Britten)

Angels Guard Thee (Robert Tear, Philip Ledger)

Angiolin Dal Biond Crin (Robert Tear, Philip Ledger)

At the River (Robert Tear, Philip Ledger)

At the Zoo (Robert Tear, Philip Ledger)

Bad Sir Brian Botany (Robert Tear, Philip Ledger)

Believe it or Not, op. 14 no. 7 (Robert Tear, Philip Ledger)

Beloved Let Us Fly, op. 26 no. 5 (Robert Tear, Philip Ledger)

Big Lady Moon (Robert Tear, Philip Ledger)

By the Grave, no. 21 no. 2 (Robert Tear, Philip Ledger)

Ca' the Yowes (Robert Tear, Philip Ledger)

Canticle I: My beloved is mine, Op. 40 (Robert Tear, Philip Ledger)

Ching-A-Ring Chaw (Robert Tear, Philip Ledger)

Christopher Robin Is Going (Robert Tear, Philip Ledger)

Christopher Robin Is Saying His Prayers (Robert Tear, Philip Ledger)

Christopher Robin at Buckingham Palace (Robert Tear, Philip Ledger)

Come You Not from Newcastle (Robert Tear, Philip Ledger)

Cottleston Pie (Robert Tear, Philip Ledger)

Dear March, Come In! (Robert Tear, Philip Ledger)

Die Vatergruft (Robert Tear, Philip Ledger)

Disobedience (Robert Tear, Philip Ledger)

Down by the Pond (Robert Tear, Philip Ledger)

Es Muss Ein Wunderbares Sein (Robert Tear, Philip Ledger)

Es Rauschen Die Winde (Robert Tear, Philip Ledger)

Folksong arrangements (Robert Tear, Philip Ledger)

Forgiven (Robert Tear, Philip Ledger)

From "Now We Are Six" (Robert Tear, Philip Ledger)

From "The Hums of Pooh" (Robert Tear, Philip Ledger)

From "When We Were Very Young" (Robert Tear, Philip Ledger)

From: "Now We Are Six" (Robert Tear, Philip Ledger)

From: "The Hums of Pooh" (Robert Tear, Philip Ledger)

From: "When We Were Very Young" (Robert Tear, Philip Ledger)

Furry Bear (Robert Tear, Philip Ledger)

Going to Heaven (Robert Tear, Philip Ledger)

Heart, We Will Forget Him (Robert Tear, Philip Ledger)

Here Lies a Tree (Robert Tear, Philip Ledger)

Homing (Robert Tear, Philip Ledger)

How Sweet to a Cloud (Robert Tear, Philip Ledger)

Hulanka (Robert Tear, Philip Ledger)

I Bought Me a Cat (Robert Tear, Philip Ledger)

I Dream of Jeanie (Robert Tear, Philip Ledger)

I Felt a Funeral in My Brain (Robert Tear, Philip Ledger)

I Hear You Calling Me (Robert Tear, Philip Ledger)

I Lay on My Chest (Robert Tear, Philip Ledger)

I've Heard an Organ Talk Sometimes (Robert Tear, Philip Ledger)

If I Can Help Somebody (Robert Tear, Philip Ledger)

In Liebeslust (Robert Tear, Philip Ledger)

Isn't It Funny (Robert Tear, Philip Ledger)

Kling Leise, Mein Lied (Robert Tear, Philip Ledger)

La Belle Est Au Jardin D'amour (Robert Tear, Philip Ledger)

Le Belle Est Au Jardin D'amour (Robert Tear, Philip Ledger)

Le Roi S'en Va-T'en Chasse (Robert Tear, Philip Ledger)

Lines Written by a Bear of Very Little Brain (Robert Tear, Philip Ledger)

Lines written by a Bear of Very Little Brain (Robert Tear, Philip Ledger)

Lion's Walls (Robert Tear, Philip Ledger)

Little Sir William (Robert Tear, Philip Ledger)

Long Time Ago (Robert Tear, Philip Ledger)

Nature, the Gentlest Mother (Robert Tear, Philip Ledger)

O Can Ye Sew Cushions? (Robert Tear, Philip Ledger)

O Can Ye Sew Cushions (Robert Tear, Philip Ledger)

O Waly, Waly (Robert Tear, Philip Ledger)

Oh, the Butterflies Are Flying (Robert Tear, Philip Ledger)

Old American Songs, Set 1 (Robert Tear, Philip Ledger)

Old American Songs, Set 2 (Robert Tear, Philip Ledger)

Oliver Cromwell (Robert Tear, Philip Ledger)

On This Island (Robert Tear, Philip Ledger)

Ora Pro Nobis (Robert Tear, Philip Ledger)

Passing By (Robert Tear, Philip Ledger)

Quand J'etais Chez Mon Pere (Robert Tear, Philip Ledger)

A Poison Tree (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Ah! Sun Flower (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Bright Is the Ring of Words (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Cruelty Has a Human Heart (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Eternity (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

I Have Trod the Upward and the Downward Slope (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

In Dreams (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Infant Joy (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Let Beauty Awake (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Linden Lea (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

London (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Orpheus with His Lute (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Songs of Travel (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Ten Blake Songs (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Divine Image (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Infinite Shining Heavens (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Lamb (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Piper (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Roadside Fire (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Shepherd (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Vagabond (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

The Water Mill (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Whither Must I Wander? (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

Youth and Love (Robert Tear, Philip Ledger - Ralph Vaughan Williams)

A Poison Tree (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Ah! Sun Flower (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Bright Is the Ring of Words (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Cruelty Has a Human Heart (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Eternity (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

I Have Trod the Upward and the Downward Slope (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

In Dreams (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Infant Joy (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Is My Team Ploughing? (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Let Beauty Awake (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Linden Lea (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

London (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Look Not in My Eyes (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Loveliest of Trees (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Orpheus with His Lute (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Silent Noon (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Six Songs from a Shropshire Lad (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Songs of Travel (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Ten Blake Songs (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Divine Image (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Infinite Shining Heavens (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Lads in Their Hundreds (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Lamb (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Piper (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Roadside Fire (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Shepherd (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Vagabond (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

The Water Mill (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Think No More, Lad (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

When I Was One and Twenty (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Whither Must I Wander? (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Youth and Love (Robert Tear, Philip Ledger - Ralph Vaughan Williams, George Butterworth, Benjamin Luxon)

Schwebe, Schwebe, Blaues Auge (Robert Tear, Philip Ledger)

Serenata (Robert Tear, Philip Ledger)

Shoes and Stockings (Robert Tear, Philip Ledger)

Silent Noon (Robert Tear, Philip Ledger)

Simple Gifts (Robert Tear, Philip Ledger)

Sleep Is Supposed to Be (Robert Tear, Philip Ledger)

Sneezles (Robert Tear, Philip Ledger)

Spring Morning (Robert Tear, Philip Ledger)

Sweet Polly Oliver (Robert Tear, Philip Ledger)

The Ash Grove (Robert Tear, Philip Ledger)

The Boatman's Dance (Robert Tear, Philip Ledger)

The Bonnie Earl O-Moray (Robert Tear, Philip Ledger)

The Bonny Earl o'Moray (Robert Tear, Philip Ledger)

The Brisk Young Widow (Robert Tear, Philip Ledger)

The Chariot (Robert Tear, Philip Ledger)

The Cherry Hung with Snow (Robert Tear, Philip Ledger)

The Christening (Robert Tear, Philip Ledger)

The Christering (Robert Tear, Philip Ledger)

The Cuckoo (Robert Tear, Philip Ledger)

The Dodger (Robert Tear, Philip Ledger)

The Emperor's Rhyme (Robert Tear, Philip Ledger)

The First Mercy (Robert Tear, Philip Ledger)

The Foggy Foggy Dew (Robert Tear, Philip Ledger)

The Foggy, Foggy Dew (Robert Tear, Philip Ledger)

The Four Friends (Robert Tear, Philip Ledger)

The Friend (Robert Tear, Philip Ledger)

The Golden Willow Tree (Robert Tear, Philip Ledger)

The Lincolnshire Poacher (Robert Tear, Philip Ledger)

The Little Horses (Robert Tear, Philip Ledger)

The Little Road to Bethlehem (Robert Tear, Philip Ledger)

The Minstrel Boy (Robert Tear, Philip Ledger)

The More It Snows (Robert Tear, Philip Ledger)

The Plough Boy (Robert Tear, Philip Ledger)

The Ploughboy (Robert Tear, Philip Ledger)

The Salley Gardens (Robert Tear, Philip Ledger)

The Sally Gardens (Robert Tear, Philip Ledger)

The Trees They Grow So High (Robert Tear, Philip Ledger)

The Wind on the Hill (Robert Tear, Philip Ledger)

The World Feels Dusty (Robert Tear, Philip Ledger)

There Came a Wind Like a Bugle (Robert Tear, Philip Ledger)

Three Cheers for Pooh (Robert Tear, Philip Ledger)

Twelve Poems of Emily Dickinson (Robert Tear, Philip Ledger)

Twice Times (Robert Tear, Philip Ledger)

Vale (Robert Tear, Philip Ledger)

What Shall We Do About Poor Little Tigger? (Robert Tear, Philip Ledger)

When Song Is Sweet (Robert Tear, Philip Ledger)

When They Come Back (Robert Tear, Philip Ledger)

Why Do They Shut Me Out of Heaven? (Robert Tear, Philip Ledger)

Wie Singt Die Lerche Schon (Robert Tear, Philip Ledger)

Winter Words (Robert Tear, Philip Ledger)

Pagenlied (Robert Tear, Philip Ledger and Timothy Walker - Felix Mendelssohn-Bartholdy and Carl Maria von Weber)

Again, As Before Op.73 No.6 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

As Over Hot Embers Op.25 No.2 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Cradle Song Op.16 No.1 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Disappointment Op.65 No.2 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Do Not Believe Me, My Dear Op.6 No.1 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Do Not Leave Me Op.27 No.3 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Don Juan's Serenade Op.38 No.1 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Great Deeds Op.60 No.11 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

In the Clamour of the Ballroom Op.38 No.3 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Is It Not So? Op.16 No.5 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Mignon's Song Op.6 No.6 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

My Genius, My Angel, My Friend (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

My Little Minx Op.27 No.6 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

No Answer, No Word, No Greeting Op.28 No.5 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

O Stay! Op.16 No.2 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Reconcilement Op.25 No.1 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

They Kept on Saying "You Fool" Op.25 No.6 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

Through the Window Op.60 No.10 (Robert Tear, Philip Ledger, Pyotr Ilyich Tchaikovsky)

I Come to Sing Great Zempoalla's Story (Robert Tear, St. Anthony Singers)

to Sing Great Zempoalla's Story (Robert Tear, St. Anthony Singers)

Britten: Folk Songs (Robert Tear, Timothy Walker)

Fain Would I Change That Note (Robert Tear, Timothy Walker)

Four French Songs (Robert Tear, Timothy Walker)

Hélas! Que Je Suis Désolée (Robert Tear, Timothy Walker)

I Gave Her Cakes and I Gave Her Ale (Robert Tear, Timothy Walker)

I Will Give My Love an Apple (Robert Tear, Timothy Walker)

J'ai Déscendu (Robert Tear, Timothy Walker)

Je Suis Trop Jeunette (Robert Tear, Timothy Walker)

L'Amour De Moi (Robert Tear, Timothy Walker)

Lady, When I Behold the Roses (Robert Tear, Timothy Walker)

Le Rossignol (Robert Tear, Timothy Walker)

Marguerite, Elle Est Malade (Robert Tear, Timothy Walker)

Master Kilby (Robert Tear, Timothy Walker)

My Love in Her Attire (Robert Tear, Timothy Walker)

Ne L'oserais-Je Dire (Robert Tear, Timothy Walker)

O Stay, Sweet Love (Robert Tear, Timothy Walker)

Reveillez-Vous (Robert Tear, Timothy Walker)

Sailor Boy (Robert Tear, Timothy Walker)

Seiber (Robert Tear, Timothy Walker)

The Shooting of His Dear (Robert Tear, Timothy Walker)

The Soldier and the Sailor (Robert Tear, Timothy Walker)

To Couple Is a Custom (Robert Tear, Timothy Walker)

Walton - Anon in Love (Robert Tear, Timothy Walker)

The Lass of Richmond Hill (Robert Tear, the Academy of St. Martin-in-the-Fields)

Bacchus & Ariadne (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

Fair Caelia Love Pretended (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

Look Down, Harmonious Saint (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

Meine Seele Hört Im Sehen (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

Momus to Mars (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

Süsse Stille (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

The Lass of Richmond Hill (Robert Tear, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner - Georg Friedrich Händel, Thomas Arne, William Boyce, James Hook)

Das Trinklied Vom Jammer Der Erde = the Drinking Song of Earth's Sorrow = La Chanson À Boire Du Chagrin De La Terre (Robert Tear, the Premiere Ensemble, Mark Wigglesworth)

Der Trunkene Im Frühling = Drunkard in Spring = L'ivrogne Au Printemps (Robert Tear, the Premiere Ensemble, Mark Wigglesworth)

Von Der Jugend = Youth = De La Jeunesse (Robert Tear, the Premiere Ensemble, Mark Wigglesworth)

A Czech Rocking Carol (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Babe of Bethlehem (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Born in Bethlehem (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Deck the Hall (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Ding - Dong - Doh (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Iona (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Jingle Bells (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Little Camel Boy (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Over the Snow (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Sleigh Ride (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Stille Nacht (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

The Bells (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

The Chester Carol (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

The Cuckoo Carol (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

The Virgin Mary Had a Baby Boy (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Tua Bethlem Dref (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Wither's Rocking Carol (Royal Liverpool Philharmonic Orchestra, Edmund Walters, Robert Tear)

Agnus Dei - Adagio (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Credo - Con Moto (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Gloria (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Introduction - Moderato (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Kyrie - Moderato (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Organ Solo - Allegro (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Processional - Moderato (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

Sanctus - Moderato (Rudolf Kempe, Royal Philharmonic Orchestra, Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, John Birch)

'The Bells' Op.35 (Sergei Vasilyevich Rachmaninoff : Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

1st Movement: Allegro, Ma Non Tanto (Sergei Vasilyevich Rachmaninoff : Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

2nd Movement: Lento (Sergei Vasilyevich Rachmaninoff : Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

3rd Movement: Presto (Sergei Vasilyevich Rachmaninoff : Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

4th Movement: Lento Lugubre (Sergei Vasilyevich Rachmaninoff : Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

Vocalise, Op. 34 No. 14 (Sergei Vasilyevich Rachmaninoff : Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

1st Movement: Allegro, Ma Non Tanto (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra & London Symphony Chorus, André Previn)

2nd Movement: Lento (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra & London Symphony Chorus, André Previn)

3rd Movement: Presto (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra & London Symphony Chorus, André Previn)

4th Movement: Lento Lugubre (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra & London Symphony Chorus, André Previn)

The Bells, Op.35 (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra & London Symphony Chorus, André Previn)

Vocalise, Op. 34 No. 14 (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra & London Symphony Chorus, André Previn)

'The Bells' Op.35 (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

1st Movement: Allegro, Ma Non Tanto (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

2nd Movement: Lento (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

3rd Movement: Presto (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

4th Movement: Lento Lugubre (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

Vocalise, Op. 34 No. 14 (Sergei Vasilyevich Rachmaninoff, Sheila Armstrong, Robert Tear, John Shirley-Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn)

Spring Symphony (Sheila Armstrong, Janet Baker, Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Orchestra, André Previn)

Introduction (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

No. 2: by the Wayside (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

No. 5: Golgotha (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

No. 6: at the Sepulchre (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

Part II (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

Part I (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

Prologue (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

The Apostles and the Kingdom (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

The Apostles (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

g Psalm (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

t the Temple (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

th (Sir Edward Elgar - Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, 842210John Alldis, London Philharmonic Orchestra)

Part 1. Prelude: - Jesu Maria/O Lord into Thy Hands (Sir Edward Elgar, Robert Tear, Alfreda Hodgson, Benjamin Luxon, Royal Scottish National Orchestra, Alexander Gibson)

Part 2 I Went to Sleep/And Heaven Begun (Sir Edward Elgar, Robert Tear, Alfreda Hodgson, Benjamin Luxon, Royal Scottish National Orchestra, Alexander Gibson)

Part 1 Prelude: - Jesu Maria/O Lord into Thy Hands (Sir Edward Elgar, Robert Tear, Alfreda Hodgson, Benjamin Luxon, the Scottish National Orchestra Chorus, Royal Scottish National Orchestra Conductor: Alexander Gibson)

Part 1. Prelude: - Jesu Maria/O Lord into Thy Hands (Sir Edward Elgar, Robert Tear, Alfreda Hodgson, Benjamin Luxon, the Scottish National Orchestra Chorus, Royal Scottish National Orchestra Conductor: Alexander Gibson)

Part 2 I Went to Sleep/And Heaven Begun (Sir Edward Elgar, Robert Tear, Alfreda Hodgson, Benjamin Luxon, the Scottish National Orchestra Chorus, Royal Scottish National Orchestra Conductor: Alexander Gibson)

The Dream of Gerontius (Sir Edward Elgar, Robert Tear, Alfreda Hodgson, Benjamin Luxon, the Scottish National Orchestra Chorus, Royal Scottish National Orchestra Conductor: Alexander Gibson)

And I Will Give Unto Thee (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

And It Came to Pass (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

And Straighway Jesus Constrained His Disciples (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

At the Sepulchre (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

By the Wayside (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Give Us One Heart (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Golgotha (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Hail! Master! (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

In the Tower of Magdala (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Introduction (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Meditation from the Light of Life (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Morning Psalm (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Prologue (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

The Apostles Op. 49 (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

The Dawn (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

The Lord Hath Chosen Them (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Then Gathered the Chief Priests and Pharisees (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Then Judas, Which Had Betrayed Him (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

This Shall Ye Have of Mine Hand (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Turn You to the Stronghold (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

We Trusted That It Had Been He (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

When Jesus Came into the Parts of Caesarea Philippi (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

Without the Temple (Sir Edward Elgar, Sheila Armstrong • Helen Watts • Robert Tear • Benjamin Luxon • Clifford Grant • John Carol Case • London Philharmonic Choir & London Philharmonic Orchestra • Sir Adrian Boult)

II. by the Wayside (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

III. by the Sea of Galilee (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

In Caesarea Phillipi (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

The Apostles and the Kingdom, an Illustrated Talk by Sir Adrian Boult (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

The Apostles (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

g Psalm (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

t the Temple (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

th (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult)

And I Will Give Unto Thee (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

And It Came to Pass (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

And Straighway Jesus Constrained His Disciples (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

At the Sepulchre (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

By the Wayside (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Give Us One Heart (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Golgotha (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Hail! Master! (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

In the Tower of Magdala (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Introduction (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Meditation from the Light of Life (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Morning Psalm (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Prologue (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

The Apostles Op. 49 (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

The Dawn (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

The Lord Hath Chosen Them (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Then Gathered the Chief Priests and Pharisees (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Then Judas, Which Had Betrayed Him (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

This Shall Ye Have of Mine Hand (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Turn You to the Stronghold (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

We Trusted That It Had Been He (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

When Jesus Came into the Parts of Caesarea Philippi (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

Without the Temple (Sir Edward Elgar, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult)

B.G.N. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

C.A.E. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Caractacus Op. 35 (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Chorus and Duet (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Chorus and Recit (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Chorus and Solo (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Chorus (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Coronation March Op. 65 (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Finale E.D.U. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

G.R.S. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

H.D.S.P. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Imperial March Op.32 (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Introduction (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Nimrod (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Quartet (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

R.B.T. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

R.P.A. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Recit (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Romanza (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Solo and Chorus (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Solo (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Theme (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Trio (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Troyte (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

W.M.B. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

W.N. (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

Ysobel (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

intermezzo: Dorabella (Sir Edward Elgar, Sheila Armstrong, Robert Tear, Peter Glossop, Brian Rayner Cook, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)

In Gethsemane (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

In Heaven (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

In the Mountain-Night (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

Morning Psalm (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

No. 6: at the Sepulchre. (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

No. 7: the Ascension (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

On Earth (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

Prologue, I. the Calling of the Apostles (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

The Apostles and the Kingdom, an Illustrated Talk by Sir Adrian Boult (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

The Apostles, Op. 49 (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

The Dawn (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

The Temple (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

Without the Temple (Sir Edward Elgar, Sir Adrian Boult, Sheila Armstrong, Helen Watts, Robert Tear, Benjamin Luxon, Clifford Grant, John Carol Case, Choir of Downe House School, London Philharmonic Choir, London Philharmonic Orchestra)

3 Jungle / Dschungel (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

4 the Ice-Cap Moves South-North / Die Eisdecke Treibt Von Süd Nach Nord (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

5 Dream of the Paradise Garden / Traum Vom Garten Des Paradieses (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

6 the Triumph of Life / Der Triumph Des Lebens (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

II the Beleaguered Friends / Die Bedrängten Freunde (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

Part 2 / Zweiter Teil (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

Part I / Erster Teil (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

The Mask of Time, for 4 Soloists, Chorus & Orchestra (Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers & BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis)

The Mask of Time (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, 705201BBC Singers, 569577BBC Symphony Chorus, 289522BBC Symphony Orchestra, Andrew Davis)

3 Jungle / Dschungel (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

4 the Ice-Cap Moves South-North / Die Eisdecke Treibt Von Süd Nach Nord (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

5 Dream of the Paradise Garden / Traum Vom Garten Des Paradieses (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

6 the Triumph of Life / Der Triumph Des Lebens (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

II the Beleaguered Friends / Die Bedrängten Freunde (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

Part 2 / Zweiter Teil (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

Part I / Erster Teil (Sir Michael Tippett - Faye Robinson, Sarah Walker, Robert Tear, John Cheek, BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis)

Act Five "Priam! Here! What Is This?" (Sir Michael Tippett, David Atherton, Robert Tear · Thomas Allen · Norman Bailey · Felicity Palmer, Yvonne Minton · Philip Langridge · Heather Harper, London Sinfonietta · London Sinfonietta Chorus)

Act Four "The Bath Is Hot. Will the Lord Hector Come?" (Sir Michael Tippett, David Atherton, Robert Tear · Thomas Allen · Norman Bailey · Felicity Palmer, Yvonne Minton · Philip Langridge · Heather Harper, London Sinfonietta · London Sinfonietta Chorus)

Act One "Ah, Ah, Ah" (Sir Michael Tippett, David Atherton, Robert Tear · Thomas Allen · Norman Bailey · Felicity Palmer, Yvonne Minton · Philip Langridge · Heather Harper, London Sinfonietta · London Sinfonietta Chorus)

Act Three "Lady Andromache, Should We Not Light the Fire?" (Sir Michael Tippett, David Atherton, Robert Tear · Thomas Allen · Norman Bailey · Felicity Palmer, Yvonne Minton · Philip Langridge · Heather Harper, London Sinfonietta · London Sinfonietta Chorus)

Act Two "So You've Given Up Fighting" (Sir Michael Tippett, David Atherton, Robert Tear · Thomas Allen · Norman Bailey · Felicity Palmer, Yvonne Minton · Philip Langridge · Heather Harper, London Sinfonietta · London Sinfonietta Chorus)

King Priam (Sir Michael Tippett, David Atherton, Robert Tear · Thomas Allen · Norman Bailey · Felicity Palmer, Yvonne Minton · Philip Langridge · Heather Harper, London Sinfonietta · London Sinfonietta Chorus)

Creation of the World by Music (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Dream of the Paradise Garden (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Hiroshima, Mon Amour (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Jungle (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Mirror of Whitening Light (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Part II (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Part I (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Presence (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

The Ice-Cap Moves South-North (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

The Singing Will Never Be Done (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

The Triumph of Life (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Three Songs (Sir Michael Tippett, Faye Robinson • Sarah Walker • Robert Tear • John Cheek, BBC Singers • BBC Symphony Chorus • BBC Symphony Orchestra, Andrew Davis)

Janacek: Glagolitic Mass / Kodaly: Laudes Organi (Teresa Kubiak, Anne Collins, Robert Tear, John Birch, Gillian Weir, 887455Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe, Laszlo Heltay)

Glagolitic Mass (Teresa Kubiak, Anne Collins, Robert Tear, John Birch, Gillian Weir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe, Laszlo Heltay)

Laudes Organi - Fantasia on a 12th-Century sequence (Teresa Kubiak, Anne Collins, Robert Tear, John Birch, Gillian Weir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe, Laszlo Heltay)

Psalm 114 from the Geneva Psalter (Teresa Kubiak, Anne Collins, Robert Tear, John Birch, Gillian Weir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe, Laszlo Heltay)

Ich Habe Genug BWV 82 (The Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Johann Sebastian Bach)

Ich Will Den Kreuzstab Gerne Tragen BWV 56 (The Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Johann Sebastian Bach)

Sehet, Wir Geh'n Hinauf Gen Jerusalem BWV 159 (The Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Johann Sebastian Bach)

Vergnügte Ruh, Beliebte Seelenlust BWV 170 (The Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Janet Baker, Robert Tear, John Shirley-Quirk, St. Anthony Singers, Johann Sebastian Bach)

Anna Bolena: Atto II, Scena 1. 'O mie fedeli' (The John Alldis Choir, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel)

A Magnet Hung in a Hardware Shop (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

A Wandering Minstrel I (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Free from His Fetters Grim (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Happily Coupled Are We (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

If Somebody There Chanced to Be (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

If We're Weak Enough to Tarry (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Is Life a Boon? (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

O Rapture, When Alone Together (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Poor Wand'ring One (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Prithee, Pretty Maiden (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Refrain, Audacious Tar (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Sorry Her Lot (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Stay, Fred'ric, Stay (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Take a Pair of Sparkling Eyes (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

The Hours Creep on Apace (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

The Sun Whose Rays (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Were You Not to Koko Plighted (Valérie Masterson & Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

A Gilbert & Sullivan Gala (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

A Magnet Hung in a Hardware Shop (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

A Wandering Minstrel I (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Free from His Fethers Grim (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Happily Coupled Are We (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

If Somebody There Chanced to Be (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

If We're Weak Enough to Tarry (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Is Life a Boon? (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

O Rapture, When Alone Together (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Poor Wand'ring One (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Prithee, Pretty Maiden (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Refrain, Audacious Tar (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Sorry Her Lot (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Stay, Fred'ric, Stay (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Take a Pair of Sparkling Eyes (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

The Hours Creep on Apace (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

The Sun Whose Rays (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Were You Not to Ko-Ko Plighted (Valérie Masterson • Robert Tear, Bournemouth Sinfonietta, Kenneth Alwyn)

Exsultate, Jubilate, K165 (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Fulget Amica Dies (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

I. Exsultate, Jubilate (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

I. Kyrie (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

II. Gloria (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

II. Sancta Maria (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

II. Tu Virginum Corona (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Alleluja (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Credo (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Salus Infirmorum (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

IV. Regina Angelorum (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

IV. Sanctus (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Krönungsmesse, K317 (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Litaniae Lauretanae, K195 (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

V. Agnus Dei (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

V. Benedictus (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

VI. Agnus Dei (Wolfgang Amadeus Mozart - Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Agnus Dei (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Benedictus (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Communio (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Confutatis (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Dies Irae (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Domine Jesu (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Hostias (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Introitus - Requiem (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Kyrie (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Lacrimosa (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium - Domine Jesu (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium - Hostias (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Recordare (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Requiem Mass K.626 - Beyer Edition (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Rex Tremendae (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sanctus (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Confutatis (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Dies Irae (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Lacrimosa (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Recordare (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Rex Tremendae (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Tuba Mirum (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Tuba Mirum (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

(Chor): Jesu, Wahrer Gottessohn (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Grabmusik KV 42 (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

I. Introitus: Requiem (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

II. Kyrie: Kyrie Eleison (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Sequenza: Confutatis (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Sequenza: Dies Irae (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Sequenza: Lacrimosa (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Sequenza: Recordare (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Sequenza: Rex Tremendae (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

III. Sequenza: Tuba Mirum (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

IV. Offertorium: Domine Jesu (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

IV. Offertorium: Hostias (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Requiem D-Moll KV 626 (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

V. Sanctus (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

VI. Benedictus (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

VII. Angus Dei (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

VIII. Communio: Lux Aeterna (Wolfgang Amadeus Mozart - Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

I. Introitus: Requiem (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

II. Kyrie (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

III. Sequenza: Confutatis (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

III. Sequenza: Dies Irae (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

III. Sequenza: Lacrimosa (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

III. Sequenza: Recordare (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

III. Sequenza: Rex Tremendae (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

III. Sequenza: Tuba Mirum (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

IV. Offertorium: Domine Hostias (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

IV. Offertorium: Domine Jesu (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

V. Sanctus (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

VI. Benedictus (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

VII. Angus Dei (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

VIII. Communio: Lux Aeterna (Wolfgang Amadeus Mozart - The Academy of St. Martin-in-the-Fields / Sir Neville Marriner, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Laszlo Heltay)

I Dies Irae (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

I Domine Jesu (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

I Introitus (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

II Hostias (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

II Kyrie (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

II Tuba Mirum (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

III Rex Tremendae (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

III Sequenz (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

IV Offertorium (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

IV Recordare (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

V Confutatis (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

V Sanctus (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

VI Benedictus (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

VI Lacrimosa (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

VII Agnus Dei (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

VIII Communio (Wolfgang Amadeus Mozart / Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Sir Neville Marriner)

Exsultate Jubilatae K165 (Wolfgang Amadeus Mozart, Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Exsultate Jubilatae (Wolfgang Amadeus Mozart, Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Krönungsmesse K317 (Wolfgang Amadeus Mozart, Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Krönungsmesse (Wolfgang Amadeus Mozart, Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Litaniae Lauretanae K195 (Wolfgang Amadeus Mozart, Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Litaniae Lauretanae (Wolfgang Amadeus Mozart, Erna Spoorenberg, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Schola Cantorum of Oxford, the Academy of St. Martin-in-the-Fields, Sir Neville Marriner)

Agnus Dei (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Benedictus (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Communio (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Introitus - Requiem (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Kyrie (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium - Domine Jesu (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium - Hostias (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Requiem Mass K.626 - Beyer Edition (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sanctus (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Confutatis (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Dies Irae (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Lacrimosa (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Recordare (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Rex Tremendae (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Tuba Mirum (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields and Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Agnus Dei (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Benedictus (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Communio (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Introitus - Requiem (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Kyrie (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium - Domine Jesu (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Offertorium - Hostias (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Requiem Mass K.626 - Beyer Edition (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sanctus (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Confutatis (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Dies Irae (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Lacrimosa (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Recordare (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Rex Tremendae (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Sequenz - Tuba Mirum (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Chorus of St Martin in the Fields, Laszlo Heltay, Sir Neville Marriner)

Agnus Dei (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Benedictus (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Coronation Mass K. 317 (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Credo (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Gloria (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Kyrie (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Litaniae Lauretanae B.M.V. K. 195 (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Regina Angelorum (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Salus Infirmorum (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Sancta Maria (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Sanctus (Wolfgang Amadeus Mozart, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, the Academy of St. Martin-in-the-Fields, Schola Cantorum of Oxford, Sir Neville Marriner)

Don Giovanni Auszüge (gesungen in italienischer Sprache) (Wolfgang Amadeus Mozart, John Shirley-Quirk, Sheila Armstrong, Robert Tear, 4957105Rachel Mathes, 838976Stafford Dean, 843127Alexander Gibson, Scottish Chamber Orchestra)

Dei (Wolfgang Amadeus Mozart, Joseph Haydn - Ileana Cotrubas, Helen Watts, Robert Tear, the Academy of St. Martin-in-the-Fields, Elly Ameling, Werner Krenn, Wiener Philharmoniker)

Misa En Do Mayor, K. 317 «De La Coronación» (Wolfgang Amadeus Mozart, Joseph Haydn - Ileana Cotrubas, Helen Watts, Robert Tear, the Academy of St. Martin-in-the-Fields, Elly Ameling, Werner Krenn, Wiener Philharmoniker)

Songs

Act 1 - "Dove Mai Trovai Quel Ciglio?"

And Yet I Love Her Till I Die

Begone, Curst Friends of Hell

Linden Lea

Love Blows As the Wind Blows

On Wenlock Edge

Part One - "Ah! Take Flight"

Part Two - "Consider, How His Body"

Part Two - "My Heart, Behold How All the World"

Pleading, Op. 48, No.1

Scorn'd Envy, Here's Nothing That Thou Canst Blast

Silent Noon

The Lass of Richmond Hill

The Water Mill

Three Songs, Op. 59

Two Songs, Op. 60