Composition No. 12.5 (Compilation II for Improvisers, Jazz Ensemble and Electronics)
Composition No. 30: Compilation III for Improvisers, Big Band and Chamber Ensemble
Kaleidozyklen: Composition No: 57 for Improvising Double Bassist, Clarinet, Piano and Orchestra
...Some Gigs... (Charles Wharf, Simon H. Fell)
Bows (Charles Wharf, Simon H. Fell)
Country and Western Gone Berserk (Charles Wharf, Simon H. Fell)
N.T.S.S.O.T.S. (Charles Wharf, Simon H. Fell)
Pride and Prejudice (Charles Wharf, Simon H. Fell)
The Final Half (Charles Wharf, Simon H. Fell)
The Indian (Charles Wharf, Simon H. Fell)
Continuous Fragment (Chris Burn, Simon H. Fell)
1 (Derek Bailey & Simon H. Fell)
2 (Derek Bailey & Simon H. Fell)
Post-Tea 1 (Derek Bailey & Simon H. Fell)
Post-Tea 2 (Derek Bailey & Simon H. Fell)
Post-tea 1 (Derek Bailey & Simon H. Fell)
Post-tea 2 (Derek Bailey & Simon H. Fell)
Pre-Tea 1 (Derek Bailey & Simon H. Fell)
Pre-Tea 2 (Derek Bailey & Simon H. Fell)
Pre-tea 1 (Derek Bailey & Simon H. Fell)
Pre-tea 2 (Derek Bailey & Simon H. Fell)
15 August 2001 1 (Derek Bailey, Simon H. Fell)
15 August 2001 2 (Derek Bailey, Simon H. Fell)
First Harmonic (Gail Brand, Tony Marsh, Percy Pursglove, Simon H. Fell)
Second Harmonic (Gail Brand, Tony Marsh, Percy Pursglove, Simon H. Fell)
9 Points in Ascent (Graham Halliwell & Simon H. Fell)
Colour Attained Through a Minimum of Colour (Graham Halliwell & Simon H. Fell)
Cool Tension Toward the Centre (Graham Halliwell & Simon H. Fell)
Dissolution in Progress (Graham Halliwell & Simon H. Fell)
Free Curve to the Point (Graham Halliwell & Simon H. Fell)
Free Wave-Like Line with Accent (Graham Halliwell & Simon H. Fell)
In the Presence of the Heavy Point (Graham Halliwell & Simon H. Fell)
Simple and Unified Complex of Several Free Lines (Graham Halliwell & Simon H. Fell)
Wave-Like Line Accompanied by Geometric Lines (Graham Halliwell & Simon H. Fell)
1024 Words (Ian Smith, Simon H. Fell, Harris Eisenstadt)
Potassium (Ian Smith, Simon H. Fell, Harris Eisenstadt)
The Unit Vector Along the Z-Axis (Ian Smith, Simon H. Fell, Harris Eisenstadt)
Voiceless Velar Stop (Ian Smith, Simon H. Fell, Harris Eisenstadt)
Part 0 (Martin Archer & Simon H. Fell)
Part 1 (Martin Archer & Simon H. Fell)
Part 2 (Martin Archer & Simon H. Fell)
Part 3 (Martin Archer & Simon H. Fell)
Part 4 (Martin Archer & Simon H. Fell)
Part 5 (Martin Archer & Simon H. Fell)
16:58 (Simon H. Fell, Alex Ward, Mark Wastell)
Art 3 (Stefan Jaworzyn, Alan Wilkinson, Simon H. Fell)
55 Double Bass Players Go Apeshit
Bird Leg Nora, Coke Eye Laura and Good Lord the Lifter
Boycott Canadian Fish Products
Composition No. 11.6.4: Exchanges [2002]
Composition No. 33: the Exploding Flask of Muesli [1994]
Composition No. 35: Double Bass Octet [1995]
Composition No. 36: Tape Piece for Colin Huehns [1995]
Composition No. 44.1: Electronic Study No. 1 [1998-2002]
Composition No. 44.1: Electronic Study No. 1
Composition No. 56: the Improving Inglenook [2000-2002]
Composition No. 56: the Improving Inglenook
Composition No. 63: Ulysses [2002]
Composition Nos. 32 + 39: Three Electroacoustic Improvisations / Stretford [1994-1996]
Contrabassoon Concertino Construct
Crammed with Distressing Brain
Did He Lead a Good Life Until the Police Shot Him Down on St. James Street?
II - Duke Ellington on Microgroove
II - What That Chairman Told Tom
Movt. III - Particle Bombardment
Movt. IV - The Reciding Galaxies
Movt. IV - The Recording Galaxies
Movt. V - The Edge of the Universe
Mutual and Reciprocal Ceremonies
Old Bunk Is Only in Need for a Set of Teeth
On Seeing Barry Guy at Sainsbury's
Out to Lunch with Out to Lunch
Overestimating the Value of Precision
Part 1: Prelude, Swing & Variations
Part I - The Shirt Is Fabulous (For Pete)
Part I - The Shirt Is Fabulous
Part III - Flugel (For Martin)
Part VIII - Soprano (For Charlie)